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Shaw, George, MD, FRS, and Nodder, Frederick Polydore.
Plate # 199. Circular Vorticella. : Shaw & Nodder's The Naturalist's Miscellany or Coloured Figures of Natural Objects: Drawn and Described Immediately from Nature. A Fine and rare original hand-colored copperplate engraving by Frederick Polydore Nodder and/or his son Richard Polydore Nodder from The Naturalist's Miscellany. Octavo (6 x 9.5 inches, 15.24 x 24.13 cm). Includes the original text in both English and Latin by George Shaw, MD, FRS. The Naturalist's Miscellany, distinguished by the refined hand-colored copperplate engravings and astute naturalists' observations, was aptly named as a diverse naturalists' compendium of the birds, mammals, reptiles, insects, fish, and crustacean identified by seventeenth and eighteenth century naturalists spanning the globe, particularly around the South Seas. Many of nature's most fascinating and unusual creatures were discovered during this period, several of which were introduced through The Naturalist's Miscellany. Doctor George Shaw, (1751-1813), Fellow of the Royal Society, cofounder of the Linnaean Society, as well as Zoologist of the British Museum, contributed the text. Publication of the Naturalist's Miscellany ceased with his death in 1813. Upon the death of the artist FP Nodder (1770-1800), his wife Elizabeth, and their son Richard Polydore Nodder (1793-1820) contributed artistically and editorially to the publication. Indeed a family affair, both Frederick Polydore Nodder and his son Richard produced every one of the plates. A gifted and distinguished naturalist, Frederick P. Nodder was the preferred Botanical Painter to Her Majesty, Queen Charlotte. His early skills as botanical and animal draughtsman and engraver were honed from his association with Sir Joseph Banks, who employed Nodder to complete and engrave the drawings from the sketchbooks of the late Sydney Parkinson. Parkinson accompanied Banks as botanical draughtsman aboard Captain James Cook's The Endeavor in 1771. Parkinson died on the return of this South Seas Voyage. These engravings, along with the natural history collections of the British Museum, were the basis for the mastery of the Naturalist's Miscellany. Frederick's son, Richard P. Nodder, a gifted animal painter in his own right, was distinguished as botanic painter to King George III. At the time of its creation, The Naturalist's Miscellany was highly coveted as a definitive natural history offering, and as was the custom, the work was issued in installments between 1790 and 1813, and organized to be bound in a potential 24 volumes. Each volume was dedicated by permission and dutifully inscribed to the most devoted patrons and contributors of the natural historical pursuits of eighteenth and early nineteenth century Britain: (Queen Charlotte, Sir Joseph Banks, Thomas Pennant, Esq. The Universities of Oxford and Cambridge, The Trustees of the British Museum, to name a few.) An exceedingly rare series, very few complete sets remain today. (Andrews,1986, Blunt 151,Coats, 25, Sitwell FBB 142, Wood 482). Copyright: Lowry-James Rare Prints & Books, 1/09.
Publisher Information:
George Shaw and E. Nodder,
London:
1790 .
Price: $125.00
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Shaw, George, MD, FRS, and Nodder, Frederick Polydore.
Plate # 20. The Green Polype, or Hydra. : Shaw & Nodder's The Naturalist's Miscellany or Coloured Figures of Natural Objects: Drawn and Described Immediately from Nature. A Fine and rare original hand-colored copperplate engraving by Frederick Polydore Nodder and/or his son Richard Polydore Nodder from The Naturalist's Miscellany. Octavo (6 x 9.5 inches, 15.24 x 24.13 cm). Includes the original text in both English and Latin by George Shaw, MD, FRS. The Naturalist's Miscellany, distinguished by the refined hand-colored copperplate engravings and astute naturalists' observations, was aptly named as a diverse naturalists' compendium of the birds, mammals, reptiles, insects, fish, and crustacean identified by seventeenth and eighteenth century naturalists spanning the globe, particularly around the South Seas. Many of nature's most fascinating and unusual creatures were discovered during this period, several of which were introduced through The Naturalist's Miscellany. Doctor George Shaw, (1751-1813), Fellow of the Royal Society, cofounder of the Linnaean Society, as well as Zoologist of the British Museum, contributed the text. Publication of the Naturalist's Miscellany ceased with his death in 1813. Upon the death of the artist FP Nodder (1770-1800), his wife Elizabeth, and their son Richard Polydore Nodder (1793-1820) contributed artistically and editorially to the publication. Indeed a family affair, both Frederick Polydore Nodder and his son Richard produced every one of the plates. A gifted and distinguished naturalist, Frederick P. Nodder was the preferred Botanical Painter to Her Majesty, Queen Charlotte. His early skills as botanical and animal draughtsman and engraver were honed from his association with Sir Joseph Banks, who employed Nodder to complete and engrave the drawings from the sketchbooks of the late Sydney Parkinson. Parkinson accompanied Banks as botanical draughtsman aboard Captain James Cook's The Endeavor in 1771. Parkinson died on the return of this South Seas Voyage. These engravings, along with the natural history collections of the British Museum, were the basis for the mastery of the Naturalist's Miscellany. Frederick's son, Richard P. Nodder, a gifted animal painter in his own right, was distinguished as botanic painter to King George III. At the time of its creation, The Naturalist's Miscellany was highly coveted as a definitive natural history offering, and as was the custom, the work was issued in installments between 1790 and 1813, and organized to be bound in a potential 24 volumes. Each volume was dedicated by permission and dutifully inscribed to the most devoted patrons and contributors of the natural historical pursuits of eighteenth and early nineteenth century Britain: (Queen Charlotte, Sir Joseph Banks, Thomas Pennant, Esq. The Universities of Oxford and Cambridge, The Trustees of the British Museum, to name a few.) An exceedingly rare series, very few complete sets remain today. (Andrews,1986, Blunt 151,Coats, 25, Sitwell FBB 142, Wood 482). Copyright: Lowry-James Rare Prints & Books, 1/09.
Publisher Information:
George Shaw and E. Nodder,
London:
1790.
Price: $125.00
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Shaw, George, MD, FRS, and Nodder, Frederick Polydore.
Plate # 701. The Malimbic Bee-eater (Merops malimbicus) : Shaw & Nodder's The Naturalist's Miscellany or Coloured Figures of Natural Objects: Drawn and Described Immediately from Nature. A Fine and rare original hand-colored copperplate engraving by Frederick Polydore Nodder and/or his son Richard Polydore Nodder from The Naturalist's Miscellany. Octavo (6 x 9.5 inches, 15.24 x 24.13 cm). Includes the original text in both English and Latin by George Shaw, MD, FRS. The Naturalist's Miscellany, distinguished by the refined hand-colored copperplate engravings and astute naturalists' observations, was aptly named as a diverse naturalists' compendium of the birds, mammals, reptiles, insects, fish, and crustacean identified by seventeenth and eighteenth century naturalists spanning the globe, particularly around the South Seas. Many of nature's most fascinating and unusual creatures were discovered during this period, several of which were introduced through The Naturalist's Miscellany. Doctor George Shaw, (1751-1813), Fellow of the Royal Society, cofounder of the Linnaean Society, as well as Zoologist of the British Museum, contributed the text. Publication of the Naturalist's Miscellany ceased with his death in 1813. Upon the death of the artist FP Nodder (1770-1800), his wife Elizabeth, and their son Richard Polydore Nodder (1793-1820) contributed artistically and editorially to the publication. Indeed a family affair, both Frederick Polydore Nodder and his son Richard produced every one of the plates. A gifted and distinguished naturalist, Frederick P. Nodder was the preferred Botanical Painter to Her Majesty, Queen Charlotte. His early skills as botanical and animal draughtsman and engraver were honed from his association with Sir Joseph Banks, who employed Nodder to complete and engrave the drawings from the sketchbooks of the late Sydney Parkinson. Parkinson accompanied Banks as botanical draughtsman aboard Captain James Cook's The Endeavor in 1771. Parkinson died on the return of this South Seas Voyage. These engravings, along with the natural history collections of the British Museum, were the basis for the mastery of the Naturalist's Miscellany. Frederick's son, Richard P. Nodder, a gifted animal painter in his own right, was distinguished as botanic painter to King George III. At the time of its creation, The Naturalist's Miscellany was highly coveted as a definitive natural history offering, and as was the custom, the work was issued in installments between 1790 and 1813, and organized to be bound in a potential 24 volumes. Each volume was dedicated by permission and dutifully inscribed to the most devoted patrons and contributors of the natural historical pursuits of eighteenth and early nineteenth century Britain: (Queen Charlotte, Sir Joseph Banks, Thomas Pennant, Esq. The Universities of Oxford and Cambridge, The Trustees of the British Museum, to name a few.) An exceedingly rare series, very few complete sets remain today. (Andrews,1986, Blunt 151,Coats, 25, Sitwell FBB 142, Wood 482). Copyright: Lowry-James Rare Prints & Books, 1/09.
The Malimibic Bee-Eater is a native of the interior parts of Africa, and is of the size of the Merops Apiaster of Linnĉus, or common Bee-eater. It seems to have been first described by Monsieur Daudin, in the Annales du Museum National d'Histoire Naturelle. G. Shaw.
Publisher Information:
George Shaw and E. Nodder,
London:
1809.
Price: $225.00
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Shaw, George, MD, FRS, and Nodder, Frederick Polydore.
Plate # 705 Brazilian Curlew (Numenius Guarauna) : Shaw & Nodder's The Naturalist's Miscellany or Coloured Figures of Natural Objects: Drawn and Described Immediately from Nature. A Fine and rare original hand-colored copperplate engraving by Frederick Polydore Nodder and/or his son Richard Polydore Nodder from The Naturalist's Miscellany. Octavo (6 x 9.5 inches, 15.24 x 24.13 cm). Includes the original text in both English and Latin by George Shaw, MD, FRS. The Naturalist's Miscellany, distinguished by the refined hand-colored copperplate engravings and astute naturalists' observations, was aptly named as a diverse naturalists' compendium of the birds, mammals, reptiles, insects, fish, and crustacean identified by seventeenth and eighteenth century naturalists spanning the globe, particularly around the South Seas. Many of nature's most fascinating and unusual creatures were discovered during this period, several of which were introduced through The Naturalist's Miscellany. Doctor George Shaw, (1751-1813), Fellow of the Royal Society, cofounder of the Linnaean Society, as well as Zoologist of the British Museum, contributed the text. Publication of the Naturalist's Miscellany ceased with his death in 1813. Upon the death of the artist FP Nodder (1770-1800), his wife Elizabeth, and their son Richard Polydore Nodder (1793-1820) contributed artistically and editorially to the publication. Indeed a family affair, both Frederick Polydore Nodder and his son Richard produced every one of the plates. A gifted and distinguished naturalist, Frederick P. Nodder was the preferred Botanical Painter to Her Majesty, Queen Charlotte. His early skills as botanical and animal draughtsman and engraver were honed from his association with Sir Joseph Banks, who employed Nodder to complete and engrave the drawings from the sketchbooks of the late Sydney Parkinson. Parkinson accompanied Banks as botanical draughtsman aboard Captain James Cook's The Endeavor in 1771. Parkinson died on the return of this South Seas Voyage. These engravings, along with the natural history collections of the British Museum, were the basis for the mastery of the Naturalist's Miscellany. Frederick's son, Richard P. Nodder, a gifted animal painter in his own right, was distinguished as botanic painter to King George III. At the time of its creation, The Naturalist's Miscellany was highly coveted as a definitive natural history offering, and as was the custom, the work was issued in installments between 1790 and 1813, and organized to be bound in a potential 24 volumes. Each volume was dedicated by permission and dutifully inscribed to the most devoted patrons and contributors of the natural historical pursuits of eighteenth and early nineteenth century Britain: (Queen Charlotte, Sir Joseph Banks, Thomas Pennant, Esq. The Universities of Oxford and Cambridge, The Trustees of the British Museum, to name a few.) An exceedingly rare series, very few complete sets remain today. (Andrews,1986, Blunt 151,Coats, 25, Sitwell FBB 142, Wood 482). Copyright: Lowry-James Rare Prints & Books, 1/09.
The highly rare and curious bird exhibitied on the present plate, was communicated by the Reverend Mr. Hugh Davis.
Publisher Information:
George Shaw and E. Nodder,
London:
1809.
Price: $250.00
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Shaw, George, MD, FRS, and Nodder, Frederick Polydore.
Plate # 713 The Boat-bill (Cancroma cochlearia) : Shaw & Nodder's The Naturalist's Miscellany or Coloured Figures of Natural Objects: Drawn and Described Immediately from Nature. A Fine and rare original hand-colored copperplate engraving by Frederick Polydore Nodder and/or his son Richard Polydore Nodder from The Naturalist's Miscellany. Octavo (6 x 9.5 inches, 15.24 x 24.13 cm). Includes the original text in both English and Latin by George Shaw, MD, FRS. The Naturalist's Miscellany, distinguished by the refined hand-colored copperplate engravings and astute naturalists' observations, was aptly named as a diverse naturalists' compendium of the birds, mammals, reptiles, insects, fish, and crustacean identified by seventeenth and eighteenth century naturalists spanning the globe, particularly around the South Seas. Many of nature's most fascinating and unusual creatures were discovered during this period, several of which were introduced through The Naturalist's Miscellany. Doctor George Shaw, (1751-1813), Fellow of the Royal Society, cofounder of the Linnaean Society, as well as Zoologist of the British Museum, contributed the text. Publication of the Naturalist's Miscellany ceased with his death in 1813. Upon the death of the artist FP Nodder (1770-1800), his wife Elizabeth, and their son Richard Polydore Nodder (1793-1820) contributed artistically and editorially to the publication. Indeed a family affair, both Frederick Polydore Nodder and his son Richard produced every one of the plates. A gifted and distinguished naturalist, Frederick P. Nodder was the preferred Botanical Painter to Her Majesty, Queen Charlotte. His early skills as botanical and animal draughtsman and engraver were honed from his association with Sir Joseph Banks, who employed Nodder to complete and engrave the drawings from the sketchbooks of the late Sydney Parkinson. Parkinson accompanied Banks as botanical draughtsman aboard Captain James Cook's The Endeavor in 1771. Parkinson died on the return of this South Seas Voyage. These engravings, along with the natural history collections of the British Museum, were the basis for the mastery of the Naturalist's Miscellany. Frederick's son, Richard P. Nodder, a gifted animal painter in his own right, was distinguished as botanic painter to King George III. At the time of its creation, The Naturalist's Miscellany was highly coveted as a definitive natural history offering, and as was the custom, the work was issued in installments between 1790 and 1813, and organized to be bound in a potential 24 volumes. Each volume was dedicated by permission and dutifully inscribed to the most devoted patrons and contributors of the natural historical pursuits of eighteenth and early nineteenth century Britain: (Queen Charlotte, Sir Joseph Banks, Thomas Pennant, Esq. The Universities of Oxford and Cambridge, The Trustees of the British Museum, to name a few.) An exceedingly rare series, very few complete sets remain today. (Andrews,1986, Blunt 151,Coats, 25, Sitwell FBB 142, Wood 482). Copyright: Lowry-James Rare Prints & Books, 1/09.
