![Black and White. A Portrait of Aubrey Beardsley [Uncorrected Proof Copy]. Bridgid Brophy](/images/noimage.png)
London: Jonathan Cape, 1968. Proof Copy. Printed Wraps. A Fine Uncorrected Proof Copy in Fine DJ. with a Provisional Publication Date of November 7th, 1968. Octavo. Pink printed wraps with dust jacket flap copy printed on paper and pasted to the front wrap. 95 pp with 44 illustrated plates. List..... More
New York: Harmony Books, 1976. First Edition. Cloth. Fine and a Fine unclipped dj. Quarto (7.5 x 9.5 inches). Yellow cloth with gilt lettered spine. 127 pp, fully illustrated. A fine portrait of potent and stylistic influences on art and design of modernism; the life and the black and white..... More
London: Academy Editions, 1972. First edition. Boards. Fine in a Fine dust jacket. Folio. (8.75 x 11.5 inches). Grey boards with gilt-lettered spine. 23 pp. A fine facsimile reprint of the first edition originally published 1902 by Longmans Green & Co. and printed by the Chiswick Press. The designs were..... More
London & New York: Ernest Nister and E. P. Dutton & Co., [1880]. First printing. Fine. Quarto (20.5 x 16 cm). Stiff wraps, ribbon bound. Illustrated title printed in colors. All edged gilt. [6], six plates. A sentimental offering of praise for the lyrics and verse of Robert Burns illustrated..... More
New York: E.P. Dutton & Company, 1883. Second Edition. Decorated Cloth. A Very Good+ copy. Corners bumped, head and foot of spine softened, shelf wear yet the pictorial gilt and silvered ornamentation on the boards is bright and rich, as are the fine heavily printed chromolithographed plates. Folio (9.75 x...... More
London: Academy Editions, 1976. First edition. Cloth. Fine in a Fine dust jacket. Folio (8.5 x 11.75) . Yellow cloth with gilt-lettered spine. 88 pp with 80 b/w plates and 8 color plate. Includes bibliography. Beautifully illustrated, the first modern analysis and warmly sympathetic portrait of one of the most..... More
London. New York. The Bodley Head. The Viking Press. 1950. First Edition. Cloth. Very Good+. Clipped ff.. Lightly rubbed boards. Octavo (6 x 8 Inches). Yellow decorated cloth with black lettering with Beardsley illustrations to boards and spine. Selection listing on rear board. [1-16] 372 pp, Color frontispiece by Max..... More
Stanford: Stanford University Press, 1975. First printing. printed wraps. Fine condition. 1 of 1000 copies of the first printing. Quarto. White printed stiff wraps. pp. 75 (1). fully illustrated. Stanford Art Book 15. Includes the scarce Keepsake Morris Crossword Puzzle by Curator Betsy G. Fryberger, which accompanied the exhibition. Single..... More
New York: Alfred A. Knopf, 1919. First Edition. 1/2 cloth. Near Fine Condition. Lightly stained front board, corners lightly tipped. Lacking ff.. All plate with printed tissue guards are bright and clean. bright and clean. Folio. 1/2 cloth over printed boards. Black illustration and lettering to front board. Lettered spine..... More
New York: Privately Printed for the Japan Society of New York, 1938. First edition. 1/4 cloth. Very Good+. Lightly soiled, shelf wear , internally fine; text block solid and plates clean and bright. One of 1000 copies printed by Peter Beilensen at the Walpole Printing Office in Mount Vernon, New..... More
London: William Heinemann, 1898. First printing. Matted in Rag Board. A Fine original color-printed lithograph. Quarto (9.75 x 12.25). Archivally double-matted to 14.25 x 16.5 inches, suitable for framing. William Nicholson (British 1872-1949) gained notoriety as a beloved portrayer of British Victorian culture with his dignified caricatures of both the..... More
London: William Heinemann, 1898. First printing. Matted in Rag Board. A Fine original color-printed lithograph. Quarto (9.75 x 12.25). Archivally double-matted to 14.25 x 16.5 inches, suitable for framing. William Nicholson (British 1872-1949) gained notoriety as a beloved portrayer of British Victorian culture with his dignified caricatures of both the..... More