The Boat-bill is an inhabitant of South America, where it frequents watery places, feeding nearly in the manner of herons, on frogs, fish, etc. G. Shaw
Publisher Information:
George Shaw and E. Nodder,
London:
1809.
Price: $250.00
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Shaw, George, MD, FRS, and Nodder, Frederick Polydore.
Plate # 721 The Crested Ibis (Tantalus Cristatus) : Shaw & Nodder's The Naturalist's Miscellany or Coloured Figures of Natural Objects: Drawn and Described Immediately from Nature. A Fine and rare original hand-colored copperplate engraving by Frederick Polydore Nodder and/or his son Richard Polydore Nodder from The Naturalist's Miscellany. Octavo (6 x 9.5 inches, 15.24 x 24.13 cm). Includes the original text in both English and Latin by George Shaw, MD, FRS. The Naturalist's Miscellany, distinguished by the refined hand-colored copperplate engravings and astute naturalists' observations, was aptly named as a diverse naturalists' compendium of the birds, mammals, reptiles, insects, fish, and crustacean identified by seventeenth and eighteenth century naturalists spanning the globe, particularly around the South Seas. Many of nature's most fascinating and unusual creatures were discovered during this period, several of which were introduced through The Naturalist's Miscellany. Doctor George Shaw, (1751-1813), Fellow of the Royal Society, cofounder of the Linnaean Society, as well as Zoologist of the British Museum, contributed the text. Publication of the Naturalist's Miscellany ceased with his death in 1813. Upon the death of the artist FP Nodder (1770-1800), his wife Elizabeth, and their son Richard Polydore Nodder (1793-1820) contributed artistically and editorially to the publication. Indeed a family affair, both Frederick Polydore Nodder and his son Richard produced every one of the plates. A gifted and distinguished naturalist, Frederick P. Nodder was the preferred Botanical Painter to Her Majesty, Queen Charlotte. His early skills as botanical and animal draughtsman and engraver were honed from his association with Sir Joseph Banks, who employed Nodder to complete and engrave the drawings from the sketchbooks of the late Sydney Parkinson. Parkinson accompanied Banks as botanical draughtsman aboard Captain James Cook's The Endeavor in 1771. Parkinson died on the return of this South Seas Voyage. These engravings, along with the natural history collections of the British Museum, were the basis for the mastery of the Naturalist's Miscellany. Frederick's son, Richard P. Nodder, a gifted animal painter in his own right, was distinguished as botanic painter to King George III. At the time of its creation, The Naturalist's Miscellany was highly coveted as a definitive natural history offering, and as was the custom, the work was issued in installments between 1790 and 1813, and organized to be bound in a potential 24 volumes. Each volume was dedicated by permission and dutifully inscribed to the most devoted patrons and contributors of the natural historical pursuits of eighteenth and early nineteenth century Britain: (Queen Charlotte, Sir Joseph Banks, Thomas Pennant, Esq. The Universities of Oxford and Cambridge, The Trustees of the British Museum, to name a few.) An exceedingly rare series, very few complete sets remain today. (Andrews,1986, Blunt 151,Coats, 25, Sitwell FBB 142, Wood 482). Copyright: Lowry-James Rare Prints & Books, 1/09.
The present species of Ibis, which is about the size of the common Curlew, is an inhabitant of the island of Madagascar, and may justly be considered as one of the most elegant birds of its genus.
Publisher Information:
George Shaw and E. Nodder,
London:
1809.
Price: $250.00
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Shaw, George, MD, FRS, and Nodder, Frederick Polydore.
Plate # 741 Falco Communis. (The Common Falcon). : Shaw & Nodder's The Naturalist's Miscellany or Coloured Figures of Natural Objects: Drawn and Described Immediately from Nature. A Fine and rare original hand-colored copperplate engraving by Frederick Polydore Nodder and/or his son Richard Polydore Nodder from The Naturalist's Miscellany. Octavo (6 x 9.5 inches, 15.24 x 24.13 cm). Includes the original text in both English and Latin by George Shaw, MD, FRS. The Naturalist's Miscellany, distinguished by the refined hand-colored copperplate engravings and astute naturalists' observations, was aptly named as a diverse naturalists' compendium of the birds, mammals, reptiles, insects, fish, and crustacean identified by seventeenth and eighteenth century naturalists spanning the globe, particularly around the South Seas. Many of nature's most fascinating and unusual creatures were discovered during this period, several of which were introduced through The Naturalist's Miscellany. Doctor George Shaw, (1751-1813), Fellow of the Royal Society, cofounder of the Linnaean Society, as well as Zoologist of the British Museum, contributed the text. Publication of the Naturalist's Miscellany ceased with his death in 1813. Upon the death of the artist FP Nodder (1770-1800), his wife Elizabeth, and their son Richard Polydore Nodder (1793-1820) contributed artistically and editorially to the publication. Indeed a family affair, both Frederick Polydore Nodder and his son Richard produced every one of the plates. A gifted and distinguished naturalist, Frederick P. Nodder was the preferred Botanical Painter to Her Majesty, Queen Charlotte. His early skills as botanical and animal draughtsman and engraver were honed from his association with Sir Joseph Banks, who employed Nodder to complete and engrave the drawings from the sketchbooks of the late Sydney Parkinson. Parkinson accompanied Banks as botanical draughtsman aboard Captain James Cook's The Endeavor in 1771. Parkinson died on the return of this South Seas Voyage. These engravings, along with the natural history collections of the British Museum, were the basis for the mastery of the Naturalist's Miscellany. Frederick's son, Richard P. Nodder, a gifted animal painter in his own right, was distinguished as botanic painter to King George III. At the time of its creation, The Naturalist's Miscellany was highly coveted as a definitive natural history offering, and as was the custom, the work was issued in installments between 1790 and 1813, and organized to be bound in a potential 24 volumes. Each volume was dedicated by permission and dutifully inscribed to the most devoted patrons and contributors of the natural historical pursuits of eighteenth and early nineteenth century Britain: (Queen Charlotte, Sir Joseph Banks, Thomas Pennant, Esq. The Universities of Oxford and Cambridge, The Trustees of the British Museum, to name a few.) An exceedingly rare series, very few complete sets remain today. (Andrews,1986, Blunt 151,Coats, 25, Sitwell FBB 142, Wood 482). Copyright: Lowry-James Rare Prints & Books, 1/09.
The Common Falcon is somewhat larger than the Goshawk, measuring about eighteen inches in length. The Falcon is native of most parts of the European Continent. G. Shaw
Publisher Information:
George Shaw and E. Nodder,
London:
1809.
Price: $250.00
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Shaw, George, MD, FRS, and Nodder, Frederick Polydore.
Plate # 783. Adippe. (Papilio Adippe). : Shaw & Nodder's The Naturalist's Miscellany or Coloured Figures of Natural Objects: Drawn and Described Immediately from Nature. A Fine and rare original hand-colored copperplate engraving by Frederick Polydore Nodder and/or his son Richard Polydore Nodder from The Naturalist's Miscellany. Octavo (6 x 9.5 inches, 15.24 x 24.13 cm). Includes the original text in both English and Latin by George Shaw, MD, FRS. The Naturalist's Miscellany, distinguished by the refined hand-colored copperplate engravings and astute naturalists' observations, was aptly named as a diverse naturalists' compendium of the birds, mammals, reptiles, insects, fish, and crustacean identified by seventeenth and eighteenth century naturalists spanning the globe, particularly around the South Seas. Many of nature's most fascinating and unusual creatures were discovered during this period, several of which were introduced through The Naturalist's Miscellany. Doctor George Shaw, (1751-1813), Fellow of the Royal Society, cofounder of the Linnaean Society, as well as Zoologist of the British Museum, contributed the text. Publication of the Naturalist's Miscellany ceased with his death in 1813. Upon the death of the artist FP Nodder (1770-1800), his wife Elizabeth, and their son Richard Polydore Nodder (1793-1820) contributed artistically and editorially to the publication. Indeed a family affair, both Frederick Polydore Nodder and his son Richard produced every one of the plates. A gifted and distinguished naturalist, Frederick P. Nodder was the preferred Botanical Painter to Her Majesty, Queen Charlotte. His early skills as botanical and animal draughtsman and engraver were honed from his association with Sir Joseph Banks, who employed Nodder to complete and engrave the drawings from the sketchbooks of the late Sydney Parkinson. Parkinson accompanied Banks as botanical draughtsman aboard Captain James Cook's The Endeavor in 1771. Parkinson died on the return of this South Seas Voyage. These engravings, along with the natural history collections of the British Museum, were the basis for the mastery of the Naturalist's Miscellany. Frederick's son, Richard P. Nodder, a gifted animal painter in his own right, was distinguished as botanic painter to King George III. At the time of its creation, The Naturalist's Miscellany was highly coveted as a definitive natural history offering, and as was the custom, the work was issued in installments between 1790 and 1813, and organized to be bound in a potential 24 volumes. Each volume was dedicated by permission and dutifully inscribed to the most devoted patrons and contributors of the natural historical pursuits of eighteenth and early nineteenth century Britain: (Queen Charlotte, Sir Joseph Banks, Thomas Pennant, Esq. The Universities of Oxford and Cambridge, The Trustees of the British Museum, to name a few.) An exceedingly rare series, very few complete sets remain today. (Andrews,1986, Blunt 151,Coats, 25, Sitwell FBB 142, Wood 482). Copyright: Lowry-James Rare Prints & Books, 1/09.
Publisher Information:
George Shaw and E. Nodder,
London:
1809.
Price: $150.00
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Shaw, George, MD, FRS, and Nodder, Frederick Polydore.
Plate # 786. The Trimaculated Labrus. (Labrus trimaculatus). : Shaw & Nodder's The Naturalist's Miscellany or Coloured Figures of Natural Objects: Drawn and Described Immediately from Nature. A Fine and rare original hand-colored copperplate engraving by Frederick Polydore Nodder and/or his son Richard Polydore Nodder from The Naturalist's Miscellany. Octavo (6 x 9.5 inches, 15.24 x 24.13 cm). Includes the original text in both English and Latin by George Shaw, MD, FRS. The Naturalist's Miscellany, distinguished by the refined hand-colored copperplate engravings and astute naturalists' observations, was aptly named as a diverse naturalists' compendium of the birds, mammals, reptiles, insects, fish, and crustacean identified by seventeenth and eighteenth century naturalists spanning the globe, particularly around the South Seas. Many of nature's most fascinating and unusual creatures were discovered during this period, several of which were introduced through The Naturalist's Miscellany. Doctor George Shaw, (1751-1813), Fellow of the Royal Society, cofounder of the Linnaean Society, as well as Zoologist of the British Museum, contributed the text. Publication of the Naturalist's Miscellany ceased with his death in 1813. Upon the death of the artist FP Nodder (1770-1800), his wife Elizabeth, and their son Richard Polydore Nodder (1793-1820) contributed artistically and editorially to the publication. Indeed a family affair, both Frederick Polydore Nodder and his son Richard produced every one of the plates. A gifted and distinguished naturalist, Frederick P. Nodder was the preferred Botanical Painter to Her Majesty, Queen Charlotte. His early skills as botanical and animal draughtsman and engraver were honed from his association with Sir Joseph Banks, who employed Nodder to complete and engrave the drawings from the sketchbooks of the late Sydney Parkinson. Parkinson accompanied Banks as botanical draughtsman aboard Captain James Cook's The Endeavor in 1771. Parkinson died on the return of this South Seas Voyage. These engravings, along with the natural history collections of the British Museum, were the basis for the mastery of the Naturalist's Miscellany. Frederick's son, Richard P. Nodder, a gifted animal painter in his own right, was distinguished as botanic painter to King George III. At the time of its creation, The Naturalist's Miscellany was highly coveted as a definitive natural history offering, and as was the custom, the work was issued in installments between 1790 and 1813, and organized to be bound in a potential 24 volumes. Each volume was dedicated by permission and dutifully inscribed to the most devoted patrons and contributors of the natural historical pursuits of eighteenth and early nineteenth century Britain: (Queen Charlotte, Sir Joseph Banks, Thomas Pennant, Esq. The Universities of Oxford and Cambridge, The Trustees of the British Museum, to name a few.) An exceedingly rare series, very few complete sets remain today. (Andrews,1986, Blunt 151,Coats, 25, Sitwell FBB 142, Wood 482). Copyright: Lowry-James Rare Prints & Books, 1/09.
Publisher Information:
George Shaw and E. Nodder,
London:
1809.
Price: $150.00
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Shaw, George, MD, FRS, and Nodder, Frederick Polydore.
Plate # 787. Amphinome. (Papilio Amphinome). : Shaw & Nodder's The Naturalist's Miscellany or Coloured Figures of Natural Objects: Drawn and Described Immediately from Nature. A Fine and rare original hand-colored copperplate engraving by Frederick Polydore Nodder and/or his son Richard Polydore Nodder from The Naturalist's Miscellany. Octavo (6 x 9.5 inches, 15.24 x 24.13 cm). Includes the original text in both English and Latin by George Shaw, MD, FRS. The Naturalist's Miscellany, distinguished by the refined hand-colored copperplate engravings and astute naturalists' observations, was aptly named as a diverse naturalists' compendium of the birds, mammals, reptiles, insects, fish, and crustacean identified by seventeenth and eighteenth century naturalists spanning the globe, particularly around the South Seas. Many of nature's most fascinating and unusual creatures were discovered during this period, several of which were introduced through The Naturalist's Miscellany. Doctor George Shaw, (1751-1813), Fellow of the Royal Society, cofounder of the Linnaean Society, as well as Zoologist of the British Museum, contributed the text. Publication of the Naturalist's Miscellany ceased with his death in 1813. Upon the death of the artist FP Nodder (1770-1800), his wife Elizabeth, and their son Richard Polydore Nodder (1793-1820) contributed artistically and editorially to the publication. Indeed a family affair, both Frederick Polydore Nodder and his son Richard produced every one of the plates. A gifted and distinguished naturalist, Frederick P. Nodder was the preferred Botanical Painter to Her Majesty, Queen Charlotte. His early skills as botanical and animal draughtsman and engraver were honed from his association with Sir Joseph Banks, who employed Nodder to complete and engrave the drawings from the sketchbooks of the late Sydney Parkinson. Parkinson accompanied Banks as botanical draughtsman aboard Captain James Cook's The Endeavor in 1771. Parkinson died on the return of this South Seas Voyage. These engravings, along with the natural history collections of the British Museum, were the basis for the mastery of the Naturalist's Miscellany. Frederick's son, Richard P. Nodder, a gifted animal painter in his own right, was distinguished as botanic painter to King George III. At the time of its creation, The Naturalist's Miscellany was highly coveted as a definitive natural history offering, and as was the custom, the work was issued in installments between 1790 and 1813, and organized to be bound in a potential 24 volumes. Each volume was dedicated by permission and dutifully inscribed to the most devoted patrons and contributors of the natural historical pursuits of eighteenth and early nineteenth century Britain: (Queen Charlotte, Sir Joseph Banks, Thomas Pennant, Esq. The Universities of Oxford and Cambridge, The Trustees of the British Museum, to name a few.) An exceedingly rare series, very few complete sets remain today. (Andrews,1986, Blunt 151,Coats, 25, Sitwell FBB 142, Wood 482). Copyright: Lowry-James Rare Prints & Books, 1/09.
Publisher Information:
George Shaw and E. Nodder,
London:
1809.
Price: $175.00
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Shaw, George, MD, FRS, and Nodder, Frederick Polydore.
Plate # 792. The Cirrhated Aphrodita. : Shaw & Nodder's The Naturalist's Miscellany or Coloured Figures of Natural Objects: Drawn and Described Immediately from Nature. A Fine and rare original hand-colored copperplate engraving by Frederick Polydore Nodder and/or his son Richard Polydore Nodder from The Naturalist's Miscellany. Octavo (6 x 9.5 inches, 15.24 x 24.13 cm). Includes the original text in both English and Latin by George Shaw, MD, FRS. The Naturalist's Miscellany, distinguished by the refined hand-colored copperplate engravings and astute naturalists' observations, was aptly named as a diverse naturalists' compendium of the birds, mammals, reptiles, insects, fish, and crustacean identified by seventeenth and eighteenth century naturalists spanning the globe, particularly around the South Seas. Many of nature's most fascinating and unusual creatures were discovered during this period, several of which were introduced through The Naturalist's Miscellany. Doctor George Shaw, (1751-1813), Fellow of the Royal Society, cofounder of the Linnaean Society, as well as Zoologist of the British Museum, contributed the text. Publication of the Naturalist's Miscellany ceased with his death in 1813. Upon the death of the artist FP Nodder (1770-1800), his wife Elizabeth, and their son Richard Polydore Nodder (1793-1820) contributed artistically and editorially to the publication. Indeed a family affair, both Frederick Polydore Nodder and his son Richard produced every one of the plates. A gifted and distinguished naturalist, Frederick P. Nodder was the preferred Botanical Painter to Her Majesty, Queen Charlotte. His early skills as botanical and animal draughtsman and engraver were honed from his association with Sir Joseph Banks, who employed Nodder to complete and engrave the drawings from the sketchbooks of the late Sydney Parkinson. Parkinson accompanied Banks as botanical draughtsman aboard Captain James Cook's The Endeavor in 1771. Parkinson died on the return of this South Seas Voyage. These engravings, along with the natural history collections of the British Museum, were the basis for the mastery of the Naturalist's Miscellany. Frederick's son, Richard P. Nodder, a gifted animal painter in his own right, was distinguished as botanic painter to King George III. At the time of its creation, The Naturalist's Miscellany was highly coveted as a definitive natural history offering, and as was the custom, the work was issued in installments between 1790 and 1813, and organized to be bound in a potential 24 volumes. Each volume was dedicated by permission and dutifully inscribed to the most devoted patrons and contributors of the natural historical pursuits of eighteenth and early nineteenth century Britain: (Queen Charlotte, Sir Joseph Banks, Thomas Pennant, Esq. The Universities of Oxford and Cambridge, The Trustees of the British Museum, to name a few.) An exceedingly rare series, very few complete sets remain today. (Andrews,1986, Blunt 151,Coats, 25, Sitwell FBB 142, Wood 482). Copyright: Lowry-James Rare Prints & Books, 1/09.
"This species is described in the work of Dr. Pallas, entitled 'Miscellanea Zoologica'. G. Shaw.
Publisher Information:
George Shaw and E. Nodder,
London:
1809.
Price: $75.00
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Shaw, George, MD, FRS, and Nodder, Frederick Polydore.
Plate # 794. The Cretan Scarus. (Scarus Cretensis) : Shaw & Nodder's The Naturalist's Miscellany or Coloured Figures of Natural Objects: Drawn and Described Immediately from Nature. A Fine and rare original hand-colored copperplate engraving by Frederick Polydore Nodder and/or his son Richard Polydore Nodder from The Naturalist's Miscellany. Octavo (6 x 9.5 inches, 15.24 x 24.13 cm). Includes the original text in both English and Latin by George Shaw, MD, FRS. The Naturalist's Miscellany, distinguished by the refined hand-colored copperplate engravings and astute naturalists' observations, was aptly named as a diverse naturalists' compendium of the birds, mammals, reptiles, insects, fish, and crustacean identified by seventeenth and eighteenth century naturalists spanning the globe, particularly around the South Seas. Many of nature's most fascinating and unusual creatures were discovered during this period, several of which were introduced through The Naturalist's Miscellany. Doctor George Shaw, (1751-1813), Fellow of the Royal Society, cofounder of the Linnaean Society, as well as Zoologist of the British Museum, contributed the text. Publication of the Naturalist's Miscellany ceased with his death in 1813. Upon the death of the artist FP Nodder (1770-1800), his wife Elizabeth, and their son Richard Polydore Nodder (1793-1820) contributed artistically and editorially to the publication. Indeed a family affair, both Frederick Polydore Nodder and his son Richard produced every one of the plates. A gifted and distinguished naturalist, Frederick P. Nodder was the preferred Botanical Painter to Her Majesty, Queen Charlotte. His early skills as botanical and animal draughtsman and engraver were honed from his association with Sir Joseph Banks, who employed Nodder to complete and engrave the drawings from the sketchbooks of the late Sydney Parkinson. Parkinson accompanied Banks as botanical draughtsman aboard Captain James Cook's The Endeavor in 1771. Parkinson died on the return of this South Seas Voyage. These engravings, along with the natural history collections of the British Museum, were the basis for the mastery of the Naturalist's Miscellany. Frederick's son, Richard P. Nodder, a gifted animal painter in his own right, was distinguished as botanic painter to King George III. At the time of its creation, The Naturalist's Miscellany was highly coveted as a definitive natural history offering, and as was the custom, the work was issued in installments between 1790 and 1813, and organized to be bound in a potential 24 volumes. Each volume was dedicated by permission and dutifully inscribed to the most devoted patrons and contributors of the natural historical pursuits of eighteenth and early nineteenth century Britain: (Queen Charlotte, Sir Joseph Banks, Thomas Pennant, Esq. The Universities of Oxford and Cambridge, The Trustees of the British Museum, to name a few.) An exceedingly rare series, very few complete sets remain today. (Andrews,1986, Blunt 151,Coats, 25, Sitwell FBB 142, Wood 482). Copyright: Lowry-James Rare Prints & Books, 1/09.
Publisher Information:
George Shaw and E. Nodder,
London:
1809.
Price: $195.00
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Shaw, George, MD, FRS, and Nodder, Frederick Polydore.
Plate # 796. The Aculeated Brachionus. : Shaw & Nodder's The Naturalist's Miscellany or Coloured Figures of Natural Objects: Drawn and Described Immediately from Nature. A Fine and rare original hand-colored copperplate engraving by Frederick Polydore Nodder and/or his son Richard Polydore Nodder from The Naturalist's Miscellany. Octavo (6 x 9.5 inches, 15.24 x 24.13 cm). Includes the original text in both English and Latin by George Shaw, MD, FRS. The Naturalist's Miscellany, distinguished by the refined hand-colored copperplate engravings and astute naturalists' observations, was aptly named as a diverse naturalists' compendium of the birds, mammals, reptiles, insects, fish, and crustacean identified by seventeenth and eighteenth century naturalists spanning the globe, particularly around the South Seas. Many of nature's most fascinating and unusual creatures were discovered during this period, several of which were introduced through The Naturalist's Miscellany. Doctor George Shaw, (1751-1813), Fellow of the Royal Society, cofounder of the Linnaean Society, as well as Zoologist of the British Museum, contributed the text. Publication of the Naturalist's Miscellany ceased with his death in 1813. Upon the death of the artist FP Nodder (1770-1800), his wife Elizabeth, and their son Richard Polydore Nodder (1793-1820) contributed artistically and editorially to the publication. Indeed a family affair, both Frederick Polydore Nodder and his son Richard produced every one of the plates. A gifted and distinguished naturalist, Frederick P. Nodder was the preferred Botanical Painter to Her Majesty, Queen Charlotte. His early skills as botanical and animal draughtsman and engraver were honed from his association with Sir Joseph Banks, who employed Nodder to complete and engrave the drawings from the sketchbooks of the late Sydney Parkinson. Parkinson accompanied Banks as botanical draughtsman aboard Captain James Cook's The Endeavor in 1771. Parkinson died on the return of this South Seas Voyage. These engravings, along with the natural history collections of the British Museum, were the basis for the mastery of the Naturalist's Miscellany. Frederick's son, Richard P. Nodder, a gifted animal painter in his own right, was distinguished as botanic painter to King George III. At the time of its creation, The Naturalist's Miscellany was highly coveted as a definitive natural history offering, and as was the custom, the work was issued in installments between 1790 and 1813, and organized to be bound in a potential 24 volumes. Each volume was dedicated by permission and dutifully inscribed to the most devoted patrons and contributors of the natural historical pursuits of eighteenth and early nineteenth century Britain: (Queen Charlotte, Sir Joseph Banks, Thomas Pennant, Esq. The Universities of Oxford and Cambridge, The Trustees of the British Museum, to name a few.) An exceedingly rare series, very few complete sets remain today. (Andrews,1986, Blunt 151,Coats, 25, Sitwell FBB 142, Wood 482). Copyright: Lowry-James Rare Prints & Books, 1/09.
Publisher Information:
George Shaw and E. Nodder,
London:
1809.
Price: $75.00
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Shaw, George, MD, FRS, and Nodder, Frederick Polydore.
Plate # 798. The Twisted Tubularia : Shaw & Nodder's The Naturalist's Miscellany or Coloured Figures of Natural Objects: Drawn and Described Immediately from Nature. A Fine and rare original hand-colored copperplate engraving by Frederick Polydore Nodder and/or his son Richard Polydore Nodder from The Naturalist's Miscellany. Octavo (6 x 9.5 inches, 15.24 x 24.13 cm). Includes the original text in both English and Latin by George Shaw, MD, FRS. The Naturalist's Miscellany, distinguished by the refined hand-colored copperplate engravings and astute naturalists' observations, was aptly named as a diverse naturalists' compendium of the birds, mammals, reptiles, insects, fish, and crustacean identified by seventeenth and eighteenth century naturalists spanning the globe, particularly around the South Seas. Many of nature's most fascinating and unusual creatures were discovered during this period, several of which were introduced through The Naturalist's Miscellany. Doctor George Shaw, (1751-1813), Fellow of the Royal Society, cofounder of the Linnaean Society, as well as Zoologist of the British Museum, contributed the text. Publication of the Naturalist's Miscellany ceased with his death in 1813. Upon the death of the artist FP Nodder (1770-1800), his wife Elizabeth, and their son Richard Polydore Nodder (1793-1820) contributed artistically and editorially to the publication. Indeed a family affair, both Frederick Polydore Nodder and his son Richard produced every one of the plates. A gifted and distinguished naturalist, Frederick P. Nodder was the preferred Botanical Painter to Her Majesty, Queen Charlotte. His early skills as botanical and animal draughtsman and engraver were honed from his association with Sir Joseph Banks, who employed Nodder to complete and engrave the drawings from the sketchbooks of the late Sydney Parkinson. Parkinson accompanied Banks as botanical draughtsman aboard Captain James Cook's The Endeavor in 1771. Parkinson died on the return of this South Seas Voyage. These engravings, along with the natural history collections of the British Museum, were the basis for the mastery of the Naturalist's Miscellany. Frederick's son, Richard P. Nodder, a gifted animal painter in his own right, was distinguished as botanic painter to King George III. At the time of its creation, The Naturalist's Miscellany was highly coveted as a definitive natural history offering, and as was the custom, the work was issued in installments between 1790 and 1813, and organized to be bound in a potential 24 volumes. Each volume was dedicated by permission and dutifully inscribed to the most devoted patrons and contributors of the natural historical pursuits of eighteenth and early nineteenth century Britain: (Queen Charlotte, Sir Joseph Banks, Thomas Pennant, Esq. The Universities of Oxford and Cambridge, The Trustees of the British Museum, to name a few.) An exceedingly rare series, very few complete sets remain today. (Andrews,1986, Blunt 151,Coats, 25, Sitwell FBB 142, Wood 482). Copyright: Lowry-James Rare Prints & Books, 1/09.