London: William Heinemann, 1898. First printing. Archivally double-matted. A Fine original color-printed lithograph. Quarto (9.75 x 12.25). Archivally double-matted William Nicholson (British 1872-1949) gained notoriety as a beloved portrayer of British Victorian culture with his dignified caricatures of both the pillars of society and the lay folk. His woodcut portraits..... More
London: William Heinemann, 1898. First printing. framed in 1 inch black Eastlake-style moulding with conservation glass. Sized to 15.5 x 17.75 inches. A Fine Framed original color-printed lithograph. Quarto (9.75 x 12.25). Archivally double-matted and framed in 1 inch black Eastlake-style moulding with conservation glass. Sized to 15.5 x 17.75..... More
London: William Heinemann, 1898. First printing. framed in 1 inch black Eastlake-style moulding with conservation glass. Sized to 15.5 x 17.75 inches. A Fine Framed original color-printed lithograph. Quarto (9.75 x 12.25). Archivally double-matted and framed in 1 inch black Eastlake-style moulding with conservation glass. Sized to 15.5 x 17.75..... More
London: William Heinemann, 1898. First printing. Matted in Rag Board. A Fine original color-printed lithograph. Quarto (9.75 x 12.25). Archivally double-matted to 14.25 x 16.5 inches, suitable for framing. William Nicholson (British 1872-1949) gained notoriety as a beloved portrayer of British Victorian culture with his dignified caricatures of both the..... More
London: William Heinemann, 1898. First printing. framed in 1 inch black Eastlake-style moulding with conservation glass. Sized to 15.5 x 17.75 inches. A Fine Framed original color-printed lithograph. Quarto (9.75 x 12.25).Archivally double-matted and framed in 1 inch black Eastlake-style moulding with conservation glass. Sized to 15.5 x 17.75 inches..... More
London: William Heinemann, 1898. First printing. Archivally double-matted and framed in 1 inch black Eastlake-style moulding with conservation glass. Sized to 15.5 x 17.75 inches. A Fine Framed original color-printed lithograph. Quarto (9.75 x 12.25). Archivally double-matted and framed in 1 inch black Eastlake-style moulding with conservation glass. Sized to..... More
London: William Heinemann, 1898. First printing. Matted in Rag Board. A Fine original color-printed lithograph. Quarto (9.75 x 12.25). Archivally double-matted to 14.25 x 16.5 inches and framed in 1 inch Black Eastlake moulding. William Nicholson (British 1872-1949) gained notoriety as a beloved portrayer of British Victorian culture with his..... More
London: William Heinemann, 1898. First printing. Matted in Rag Board. A Fine original color-printed lithograph. Quarto (9.75 x 12.25). Archivally double-matted to 14.25 x 16.5 inches, suitable for framing. William Nicholson (British 1872-1949) gained notoriety as a beloved portrayer of British Victorian culture with his dignified caricatures of both the..... More
London: The Society for Promoting Christian Knowledge, 1853. First edition. Cloth. Near Fine Condition. Folio (11.5 x 14 inches). Original publisher's cloth with floral blind embossed decoration and gilt lettering to cover. Faint owner's signature dated 1854 on ff. Skillfully rebacked with gilt-lettered cloth spine. Lower corners slightly bumped, otherwise..... More
New York: Macmillan Publishing Co., Inc, 1975. First edition. Cloth. A Fine copy in a Fine Dust Jacket. Folio. Tan cloth with gilt-lettered spine. Illustrated endpapers. 208 pp. fully illustrated. A fine compendium of the work and talents of the popular and noted book illustrator, designer of textiles, fabrics, stained glass..... More
London: The Bodley Head, 1954. First printing. boards. Fine in a Near Fine DJ. Lightly rippled and soiled with small label stain to front of DJ otherwise fine. Royal Octavo (7.5 x 9.75). Blue boards with pictorial gilt to front board, gilt lettered spine. 200 pp. Color frontispiece plus 6..... More