Publisher Information:
George Shaw and E. Nodder,
London:
1809.
Price: $125.00
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Shaw, George, MD, FRS, and Nodder, Frederick Polydore.
Plate # 802. The Lancet-tailed Acanthurus (Acanthurus Chirurgus). : Shaw & Nodder's The Naturalist's Miscellany or Coloured Figures of Natural Objects: Drawn and Described Immediately from Nature. A Fine and rare original hand-colored copperplate engraving by Frederick Polydore Nodder and/or his son Richard Polydore Nodder from The Naturalist's Miscellany. Octavo (6 x 9.5 inches, 15.24 x 24.13 cm). Includes the original text in both English and Latin by George Shaw, MD, FRS. The Naturalist's Miscellany, distinguished by the refined hand-colored copperplate engravings and astute naturalists' observations, was aptly named as a diverse naturalists' compendium of the birds, mammals, reptiles, insects, fish, and crustacean identified by seventeenth and eighteenth century naturalists spanning the globe, particularly around the South Seas. Many of nature's most fascinating and unusual creatures were discovered during this period, several of which were introduced through The Naturalist's Miscellany. Doctor George Shaw, (1751-1813), Fellow of the Royal Society, cofounder of the Linnaean Society, as well as Zoologist of the British Museum, contributed the text. Publication of the Naturalist's Miscellany ceased with his death in 1813. Upon the death of the artist FP Nodder (1770-1800), his wife Elizabeth, and their son Richard Polydore Nodder (1793-1820) contributed artistically and editorially to the publication. Indeed a family affair, both Frederick Polydore Nodder and his son Richard produced every one of the plates. A gifted and distinguished naturalist, Frederick P. Nodder was the preferred Botanical Painter to Her Majesty, Queen Charlotte. His early skills as botanical and animal draughtsman and engraver were honed from his association with Sir Joseph Banks, who employed Nodder to complete and engrave the drawings from the sketchbooks of the late Sydney Parkinson. Parkinson accompanied Banks as botanical draughtsman aboard Captain James Cook's The Endeavor in 1771. Parkinson died on the return of this South Seas Voyage. These engravings, along with the natural history collections of the British Museum, were the basis for the mastery of the Naturalist's Miscellany. Frederick's son, Richard P. Nodder, a gifted animal painter in his own right, was distinguished as botanic painter to King George III. At the time of its creation, The Naturalist's Miscellany was highly coveted as a definitive natural history offering, and as was the custom, the work was issued in installments between 1790 and 1813, and organized to be bound in a potential 24 volumes. Each volume was dedicated by permission and dutifully inscribed to the most devoted patrons and contributors of the natural historical pursuits of eighteenth and early nineteenth century Britain: (Queen Charlotte, Sir Joseph Banks, Thomas Pennant, Esq. The Universities of Oxford and Cambridge, The Trustees of the British Museum, to name a few.) An exceedingly rare series, very few complete sets remain today. (Andrews,1986, Blunt 151,Coats, 25, Sitwell FBB 142, Wood 482). Copyright: Lowry-James Rare Prints & Books, 1/09.
Publisher Information:
George Shaw and E. Nodder,
London:
1809.
Price: $195.00
Add to Cart
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Shaw, George, MD, FRS, and Nodder, Frederick Polydore.
Plate # 803. The Poplar Sphinx. (Sphinx Populi). : Shaw & Nodder's The Naturalist's Miscellany or Coloured Figures of Natural Objects: Drawn and Described Immediately from Nature. A Fine and rare original hand-colored copperplate engraving by Frederick Polydore Nodder and/or his son Richard Polydore Nodder from The Naturalist's Miscellany. Octavo (6 x 9.5 inches, 15.24 x 24.13 cm). Includes the original text in both English and Latin by George Shaw, MD, FRS. The Naturalist's Miscellany, distinguished by the refined hand-colored copperplate engravings and astute naturalists' observations, was aptly named as a diverse naturalists' compendium of the birds, mammals, reptiles, insects, fish, and crustacean identified by seventeenth and eighteenth century naturalists spanning the globe, particularly around the South Seas. Many of nature's most fascinating and unusual creatures were discovered during this period, several of which were introduced through The Naturalist's Miscellany. Doctor George Shaw, (1751-1813), Fellow of the Royal Society, cofounder of the Linnaean Society, as well as Zoologist of the British Museum, contributed the text. Publication of the Naturalist's Miscellany ceased with his death in 1813. Upon the death of the artist FP Nodder (1770-1800), his wife Elizabeth, and their son Richard Polydore Nodder (1793-1820) contributed artistically and editorially to the publication. Indeed a family affair, both Frederick Polydore Nodder and his son Richard produced every one of the plates. A gifted and distinguished naturalist, Frederick P. Nodder was the preferred Botanical Painter to Her Majesty, Queen Charlotte. His early skills as botanical and animal draughtsman and engraver were honed from his association with Sir Joseph Banks, who employed Nodder to complete and engrave the drawings from the sketchbooks of the late Sydney Parkinson. Parkinson accompanied Banks as botanical draughtsman aboard Captain James Cook's The Endeavor in 1771. Parkinson died on the return of this South Seas Voyage. These engravings, along with the natural history collections of the British Museum, were the basis for the mastery of the Naturalist's Miscellany. Frederick's son, Richard P. Nodder, a gifted animal painter in his own right, was distinguished as botanic painter to King George III. At the time of its creation, The Naturalist's Miscellany was highly coveted as a definitive natural history offering, and as was the custom, the work was issued in installments between 1790 and 1813, and organized to be bound in a potential 24 volumes. Each volume was dedicated by permission and dutifully inscribed to the most devoted patrons and contributors of the natural historical pursuits of eighteenth and early nineteenth century Britain: (Queen Charlotte, Sir Joseph Banks, Thomas Pennant, Esq. The Universities of Oxford and Cambridge, The Trustees of the British Museum, to name a few.) An exceedingly rare series, very few complete sets remain today. (Andrews,1986, Blunt 151,Coats, 25, Sitwell FBB 142, Wood 482). Copyright: Lowry-James Rare Prints & Books, 1/09.
Publisher Information:
George Shaw and E. Nodder,
London:
1809.
Price: $150.00
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Shaw, George, MD, FRS, and Nodder, Frederick Polydore.
Plate # 806. The Single-spotted Butterfly. (Papilio Spondiae). : Shaw & Nodder's The Naturalist's Miscellany or Coloured Figures of Natural Objects: Drawn and Described Immediately from Nature. A Fine and rare original hand-colored copperplate engraving by Frederick Polydore Nodder and/or his son Richard Polydore Nodder from The Naturalist's Miscellany. Octavo (6 x 9.5 inches, 15.24 x 24.13 cm). Includes the original text in both English and Latin by George Shaw, MD, FRS. The Naturalist's Miscellany, distinguished by the refined hand-colored copperplate engravings and astute naturalists' observations, was aptly named as a diverse naturalists' compendium of the birds, mammals, reptiles, insects, fish, and crustacean identified by seventeenth and eighteenth century naturalists spanning the globe, particularly around the South Seas. Many of nature's most fascinating and unusual creatures were discovered during this period, several of which were introduced through The Naturalist's Miscellany. Doctor George Shaw, (1751-1813), Fellow of the Royal Society, cofounder of the Linnaean Society, as well as Zoologist of the British Museum, contributed the text. Publication of the Naturalist's Miscellany ceased with his death in 1813. Upon the death of the artist FP Nodder (1770-1800), his wife Elizabeth, and their son Richard Polydore Nodder (1793-1820) contributed artistically and editorially to the publication. Indeed a family affair, both Frederick Polydore Nodder and his son Richard produced every one of the plates. A gifted and distinguished naturalist, Frederick P. Nodder was the preferred Botanical Painter to Her Majesty, Queen Charlotte. His early skills as botanical and animal draughtsman and engraver were honed from his association with Sir Joseph Banks, who employed Nodder to complete and engrave the drawings from the sketchbooks of the late Sydney Parkinson. Parkinson accompanied Banks as botanical draughtsman aboard Captain James Cook's The Endeavor in 1771. Parkinson died on the return of this South Seas Voyage. These engravings, along with the natural history collections of the British Museum, were the basis for the mastery of the Naturalist's Miscellany. Frederick's son, Richard P. Nodder, a gifted animal painter in his own right, was distinguished as botanic painter to King George III. At the time of its creation, The Naturalist's Miscellany was highly coveted as a definitive natural history offering, and as was the custom, the work was issued in installments between 1790 and 1813, and organized to be bound in a potential 24 volumes. Each volume was dedicated by permission and dutifully inscribed to the most devoted patrons and contributors of the natural historical pursuits of eighteenth and early nineteenth century Britain: (Queen Charlotte, Sir Joseph Banks, Thomas Pennant, Esq. The Universities of Oxford and Cambridge, The Trustees of the British Museum, to name a few.) An exceedingly rare series, very few complete sets remain today. (Andrews,1986, Blunt 151,Coats, 25, Sitwell FBB 142, Wood 482). Copyright: Lowry-James Rare Prints & Books, 1/09.
Publisher Information:
George Shaw and E. Nodder,
London:
1809.
Price: $175.00
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Shaw, George, MD, FRS, and Nodder, Frederick Polydore.
Plate # 807. The Falcated Sparus. (Sparus Falcatus) : Shaw & Nodder's The Naturalist's Miscellany or Coloured Figures of Natural Objects: Drawn and Described Immediately from Nature. A Fine and rare original hand-colored copperplate engraving by Frederick Polydore Nodder and/or his son Richard Polydore Nodder from The Naturalist's Miscellany. Octavo (6 x 9.5 inches, 15.24 x 24.13 cm). Includes the original text in both English and Latin by George Shaw, MD, FRS. The Naturalist's Miscellany, distinguished by the refined hand-colored copperplate engravings and astute naturalists' observations, was aptly named as a diverse naturalists' compendium of the birds, mammals, reptiles, insects, fish, and crustacean identified by seventeenth and eighteenth century naturalists spanning the globe, particularly around the South Seas. Many of nature's most fascinating and unusual creatures were discovered during this period, several of which were introduced through The Naturalist's Miscellany. Doctor George Shaw, (1751-1813), Fellow of the Royal Society, cofounder of the Linnaean Society, as well as Zoologist of the British Museum, contributed the text. Publication of the Naturalist's Miscellany ceased with his death in 1813. Upon the death of the artist FP Nodder (1770-1800), his wife Elizabeth, and their son Richard Polydore Nodder (1793-1820) contributed artistically and editorially to the publication. Indeed a family affair, both Frederick Polydore Nodder and his son Richard produced every one of the plates. A gifted and distinguished naturalist, Frederick P. Nodder was the preferred Botanical Painter to Her Majesty, Queen Charlotte. His early skills as botanical and animal draughtsman and engraver were honed from his association with Sir Joseph Banks, who employed Nodder to complete and engrave the drawings from the sketchbooks of the late Sydney Parkinson. Parkinson accompanied Banks as botanical draughtsman aboard Captain James Cook's The Endeavor in 1771. Parkinson died on the return of this South Seas Voyage. These engravings, along with the natural history collections of the British Museum, were the basis for the mastery of the Naturalist's Miscellany. Frederick's son, Richard P. Nodder, a gifted animal painter in his own right, was distinguished as botanic painter to King George III. At the time of its creation, The Naturalist's Miscellany was highly coveted as a definitive natural history offering, and as was the custom, the work was issued in installments between 1790 and 1813, and organized to be bound in a potential 24 volumes. Each volume was dedicated by permission and dutifully inscribed to the most devoted patrons and contributors of the natural historical pursuits of eighteenth and early nineteenth century Britain: (Queen Charlotte, Sir Joseph Banks, Thomas Pennant, Esq. The Universities of Oxford and Cambridge, The Trustees of the British Museum, to name a few.) An exceedingly rare series, very few complete sets remain today. (Andrews,1986, Blunt 151,Coats, 25, Sitwell FBB 142, Wood 482). Copyright: Lowry-James Rare Prints & Books, 1/09.
Publisher Information:
George Shaw and E. Nodder,
London:
1809.
Price: $195.00
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Shaw, George, MD, FRS, and Nodder, Frederick Polydore.
Plate # 810. The Boar-tusked Sparus. (Sparus Verres). : Shaw & Nodder's The Naturalist's Miscellany or Coloured Figures of Natural Objects: Drawn and Described Immediately from Nature. A Fine and rare original hand-colored copperplate engraving by Frederick Polydore Nodder and/or his son Richard Polydore Nodder from The Naturalist's Miscellany. Octavo (6 x 9.5 inches, 15.24 x 24.13 cm). Includes the original text in both English and Latin by George Shaw, MD, FRS. The Naturalist's Miscellany, distinguished by the refined hand-colored copperplate engravings and astute naturalists' observations, was aptly named as a diverse naturalists' compendium of the birds, mammals, reptiles, insects, fish, and crustacean identified by seventeenth and eighteenth century naturalists spanning the globe, particularly around the South Seas. Many of nature's most fascinating and unusual creatures were discovered during this period, several of which were introduced through The Naturalist's Miscellany. Doctor George Shaw, (1751-1813), Fellow of the Royal Society, cofounder of the Linnaean Society, as well as Zoologist of the British Museum, contributed the text. Publication of the Naturalist's Miscellany ceased with his death in 1813. Upon the death of the artist FP Nodder (1770-1800), his wife Elizabeth, and their son Richard Polydore Nodder (1793-1820) contributed artistically and editorially to the publication. Indeed a family affair, both Frederick Polydore Nodder and his son Richard produced every one of the plates. A gifted and distinguished naturalist, Frederick P. Nodder was the preferred Botanical Painter to Her Majesty, Queen Charlotte. His early skills as botanical and animal draughtsman and engraver were honed from his association with Sir Joseph Banks, who employed Nodder to complete and engrave the drawings from the sketchbooks of the late Sydney Parkinson. Parkinson accompanied Banks as botanical draughtsman aboard Captain James Cook's The Endeavor in 1771. Parkinson died on the return of this South Seas Voyage. These engravings, along with the natural history collections of the British Museum, were the basis for the mastery of the Naturalist's Miscellany. Frederick's son, Richard P. Nodder, a gifted animal painter in his own right, was distinguished as botanic painter to King George III. At the time of its creation, The Naturalist's Miscellany was highly coveted as a definitive natural history offering, and as was the custom, the work was issued in installments between 1790 and 1813, and organized to be bound in a potential 24 volumes. Each volume was dedicated by permission and dutifully inscribed to the most devoted patrons and contributors of the natural historical pursuits of eighteenth and early nineteenth century Britain: (Queen Charlotte, Sir Joseph Banks, Thomas Pennant, Esq. The Universities of Oxford and Cambridge, The Trustees of the British Museum, to name a few.) An exceedingly rare series, very few complete sets remain today. (Andrews,1986, Blunt 151,Coats, 25, Sitwell FBB 142, Wood 482). Copyright: Lowry-James Rare Prints & Books, 1/09.
Publisher Information:
George Shaw and E. Nodder,
London:
1809.
Price: $175.00
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Shaw, George, MD, FRS, and Nodder, Frederick Polydore.
Plate # 816. The Goat Moth. (Phalaena Cossus) : Shaw & Nodder's The Naturalist's Miscellany or Coloured Figures of Natural Objects: Drawn and Described Immediately from Nature. A Fine and rare original hand-colored copperplate engraving by Frederick Polydore Nodder and/or his son Richard Polydore Nodder from The Naturalist's Miscellany. Octavo (6 x 9.5 inches, 15.24 x 24.13 cm). Includes the original text in both English and Latin by George Shaw, MD, FRS. The Naturalist's Miscellany, distinguished by the refined hand-colored copperplate engravings and astute naturalists' observations, was aptly named as a diverse naturalists' compendium of the birds, mammals, reptiles, insects, fish, and crustacean identified by seventeenth and eighteenth century naturalists spanning the globe, particularly around the South Seas. Many of nature's most fascinating and unusual creatures were discovered during this period, several of which were introduced through The Naturalist's Miscellany. Doctor George Shaw, (1751-1813), Fellow of the Royal Society, cofounder of the Linnaean Society, as well as Zoologist of the British Museum, contributed the text. Publication of the Naturalist's Miscellany ceased with his death in 1813. Upon the death of the artist FP Nodder (1770-1800), his wife Elizabeth, and their son Richard Polydore Nodder (1793-1820) contributed artistically and editorially to the publication. Indeed a family affair, both Frederick Polydore Nodder and his son Richard produced every one of the plates. A gifted and distinguished naturalist, Frederick P. Nodder was the preferred Botanical Painter to Her Majesty, Queen Charlotte. His early skills as botanical and animal draughtsman and engraver were honed from his association with Sir Joseph Banks, who employed Nodder to complete and engrave the drawings from the sketchbooks of the late Sydney Parkinson. Parkinson accompanied Banks as botanical draughtsman aboard Captain James Cook's The Endeavor in 1771. Parkinson died on the return of this South Seas Voyage. These engravings, along with the natural history collections of the British Museum, were the basis for the mastery of the Naturalist's Miscellany. Frederick's son, Richard P. Nodder, a gifted animal painter in his own right, was distinguished as botanic painter to King George III. At the time of its creation, The Naturalist's Miscellany was highly coveted as a definitive natural history offering, and as was the custom, the work was issued in installments between 1790 and 1813, and organized to be bound in a potential 24 volumes. Each volume was dedicated by permission and dutifully inscribed to the most devoted patrons and contributors of the natural historical pursuits of eighteenth and early nineteenth century Britain: (Queen Charlotte, Sir Joseph Banks, Thomas Pennant, Esq. The Universities of Oxford and Cambridge, The Trustees of the British Museum, to name a few.) An exceedingly rare series, very few complete sets remain today. (Andrews,1986, Blunt 151,Coats, 25, Sitwell FBB 142, Wood 482). Copyright: Lowry-James Rare Prints & Books, 1/09.
Publisher Information:
George Shaw and E. Nodder,
London:
1809.
Price: $150.00
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Shaw, George, MD, FRS, and Nodder, Frederick Polydore.
Plate # 818. The Surinam Sparus. : Shaw & Nodder's The Naturalist's Miscellany or Coloured Figures of Natural Objects: Drawn and Described Immediately from Nature. A Fine and rare original hand-colored copperplate engraving by Frederick Polydore Nodder and/or his son Richard Polydore Nodder from The Naturalist's Miscellany. Octavo (6 x 9.5 inches, 15.24 x 24.13 cm). Includes the original text in both English and Latin by George Shaw, MD, FRS. The Naturalist's Miscellany, distinguished by the refined hand-colored copperplate engravings and astute naturalists' observations, was aptly named as a diverse naturalists' compendium of the birds, mammals, reptiles, insects, fish, and crustacean identified by seventeenth and eighteenth century naturalists spanning the globe, particularly around the South Seas. Many of nature's most fascinating and unusual creatures were discovered during this period, several of which were introduced through The Naturalist's Miscellany. Doctor George Shaw, (1751-1813), Fellow of the Royal Society, cofounder of the Linnaean Society, as well as Zoologist of the British Museum, contributed the text. Publication of the Naturalist's Miscellany ceased with his death in 1813. Upon the death of the artist FP Nodder (1770-1800), his wife Elizabeth, and their son Richard Polydore Nodder (1793-1820) contributed artistically and editorially to the publication. Indeed a family affair, both Frederick Polydore Nodder and his son Richard produced every one of the plates. A gifted and distinguished naturalist, Frederick P. Nodder was the preferred Botanical Painter to Her Majesty, Queen Charlotte. His early skills as botanical and animal draughtsman and engraver were honed from his association with Sir Joseph Banks, who employed Nodder to complete and engrave the drawings from the sketchbooks of the late Sydney Parkinson. Parkinson accompanied Banks as botanical draughtsman aboard Captain James Cook's The Endeavor in 1771. Parkinson died on the return of this South Seas Voyage. These engravings, along with the natural history collections of the British Museum, were the basis for the mastery of the Naturalist's Miscellany. Frederick's son, Richard P. Nodder, a gifted animal painter in his own right, was distinguished as botanic painter to King George III. At the time of its creation, The Naturalist's Miscellany was highly coveted as a definitive natural history offering, and as was the custom, the work was issued in installments between 1790 and 1813, and organized to be bound in a potential 24 volumes. Each volume was dedicated by permission and dutifully inscribed to the most devoted patrons and contributors of the natural historical pursuits of eighteenth and early nineteenth century Britain: (Queen Charlotte, Sir Joseph Banks, Thomas Pennant, Esq. The Universities of Oxford and Cambridge, The Trustees of the British Museum, to name a few.) An exceedingly rare series, very few complete sets remain today. (Andrews,1986, Blunt 151,Coats, 25, Sitwell FBB 142, Wood 482). Copyright: Lowry-James Rare Prints & Books, 1/09.
Publisher Information:
George Shaw and E. Nodder,
London:
1809.
Price: $175.00
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Shaw, George, MD, FRS, and Nodder, Frederick Polydore.
Plate # 819. The Talc-winged Butterfly. (Papilio Piera). : Shaw & Nodder's The Naturalist's Miscellany or Coloured Figures of Natural Objects: Drawn and Described Immediately from Nature. A Fine and rare original hand-colored copperplate engraving by Frederick Polydore Nodder and/or his son Richard Polydore Nodder from The Naturalist's Miscellany. Octavo (6 x 9.5 inches, 15.24 x 24.13 cm). Includes the original text in both English and Latin by George Shaw, MD, FRS. The Naturalist's Miscellany, distinguished by the refined hand-colored copperplate engravings and astute naturalists' observations, was aptly named as a diverse naturalists' compendium of the birds, mammals, reptiles, insects, fish, and crustacean identified by seventeenth and eighteenth century naturalists spanning the globe, particularly around the South Seas. Many of nature's most fascinating and unusual creatures were discovered during this period, several of which were introduced through The Naturalist's Miscellany. Doctor George Shaw, (1751-1813), Fellow of the Royal Society, cofounder of the Linnaean Society, as well as Zoologist of the British Museum, contributed the text. Publication of the Naturalist's Miscellany ceased with his death in 1813. Upon the death of the artist FP Nodder (1770-1800), his wife Elizabeth, and their son Richard Polydore Nodder (1793-1820) contributed artistically and editorially to the publication. Indeed a family affair, both Frederick Polydore Nodder and his son Richard produced every one of the plates. A gifted and distinguished naturalist, Frederick P. Nodder was the preferred Botanical Painter to Her Majesty, Queen Charlotte. His early skills as botanical and animal draughtsman and engraver were honed from his association with Sir Joseph Banks, who employed Nodder to complete and engrave the drawings from the sketchbooks of the late Sydney Parkinson. Parkinson accompanied Banks as botanical draughtsman aboard Captain James Cook's The Endeavor in 1771. Parkinson died on the return of this South Seas Voyage. These engravings, along with the natural history collections of the British Museum, were the basis for the mastery of the Naturalist's Miscellany. Frederick's son, Richard P. Nodder, a gifted animal painter in his own right, was distinguished as botanic painter to King George III. At the time of its creation, The Naturalist's Miscellany was highly coveted as a definitive natural history offering, and as was the custom, the work was issued in installments between 1790 and 1813, and organized to be bound in a potential 24 volumes. Each volume was dedicated by permission and dutifully inscribed to the most devoted patrons and contributors of the natural historical pursuits of eighteenth and early nineteenth century Britain: (Queen Charlotte, Sir Joseph Banks, Thomas Pennant, Esq. The Universities of Oxford and Cambridge, The Trustees of the British Museum, to name a few.) An exceedingly rare series, very few complete sets remain today. (Andrews,1986, Blunt 151,Coats, 25, Sitwell FBB 142, Wood 482). Copyright: Lowry-James Rare Prints & Books, 1/09.
Publisher Information:
George Shaw and E. Nodder,
London:
1809.
Price: $150.00
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Shaw, George, MD, FRS, and Nodder, Frederick Polydore.
Plate # 822. The Pine Moth. (Phalaena Pini). : Shaw & Nodder's The Naturalist's Miscellany or Coloured Figures of Natural Objects: Drawn and Described Immediately from Nature. A Fine and rare original hand-colored copperplate engraving by Frederick Polydore Nodder and/or his son Richard Polydore Nodder from The Naturalist's Miscellany. Octavo (6 x 9.5 inches, 15.24 x 24.13 cm). Includes the original text in both English and Latin by George Shaw, MD, FRS. The Naturalist's Miscellany, distinguished by the refined hand-colored copperplate engravings and astute naturalists' observations, was aptly named as a diverse naturalists' compendium of the birds, mammals, reptiles, insects, fish, and crustacean identified by seventeenth and eighteenth century naturalists spanning the globe, particularly around the South Seas. Many of nature's most fascinating and unusual creatures were discovered during this period, several of which were introduced through The Naturalist's Miscellany. Doctor George Shaw, (1751-1813), Fellow of the Royal Society, cofounder of the Linnaean Society, as well as Zoologist of the British Museum, contributed the text. Publication of the Naturalist's Miscellany ceased with his death in 1813. Upon the death of the artist FP Nodder (1770-1800), his wife Elizabeth, and their son Richard Polydore Nodder (1793-1820) contributed artistically and editorially to the publication. Indeed a family affair, both Frederick Polydore Nodder and his son Richard produced every one of the plates. A gifted and distinguished naturalist, Frederick P. Nodder was the preferred Botanical Painter to Her Majesty, Queen Charlotte. His early skills as botanical and animal draughtsman and engraver were honed from his association with Sir Joseph Banks, who employed Nodder to complete and engrave the drawings from the sketchbooks of the late Sydney Parkinson. Parkinson accompanied Banks as botanical draughtsman aboard Captain James Cook's The Endeavor in 1771. Parkinson died on the return of this South Seas Voyage. These engravings, along with the natural history collections of the British Museum, were the basis for the mastery of the Naturalist's Miscellany. Frederick's son, Richard P. Nodder, a gifted animal painter in his own right, was distinguished as botanic painter to King George III. At the time of its creation, The Naturalist's Miscellany was highly coveted as a definitive natural history offering, and as was the custom, the work was issued in installments between 1790 and 1813, and organized to be bound in a potential 24 volumes. Each volume was dedicated by permission and dutifully inscribed to the most devoted patrons and contributors of the natural historical pursuits of eighteenth and early nineteenth century Britain: (Queen Charlotte, Sir Joseph Banks, Thomas Pennant, Esq. The Universities of Oxford and Cambridge, The Trustees of the British Museum, to name a few.) An exceedingly rare series, very few complete sets remain today. (Andrews,1986, Blunt 151,Coats, 25, Sitwell FBB 142, Wood 482). Copyright: Lowry-James Rare Prints & Books, 1/09.
Publisher Information:
George Shaw and E. Nodder,
London:
1809.
Price: $150.00
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Shaw, George, MD, FRS, and Nodder, Frederick Polydore.
Plate # 822. The Aya Bodian. : Shaw & Nodder's The Naturalist's Miscellany or Coloured Figures of Natural Objects: Drawn and Described Immediately from Nature. A Fine and rare original hand-colored copperplate engraving by Frederick Polydore Nodder and/or his son Richard Polydore Nodder from The Naturalist's Miscellany. Octavo (6 x 9.5 inches, 15.24 x 24.13 cm). Includes the original text in both English and Latin by George Shaw, MD, FRS. The Naturalist's Miscellany, distinguished by the refined hand-colored copperplate engravings and astute naturalists' observations, was aptly named as a diverse naturalists' compendium of the birds, mammals, reptiles, insects, fish, and crustacean identified by seventeenth and eighteenth century naturalists spanning the globe, particularly around the South Seas. Many of nature's most fascinating and unusual creatures were discovered during this period, several of which were introduced through The Naturalist's Miscellany. Doctor George Shaw, (1751-1813), Fellow of the Royal Society, cofounder of the Linnaean Society, as well as Zoologist of the British Museum, contributed the text. Publication of the Naturalist's Miscellany ceased with his death in 1813. Upon the death of the artist FP Nodder (1770-1800), his wife Elizabeth, and their son Richard Polydore Nodder (1793-1820) contributed artistically and editorially to the publication. Indeed a family affair, both Frederick Polydore Nodder and his son Richard produced every one of the plates. A gifted and distinguished naturalist, Frederick P. Nodder was the preferred Botanical Painter to Her Majesty, Queen Charlotte. His early skills as botanical and animal draughtsman and engraver were honed from his association with Sir Joseph Banks, who employed Nodder to complete and engrave the drawings from the sketchbooks of the late Sydney Parkinson. Parkinson accompanied Banks as botanical draughtsman aboard Captain James Cook's The Endeavor in 1771. Parkinson died on the return of this South Seas Voyage. These engravings, along with the natural history collections of the British Museum, were the basis for the mastery of the Naturalist's Miscellany. Frederick's son, Richard P. Nodder, a gifted animal painter in his own right, was distinguished as botanic painter to King George III. At the time of its creation, The Naturalist's Miscellany was highly coveted as a definitive natural history offering, and as was the custom, the work was issued in installments between 1790 and 1813, and organized to be bound in a potential 24 volumes. Each volume was dedicated by permission and dutifully inscribed to the most devoted patrons and contributors of the natural historical pursuits of eighteenth and early nineteenth century Britain: (Queen Charlotte, Sir Joseph Banks, Thomas Pennant, Esq. The Universities of Oxford and Cambridge, The Trustees of the British Museum, to name a few.) An exceedingly rare series, very few complete sets remain today. (Andrews,1986, Blunt 151,Coats, 25, Sitwell FBB 142, Wood 482). Copyright: Lowry-James Rare Prints & Books, 1/09.
Publisher Information:
George Shaw and E. Nodder,
London:
1809.
Price: $125.00
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Shaw, George, MD, FRS, and Nodder, Frederick Polydore.
Plate # 823. The Argus Flounder (Pleuronectes Argus) : Shaw & Nodder's The Naturalist's Miscellany or Coloured Figures of Natural Objects: Drawn and Described Immediately from Nature. A Fine and rare original hand-colored copperplate engraving by Frederick Polydore Nodder and/or his son Richard Polydore Nodder from The Naturalist's Miscellany. Octavo (6 x 9.5 inches, 15.24 x 24.13 cm). Includes the original text in both English and Latin by George Shaw, MD, FRS. The Naturalist's Miscellany, distinguished by the refined hand-colored copperplate engravings and astute naturalists' observations, was aptly named as a diverse naturalists' compendium of the birds, mammals, reptiles, insects, fish, and crustacean identified by seventeenth and eighteenth century naturalists spanning the globe, particularly around the South Seas. Many of nature's most fascinating and unusual creatures were discovered during this period, several of which were introduced through The Naturalist's Miscellany. Doctor George Shaw, (1751-1813), Fellow of the Royal Society, cofounder of the Linnaean Society, as well as Zoologist of the British Museum, contributed the text. Publication of the Naturalist's Miscellany ceased with his death in 1813. Upon the death of the artist FP Nodder (1770-1800), his wife Elizabeth, and their son Richard Polydore Nodder (1793-1820) contributed artistically and editorially to the publication. Indeed a family affair, both Frederick Polydore Nodder and his son Richard produced every one of the plates. A gifted and distinguished naturalist, Frederick P. Nodder was the preferred Botanical Painter to Her Majesty, Queen Charlotte. His early skills as botanical and animal draughtsman and engraver were honed from his association with Sir Joseph Banks, who employed Nodder to complete and engrave the drawings from the sketchbooks of the late Sydney Parkinson. Parkinson accompanied Banks as botanical draughtsman aboard Captain James Cook's The Endeavor in 1771. Parkinson died on the return of this South Seas Voyage. These engravings, along with the natural history collections of the British Museum, were the basis for the mastery of the Naturalist's Miscellany. Frederick's son, Richard P. Nodder, a gifted animal painter in his own right, was distinguished as botanic painter to King George III. At the time of its creation, The Naturalist's Miscellany was highly coveted as a definitive natural history offering, and as was the custom, the work was issued in installments between 1790 and 1813, and organized to be bound in a potential 24 volumes. Each volume was dedicated by permission and dutifully inscribed to the most devoted patrons and contributors of the natural historical pursuits of eighteenth and early nineteenth century Britain: (Queen Charlotte, Sir Joseph Banks, Thomas Pennant, Esq. The Universities of Oxford and Cambridge, The Trustees of the British Museum, to name a few.) An exceedingly rare series, very few complete sets remain today. (Andrews,1986, Blunt 151,Coats, 25, Sitwell FBB 142, Wood 482). Copyright: Lowry-James Rare Prints & Books, 1/09.
Publisher Information:
George Shaw and E. Nodder,
London:
1809.
Price: $195.00
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Shaw, George, MD, FRS, and Nodder, Frederick Polydore.
Plate # 824. The Buckthorn Butterfly. (Papilio Rhamni). : Shaw & Nodder's The Naturalist's Miscellany or Coloured Figures of Natural Objects: Drawn and Described Immediately from Nature. A Fine and rare original hand-colored copperplate engraving by Frederick Polydore Nodder and/or his son Richard Polydore Nodder from The Naturalist's Miscellany. Octavo (6 x 9.5 inches, 15.24 x 24.13 cm). Includes the original text in both English and Latin by George Shaw, MD, FRS. The Naturalist's Miscellany, distinguished by the refined hand-colored copperplate engravings and astute naturalists' observations, was aptly named as a diverse naturalists' compendium of the birds, mammals, reptiles, insects, fish, and crustacean identified by seventeenth and eighteenth century naturalists spanning the globe, particularly around the South Seas. Many of nature's most fascinating and unusual creatures were discovered during this period, several of which were introduced through The Naturalist's Miscellany. Doctor George Shaw, (1751-1813), Fellow of the Royal Society, cofounder of the Linnaean Society, as well as Zoologist of the British Museum, contributed the text. Publication of the Naturalist's Miscellany ceased with his death in 1813. Upon the death of the artist FP Nodder (1770-1800), his wife Elizabeth, and their son Richard Polydore Nodder (1793-1820) contributed artistically and editorially to the publication. Indeed a family affair, both Frederick Polydore Nodder and his son Richard produced every one of the plates. A gifted and distinguished naturalist, Frederick P. Nodder was the preferred Botanical Painter to Her Majesty, Queen Charlotte. His early skills as botanical and animal draughtsman and engraver were honed from his association with Sir Joseph Banks, who employed Nodder to complete and engrave the drawings from the sketchbooks of the late Sydney Parkinson. Parkinson accompanied Banks as botanical draughtsman aboard Captain James Cook's The Endeavor in 1771. Parkinson died on the return of this South Seas Voyage. These engravings, along with the natural history collections of the British Museum, were the basis for the mastery of the Naturalist's Miscellany. Frederick's son, Richard P. Nodder, a gifted animal painter in his own right, was distinguished as botanic painter to King George III. At the time of its creation, The Naturalist's Miscellany was highly coveted as a definitive natural history offering, and as was the custom, the work was issued in installments between 1790 and 1813, and organized to be bound in a potential 24 volumes. Each volume was dedicated by permission and dutifully inscribed to the most devoted patrons and contributors of the natural historical pursuits of eighteenth and early nineteenth century Britain: (Queen Charlotte, Sir Joseph Banks, Thomas Pennant, Esq. The Universities of Oxford and Cambridge, The Trustees of the British Museum, to name a few.) An exceedingly rare series, very few complete sets remain today. (Andrews,1986, Blunt 151,Coats, 25, Sitwell FBB 142, Wood 482). Copyright: Lowry-James Rare Prints & Books, 1/09.
Publisher Information:
George Shaw and E. Nodder,
London:
1809.
Price: $150.00
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Shaw, George, MD, FRS, and Nodder, Frederick Polydore.
Plate #637. The Red-throated Butcher Bird. (Lanius Gutturalis). : Shaw & Nodder's The Naturalist's Miscellany or Coloured Figures of Natural Objects: Drawn and Described Immediately from Nature. A Fine and rare original hand-colored copperplate engraving by Frederick Polydore Nodder and/or his son Richard Polydore Nodder from The Naturalist's Miscellany. Octavo (6 x 9.5 inches, 15.24 x 24.13 cm). Includes the original text in both English and Latin by George Shaw, MD, FRS. The Naturalist's Miscellany, distinguished by the refined hand-colored copperplate engravings and astute naturalists' observations, was aptly named as a diverse naturalists' compendium of the birds, mammals, reptiles, insects, fish, and crustacean identified by seventeenth and eighteenth century naturalists spanning the globe, particularly around the South Seas. Many of nature's most fascinating and unusual creatures were discovered during this period, several of which were introduced through The Naturalist's Miscellany. Doctor George Shaw, (1751-1813), Fellow of the Royal Society, cofounder of the Linnaean Society, as well as Zoologist of the British Museum, contributed the text. Publication of the Naturalist's Miscellany ceased with his death in 1813. Upon the death of the artist FP Nodder (1770-1800), his wife Elizabeth, and their son Richard Polydore Nodder (1793-1820) contributed artistically and editorially to the publication. Indeed a family affair, both Frederick Polydore Nodder and his son Richard produced every one of the plates. A gifted and distinguished naturalist, Frederick P. Nodder was the preferred Botanical Painter to Her Majesty, Queen Charlotte. His early skills as botanical and animal draughtsman and engraver were honed from his association with Sir Joseph Banks, who employed Nodder to complete and engrave the drawings from the sketchbooks of the late Sydney Parkinson. Parkinson accompanied Banks as botanical draughtsman aboard Captain James Cook's The Endeavor in 1771. Parkinson died on the return of this South Seas Voyage. These engravings, along with the natural history collections of the British Museum, were the basis for the mastery of the Naturalist's Miscellany. Frederick's son, Richard P. Nodder, a gifted animal painter in his own right, was distinguished as botanic painter to King George III. At the time of its creation, The Naturalist's Miscellany was highly coveted as a definitive natural history offering, and as was the custom, the work was issued in installments between 1790 and 1813, and organized to be bound in a potential 24 volumes. Each volume was dedicated by permission and dutifully inscribed to the most devoted patrons and contributors of the natural historical pursuits of eighteenth and early nineteenth century Britain: (Queen Charlotte, Sir Joseph Banks, Thomas Pennant, Esq. The Universities of Oxford and Cambridge, The Trustees of the British Museum, to name a few.) An exceedingly rare series, very few complete sets remain today. (Andrews,1986, Blunt 151,Coats, 25, Sitwell FBB 142, Wood 482). Copyright: Lowry-James Rare Prints & Books, 1/09.
This bird is native to the warmer parts of Africa, and is equal in size to the great grey or common Butcher-bird. It is said chiefly to frequent the tops of lofty trees, and contrary to most of the genus, feeds on various kinds of berries.(G. Shaw).
Publisher Information:
George Shaw and E. Nodder,
London:
1809.
Price: $475.00
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Shaw, George, MD, FRS, and Nodder, Frederick Polydore.
Plate #644 The Spike-crested Peacock (Pavo Spicifer) : Shaw & Nodder's The Naturalist's Miscellany or Coloured Figures of Natural Objects: Drawn and Described Immediately from Nature. A Fine and rare original hand-colored copperplate engraving by Frederick Polydore Nodder and/or his son Richard Polydore Nodder from The Naturalist's Miscellany. Octavo (6 x 9.5 inches, 15.24 x 24.13 cm). Includes the original text in both English and Latin by George Shaw, MD, FRS. The Naturalist's Miscellany, distinguished by the refined hand-colored copperplate engravings and astute naturalists' observations, was aptly named as a diverse naturalists' compendium of the birds, mammals, reptiles, insects, fish, and crustacean identified by seventeenth and eighteenth century naturalists spanning the globe, particularly around the South Seas. Many of nature's most fascinating and unusual creatures were discovered during this period, several of which were introduced through The Naturalist's Miscellany. Doctor George Shaw, (1751-1813), Fellow of the Royal Society, cofounder of the Linnaean Society, as well as Zoologist of the British Museum, contributed the text. Publication of the Naturalist's Miscellany ceased with his death in 1813. Upon the death of the artist FP Nodder (1770-1800), his wife Elizabeth, and their son Richard Polydore Nodder (1793-1820) contributed artistically and editorially to the publication. Indeed a family affair, both Frederick Polydore Nodder and his son Richard produced every one of the plates. A gifted and distinguished naturalist, Frederick P. Nodder was the preferred Botanical Painter to Her Majesty, Queen Charlotte. His early skills as botanical and animal draughtsman and engraver were honed from his association with Sir Joseph Banks, who employed Nodder to complete and engrave the drawings from the sketchbooks of the late Sydney Parkinson. Parkinson accompanied Banks as botanical draughtsman aboard Captain James Cook's The Endeavor in 1771. Parkinson died on the return of this South Seas Voyage. These engravings, along with the natural history collections of the British Museum, were the basis for the mastery of the Naturalist's Miscellany. Frederick's son, Richard P. Nodder, a gifted animal painter in his own right, was distinguished as botanic painter to King George III. At the time of its creation, The Naturalist's Miscellany was highly coveted as a definitive natural history offering, and as was the custom, the work was issued in installments between 1790 and 1813, and organized to be bound in a potential 24 volumes. Each volume was dedicated by permission and dutifully inscribed to the most devoted patrons and contributors of the natural historical pursuits of eighteenth and early nineteenth century Britain: (Queen Charlotte, Sir Joseph Banks, Thomas Pennant, Esq. The Universities of Oxford and Cambridge, The Trustees of the British Museum, to name a few.) An exceedingly rare series, very few complete sets remain today. (Andrews,1986, Blunt 151,Coats, 25, Sitwell FBB 142, Wood 482). Copyright: Lowry-James Rare Prints & Books, 1/09.
Publisher Information:
George Shaw and E. Nodder,
London:
1809.
Price: $475.00
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Shaw, George, MD, FRS, and Nodder, Frederick Polydore.
Plate #653. The Black-backed Parrakeet (Psittacus Melanotus). : Shaw & Nodder's The Naturalist's Miscellany or Coloured Figures of Natural Objects: Drawn and Described Immediately from Nature. A Fine and rare original hand-colored copperplate engraving by Frederick Polydore Nodder and/or his son Richard Polydore Nodder from The Naturalist's Miscellany. Octavo (6 x 9.5 inches, 15.24 x 24.13 cm). Includes the original text in both English and Latin by George Shaw, MD, FRS. The Naturalist's Miscellany, distinguished by the refined hand-colored copperplate engravings and astute naturalists' observations, was aptly named as a diverse naturalists' compendium of the birds, mammals, reptiles, insects, fish, and crustacean identified by seventeenth and eighteenth century naturalists spanning the globe, particularly around the South Seas. Many of nature's most fascinating and unusual creatures were discovered during this period, several of which were introduced through The Naturalist's Miscellany. Doctor George Shaw, (1751-1813), Fellow of the Royal Society, cofounder of the Linnaean Society, as well as Zoologist of the British Museum, contributed the text. Publication of the Naturalist's Miscellany ceased with his death in 1813. Upon the death of the artist FP Nodder (1770-1800), his wife Elizabeth, and their son Richard Polydore Nodder (1793-1820) contributed artistically and editorially to the publication. Indeed a family affair, both Frederick Polydore Nodder and his son Richard produced every one of the plates. A gifted and distinguished naturalist, Frederick P. Nodder was the preferred Botanical Painter to Her Majesty, Queen Charlotte. His early skills as botanical and animal draughtsman and engraver were honed from his association with Sir Joseph Banks, who employed Nodder to complete and engrave the drawings from the sketchbooks of the late Sydney Parkinson. Parkinson accompanied Banks as botanical draughtsman aboard Captain James Cook's The Endeavor in 1771. Parkinson died on the return of this South Seas Voyage. These engravings, along with the natural history collections of the British Museum, were the basis for the mastery of the Naturalist's Miscellany. Frederick's son, Richard P. Nodder, a gifted animal painter in his own right, was distinguished as botanic painter to King George III. At the time of its creation, The Naturalist's Miscellany was highly coveted as a definitive natural history offering, and as was the custom, the work was issued in installments between 1790 and 1813, and organized to be bound in a potential 24 volumes. Each volume was dedicated by permission and dutifully inscribed to the most devoted patrons and contributors of the natural historical pursuits of eighteenth and early nineteenth century Britain: (Queen Charlotte, Sir Joseph Banks, Thomas Pennant, Esq. The Universities of Oxford and Cambridge, The Trustees of the British Museum, to name a few.) An exceedingly rare series, very few complete sets remain today. (Andrews,1986, Blunt 151,Coats, 25, Sitwell FBB 142, Wood 482). Copyright: Lowry-James Rare Prints & Books, 1/09.
The Parrakeet represented on the present plate is unquestionably one of the most beautiful that have yet been discovered in the regions of Australasia, and is a species hitherto undescribed. Its size is somewhat smaller than that of the Pennantian and nonpareil parrakeets, and its colours in the highest degree vivid and elegant.
Publisher Information:
George Shaw and E. Nodder,
London:
1809.
Price: $250.00
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Shaw, George, MD, FRS, and Nodder, Frederick Polydore.
Plate #657. The Zoned Parrot (Psittacus Zonarius) : Shaw & Nodder's The Naturalist's Miscellany or Coloured Figures of Natural Objects: Drawn and Described Immediately from Nature. A Fine and rare original hand-colored copperplate engraving by Frederick Polydore Nodder and/or his son Richard Polydore Nodder from The Naturalist's Miscellany. Octavo (6 x 9.5 inches, 15.24 x 24.13 cm). Includes the original text in both English and Latin by George Shaw, MD, FRS. The Naturalist's Miscellany, distinguished by the refined hand-colored copperplate engravings and astute naturalists' observations, was aptly named as a diverse naturalists' compendium of the birds, mammals, reptiles, insects, fish, and crustacean identified by seventeenth and eighteenth century naturalists spanning the globe, particularly around the South Seas. Many of nature's most fascinating and unusual creatures were discovered during this period, several of which were introduced through The Naturalist's Miscellany. Doctor George Shaw, (1751-1813), Fellow of the Royal Society, cofounder of the Linnaean Society, as well as Zoologist of the British Museum, contributed the text. Publication of the Naturalist's Miscellany ceased with his death in 1813. Upon the death of the artist FP Nodder (1770-1800), his wife Elizabeth, and their son Richard Polydore Nodder (1793-1820) contributed artistically and editorially to the publication. Indeed a family affair, both Frederick Polydore Nodder and his son Richard produced every one of the plates. A gifted and distinguished naturalist, Frederick P. Nodder was the preferred Botanical Painter to Her Majesty, Queen Charlotte. His early skills as botanical and animal draughtsman and engraver were honed from his association with Sir Joseph Banks, who employed Nodder to complete and engrave the drawings from the sketchbooks of the late Sydney Parkinson. Parkinson accompanied Banks as botanical draughtsman aboard Captain James Cook's The Endeavor in 1771. Parkinson died on the return of this South Seas Voyage. These engravings, along with the natural history collections of the British Museum, were the basis for the mastery of the Naturalist's Miscellany. Frederick's son, Richard P. Nodder, a gifted animal painter in his own right, was distinguished as botanic painter to King George III. At the time of its creation, The Naturalist's Miscellany was highly coveted as a definitive natural history offering, and as was the custom, the work was issued in installments between 1790 and 1813, and organized to be bound in a potential 24 volumes. Each volume was dedicated by permission and dutifully inscribed to the most devoted patrons and contributors of the natural historical pursuits of eighteenth and early nineteenth century Britain: (Queen Charlotte, Sir Joseph Banks, Thomas Pennant, Esq. The Universities of Oxford and Cambridge, The Trustees of the British Museum, to name a few.) An exceedingly rare series, very few complete sets remain today. (Andrews,1986, Blunt 151,Coats, 25, Sitwell FBB 142, Wood 482). Copyright: Lowry-James Rare Prints & Books, 1/09.
Of this species it may be sufficient to observe that it is new and hitherto undescribed. Its size is that of the Tabuan Parrot. (G. Shaw)
Publisher Information:
George Shaw and E. Nodder,
London:
1809.
Price: $475.00
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Shaw, George, MD, FRS, and Nodder, Frederick Polydore.
Plate #673. The Undulated Parrakeet (Psittacus Undulatus). : Shaw & Nodder's The Naturalist's Miscellany or Coloured Figures of Natural Objects: Drawn and Described Immediately from Nature. A Fine and rare original hand-colored copperplate engraving by Frederick Polydore Nodder and/or his son Richard Polydore Nodder from The Naturalist's Miscellany. Octavo (6 x 9.5 inches, 15.24 x 24.13 cm). Includes the original text in both English and Latin by George Shaw, MD, FRS. The Naturalist's Miscellany, distinguished by the refined hand-colored copperplate engravings and astute naturalists' observations, was aptly named as a diverse naturalists' compendium of the birds, mammals, reptiles, insects, fish, and crustacean identified by seventeenth and eighteenth century naturalists spanning the globe, particularly around the South Seas. Many of nature's most fascinating and unusual creatures were discovered during this period, several of which were introduced through The Naturalist's Miscellany. Doctor George Shaw, (1751-1813), Fellow of the Royal Society, cofounder of the Linnaean Society, as well as Zoologist of the British Museum, contributed the text. Publication of the Naturalist's Miscellany ceased with his death in 1813. Upon the death of the artist FP Nodder (1770-1800), his wife Elizabeth, and their son Richard Polydore Nodder (1793-1820) contributed artistically and editorially to the publication. Indeed a family affair, both Frederick Polydore Nodder and his son Richard produced every one of the plates. A gifted and distinguished naturalist, Frederick P. Nodder was the preferred Botanical Painter to Her Majesty, Queen Charlotte. His early skills as botanical and animal draughtsman and engraver were honed from his association with Sir Joseph Banks, who employed Nodder to complete and engrave the drawings from the sketchbooks of the late Sydney Parkinson. Parkinson accompanied Banks as botanical draughtsman aboard Captain James Cook's The Endeavor in 1771. Parkinson died on the return of this South Seas Voyage. These engravings, along with the natural history collections of the British Museum, were the basis for the mastery of the Naturalist's Miscellany. Frederick's son, Richard P. Nodder, a gifted animal painter in his own right, was distinguished as botanic painter to King George III. At the time of its creation, The Naturalist's Miscellany was highly coveted as a definitive natural history offering, and as was the custom, the work was issued in installments between 1790 and 1813, and organized to be bound in a potential 24 volumes. Each volume was dedicated by permission and dutifully inscribed to the most devoted patrons and contributors of the natural historical pursuits of eighteenth and early nineteenth century Britain: (Queen Charlotte, Sir Joseph Banks, Thomas Pennant, Esq. The Universities of Oxford and Cambridge, The Trustees of the British Museum, to name a few.) An exceedingly rare series, very few complete sets remain today. (Andrews,1986, Blunt 151,Coats, 25, Sitwell FBB 142, Wood 482). Copyright: Lowry-James Rare Prints & Books, 1/09.
The highly elegant species of Parrakeet represented on the present plate in tis natural size, is an inhabitant of New Holland.
Publisher Information:
George Shaw and E. Nodder,
London:
1809.
Price: $275.00
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Shaw, George, MD, FRS, and Nodder, Frederick Polydore.
Plate #709 The Madagascar Pigeon (Columba Australis) : Shaw & Nodder's The Naturalist's Miscellany or Coloured Figures of Natural Objects: Drawn and Described Immediately from Nature. A Fine and rare original hand-colored copperplate engraving by Frederick Polydore Nodder and/or his son Richard Polydore Nodder from The Naturalist's Miscellany. Octavo (6 x 9.5 inches, 15.24 x 24.13 cm). Includes the original text in both English and Latin by George Shaw, MD, FRS. The Naturalist's Miscellany, distinguished by the refined hand-colored copperplate engravings and astute naturalists' observations, was aptly named as a diverse naturalists' compendium of the birds, mammals, reptiles, insects, fish, and crustacean identified by seventeenth and eighteenth century naturalists spanning the globe, particularly around the South Seas. Many of nature's most fascinating and unusual creatures were discovered during this period, several of which were introduced through The Naturalist's Miscellany. Doctor George Shaw, (1751-1813), Fellow of the Royal Society, cofounder of the Linnaean Society, as well as Zoologist of the British Museum, contributed the text. Publication of the Naturalist's Miscellany ceased with his death in 1813. Upon the death of the artist FP Nodder (1770-1800), his wife Elizabeth, and their son Richard Polydore Nodder (1793-1820) contributed artistically and editorially to the publication. Indeed a family affair, both Frederick Polydore Nodder and his son Richard produced every one of the plates. A gifted and distinguished naturalist, Frederick P. Nodder was the preferred Botanical Painter to Her Majesty, Queen Charlotte. His early skills as botanical and animal draughtsman and engraver were honed from his association with Sir Joseph Banks, who employed Nodder to complete and engrave the drawings from the sketchbooks of the late Sydney Parkinson. Parkinson accompanied Banks as botanical draughtsman aboard Captain James Cook's The Endeavor in 1771. Parkinson died on the return of this South Seas Voyage. These engravings, along with the natural history collections of the British Museum, were the basis for the mastery of the Naturalist's Miscellany. Frederick's son, Richard P. Nodder, a gifted animal painter in his own right, was distinguished as botanic painter to King George III. At the time of its creation, The Naturalist's Miscellany was highly coveted as a definitive natural history offering, and as was the custom, the work was issued in installments between 1790 and 1813, and organized to be bound in a potential 24 volumes. Each volume was dedicated by permission and dutifully inscribed to the most devoted patrons and contributors of the natural historical pursuits of eighteenth and early nineteenth century Britain: (Queen Charlotte, Sir Joseph Banks, Thomas Pennant, Esq. The Universities of Oxford and Cambridge, The Trustees of the British Museum, to name a few.) An exceedingly rare series, very few complete sets remain today. (Andrews,1986, Blunt 151,Coats, 25, Sitwell FBB 142, Wood 482). Copyright: Lowry-James Rare Prints & Books, 1/09.
Publisher Information:
George Shaw and E. Nodder,
London:
1809.
Price: $250.00
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Shaw, George, MD, FRS, and Nodder, Frederick Polydore.
Plate #717 The Green Toucan (Ramphastos Viridis) : Shaw & Nodder's The Naturalist's Miscellany or Coloured Figures of Natural Objects: Drawn and Described Immediately from Nature. A Fine and rare original hand-colored copperplate engraving by Frederick Polydore Nodder and/or his son Richard Polydore Nodder from The Naturalist's Miscellany. Octavo (6 x 9.5 inches, 15.24 x 24.13 cm). Includes the original text in both English and Latin by George Shaw, MD, FRS. The Naturalist's Miscellany, distinguished by the refined hand-colored copperplate engravings and astute naturalists' observations, was aptly named as a diverse naturalists' compendium of the birds, mammals, reptiles, insects, fish, and crustacean identified by seventeenth and eighteenth century naturalists spanning the globe, particularly around the South Seas. Many of nature's most fascinating and unusual creatures were discovered during this period, several of which were introduced through The Naturalist's Miscellany. Doctor George Shaw, (1751-1813), Fellow of the Royal Society, cofounder of the Linnaean Society, as well as Zoologist of the British Museum, contributed the text. Publication of the Naturalist's Miscellany ceased with his death in 1813. Upon the death of the artist FP Nodder (1770-1800), his wife Elizabeth, and their son Richard Polydore Nodder (1793-1820) contributed artistically and editorially to the publication. Indeed a family affair, both Frederick Polydore Nodder and his son Richard produced every one of the plates. A gifted and distinguished naturalist, Frederick P. Nodder was the preferred Botanical Painter to Her Majesty, Queen Charlotte. His early skills as botanical and animal draughtsman and engraver were honed from his association with Sir Joseph Banks, who employed Nodder to complete and engrave the drawings from the sketchbooks of the late Sydney Parkinson. Parkinson accompanied Banks as botanical draughtsman aboard Captain James Cook's The Endeavor in 1771. Parkinson died on the return of this South Seas Voyage. These engravings, along with the natural history collections of the British Museum, were the basis for the mastery of the Naturalist's Miscellany. Frederick's son, Richard P. Nodder, a gifted animal painter in his own right, was distinguished as botanic painter to King George III. At the time of its creation, The Naturalist's Miscellany was highly coveted as a definitive natural history offering, and as was the custom, the work was issued in installments between 1790 and 1813, and organized to be bound in a potential 24 volumes. Each volume was dedicated by permission and dutifully inscribed to the most devoted patrons and contributors of the natural historical pursuits of eighteenth and early nineteenth century Britain: (Queen Charlotte, Sir Joseph Banks, Thomas Pennant, Esq. The Universities of Oxford and Cambridge, The Trustees of the British Museum, to name a few.) An exceedingly rare series, very few complete sets remain today. (Andrews,1986, Blunt 151,Coats, 25, Sitwell FBB 142, Wood 482). Copyright: Lowry-James Rare Prints & Books, 1/09.
The Green Toucan is a native of South America, and is principally seen in Cayenne. Its size is somewhat larger than that of a common blackbird: the head and neck, which in the male are black, and is a chestnut-colour in the female. G Shaw.
Publisher Information:
George Shaw and E. Nodder,
London:
1809.
Price: $250.00
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Shaw, George, MD, FRS, and Nodder, Frederick Polydore.
Plate #729 The Chinese Snipe ( Sclopax sinensis) : Shaw & Nodder's The Naturalist's Miscellany or Coloured Figures of Natural Objects: Drawn and Described Immediately from Nature. A Fine and rare original hand-colored copperplate engraving by Frederick Polydore Nodder and/or his son Richard Polydore Nodder from The Naturalist's Miscellany. Octavo (6 x 9.5 inches, 15.24 x 24.13 cm). Includes the original text in both English and Latin by George Shaw, MD, FRS. The Naturalist's Miscellany, distinguished by the refined hand-colored copperplate engravings and astute naturalists' observations, was aptly named as a diverse naturalists' compendium of the birds, mammals, reptiles, insects, fish, and crustacean identified by seventeenth and eighteenth century naturalists spanning the globe, particularly around the South Seas. Many of nature's most fascinating and unusual creatures were discovered during this period, several of which were introduced through The Naturalist's Miscellany. Doctor George Shaw, (1751-1813), Fellow of the Royal Society, cofounder of the Linnaean Society, as well as Zoologist of the British Museum, contributed the text. Publication of the Naturalist's Miscellany ceased with his death in 1813. Upon the death of the artist FP Nodder (1770-1800), his wife Elizabeth, and their son Richard Polydore Nodder (1793-1820) contributed artistically and editorially to the publication. Indeed a family affair, both Frederick Polydore Nodder and his son Richard produced every one of the plates. A gifted and distinguished naturalist, Frederick P. Nodder was the preferred Botanical Painter to Her Majesty, Queen Charlotte. His early skills as botanical and animal draughtsman and engraver were honed from his association with Sir Joseph Banks, who employed Nodder to complete and engrave the drawings from the sketchbooks of the late Sydney Parkinson. Parkinson accompanied Banks as botanical draughtsman aboard Captain James Cook's The Endeavor in 1771. Parkinson died on the return of this South Seas Voyage. These engravings, along with the natural history collections of the British Museum, were the basis for the mastery of the Naturalist's Miscellany. Frederick's son, Richard P. Nodder, a gifted animal painter in his own right, was distinguished as botanic painter to King George III. At the time of its creation, The Naturalist's Miscellany was highly coveted as a definitive natural history offering, and as was the custom, the work was issued in installments between 1790 and 1813, and organized to be bound in a potential 24 volumes. Each volume was dedicated by permission and dutifully inscribed to the most devoted patrons and contributors of the natural historical pursuits of eighteenth and early nineteenth century Britain: (Queen Charlotte, Sir Joseph Banks, Thomas Pennant, Esq. The Universities of Oxford and Cambridge, The Trustees of the British Museum, to name a few.) An exceedingly rare series, very few complete sets remain today. (Andrews,1986, Blunt 151,Coats, 25, Sitwell FBB 142, Wood 482). Copyright: Lowry-James Rare Prints & Books, 1/09.
This species, which is native of China, is of nearly similar size with the common European Snipe, which it is supposed to resemble in its manner of life. G. Shaw
Publisher Information:
George Shaw and E. Nodder,
London:
1809.
Price: $250.00
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Shaw, George, MD, FRS, and Nodder, Frederick Polydore.
Plate #733 The Variegated Tinamou (Tinamus Variegatus) : Shaw & Nodder's The Naturalist's Miscellany or Coloured Figures of Natural Objects: Drawn and Described Immediately from Nature. A Fine and rare original hand-colored copperplate engraving by Frederick Polydore Nodder and/or his son Richard Polydore Nodder from The Naturalist's Miscellany. Octavo (6 x 9.5 inches, 15.24 x 24.13 cm). Includes the original text in both English and Latin by George Shaw, MD, FRS. The Naturalist's Miscellany, distinguished by the refined hand-colored copperplate engravings and astute naturalists' observations, was aptly named as a diverse naturalists' compendium of the birds, mammals, reptiles, insects, fish, and crustacean identified by seventeenth and eighteenth century naturalists spanning the globe, particularly around the South Seas. Many of nature's most fascinating and unusual creatures were discovered during this period, several of which were introduced through The Naturalist's Miscellany. Doctor George Shaw, (1751-1813), Fellow of the Royal Society, cofounder of the Linnaean Society, as well as Zoologist of the British Museum, contributed the text. Publication of the Naturalist's Miscellany ceased with his death in 1813. Upon the death of the artist FP Nodder (1770-1800), his wife Elizabeth, and their son Richard Polydore Nodder (1793-1820) contributed artistically and editorially to the publication. Indeed a family affair, both Frederick Polydore Nodder and his son Richard produced every one of the plates. A gifted and distinguished naturalist, Frederick P. Nodder was the preferred Botanical Painter to Her Majesty, Queen Charlotte. His early skills as botanical and animal draughtsman and engraver were honed from his association with Sir Joseph Banks, who employed Nodder to complete and engrave the drawings from the sketchbooks of the late Sydney Parkinson. Parkinson accompanied Banks as botanical draughtsman aboard Captain James Cook's The Endeavor in 1771. Parkinson died on the return of this South Seas Voyage. These engravings, along with the natural history collections of the British Museum, were the basis for the mastery of the Naturalist's Miscellany. Frederick's son, Richard P. Nodder, a gifted animal painter in his own right, was distinguished as botanic painter to King George III. At the time of its creation, The Naturalist's Miscellany was highly coveted as a definitive natural history offering, and as was the custom, the work was issued in installments between 1790 and 1813, and organized to be bound in a potential 24 volumes. Each volume was dedicated by permission and dutifully inscribed to the most devoted patrons and contributors of the natural historical pursuits of eighteenth and early nineteenth century Britain: (Queen Charlotte, Sir Joseph Banks, Thomas Pennant, Esq. The Universities of Oxford and Cambridge, The Trustees of the British Museum, to name a few.) An exceedingly rare series, very few complete sets remain today. (Andrews,1986, Blunt 151,Coats, 25, Sitwell FBB 142, Wood 482). Copyright: Lowry-James Rare Prints & Books, 1/09.
The variegated Tinamou is a native of South America, particularly of Cayenne. Its size is that of a common partridge. G. Shaw
Publisher Information:
George Shaw and E. Nodder,
London:
1809.
Price: $250.00
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Shaw, George, MD, FRS, and Nodder, Frederick Polydore.
Plate #745 The Caurale Snipe (Scolopax helias) : Shaw & Nodder's The Naturalist's Miscellany or Coloured Figures of Natural Objects: Drawn and Described Immediately from Nature. A Fine and rare original hand-colored copperplate engraving by Frederick Polydore Nodder and/or his son Richard Polydore Nodder from The Naturalist's Miscellany. Octavo (6 x 9.5 inches, 15.24 x 24.13 cm). Includes the original text in both English and Latin by George Shaw, MD, FRS. The Naturalist's Miscellany, distinguished by the refined hand-colored copperplate engravings and astute naturalists' observations, was aptly named as a diverse naturalists' compendium of the birds, mammals, reptiles, insects, fish, and crustacean identified by seventeenth and eighteenth century naturalists spanning the globe, particularly around the South Seas. Many of nature's most fascinating and unusual creatures were discovered during this period, several of which were introduced through The Naturalist's Miscellany. Doctor George Shaw, (1751-1813), Fellow of the Royal Society, cofounder of the Linnaean Society, as well as Zoologist of the British Museum, contributed the text. Publication of the Naturalist's Miscellany ceased with his death in 1813. Upon the death of the artist FP Nodder (1770-1800), his wife Elizabeth, and their son Richard Polydore Nodder (1793-1820) contributed artistically and editorially to the publication. Indeed a family affair, both Frederick Polydore Nodder and his son Richard produced every one of the plates. A gifted and distinguished naturalist, Frederick P. Nodder was the preferred Botanical Painter to Her Majesty, Queen Charlotte. His early skills as botanical and animal draughtsman and engraver were honed from his association with Sir Joseph Banks, who employed Nodder to complete and engrave the drawings from the sketchbooks of the late Sydney Parkinson. Parkinson accompanied Banks as botanical draughtsman aboard Captain James Cook's The Endeavor in 1771. Parkinson died on the return of this South Seas Voyage. These engravings, along with the natural history collections of the British Museum, were the basis for the mastery of the Naturalist's Miscellany. Frederick's son, Richard P. Nodder, a gifted animal painter in his own right, was distinguished as botanic painter to King George III. At the time of its creation, The Naturalist's Miscellany was highly coveted as a definitive natural history offering, and as was the custom, the work was issued in installments between 1790 and 1813, and organized to be bound in a potential 24 volumes. Each volume was dedicated by permission and dutifully inscribed to the most devoted patrons and contributors of the natural historical pursuits of eighteenth and early nineteenth century Britain: (Queen Charlotte, Sir Joseph Banks, Thomas Pennant, Esq. The Universities of Oxford and Cambridge, The Trustees of the British Museum, to name a few.) An exceedingly rare series, very few complete sets remain today. (Andrews,1986, Blunt 151,Coats, 25, Sitwell FBB 142, Wood 482). Copyright: Lowry-James Rare Prints & Books, 1/09.
Publisher Information:
George Shaw and E. Nodder,
London:
1809.
Price: $250.00
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Shaw, George, MD, FRS, and Nodder, Frederick Polydore.
Plate #761 The Silent Tanager (Tanagra Silens) : Shaw & Nodder's The Naturalist's Miscellany or Coloured Figures of Natural Objects: Drawn and Described Immediately from Nature. A Fine and rare original hand-colored copperplate engraving by Frederick Polydore Nodder and/or his son Richard Polydore Nodder from The Naturalist's Miscellany. Octavo (6 x 9.5 inches, 15.24 x 24.13 cm). Includes the original text in both English and Latin by George Shaw, MD, FRS. The Naturalist's Miscellany, distinguished by the refined hand-colored copperplate engravings and astute naturalists' observations, was aptly named as a diverse naturalists' compendium of the birds, mammals, reptiles, insects, fish, and crustacean identified by seventeenth and eighteenth century naturalists spanning the globe, particularly around the South Seas. Many of nature's most fascinating and unusual creatures were discovered during this period, several of which were introduced through The Naturalist's Miscellany. Doctor George Shaw, (1751-1813), Fellow of the Royal Society, cofounder of the Linnaean Society, as well as Zoologist of the British Museum, contributed the text. Publication of the Naturalist's Miscellany ceased with his death in 1813. Upon the death of the artist FP Nodder (1770-1800), his wife Elizabeth, and their son Richard Polydore Nodder (1793-1820) contributed artistically and editorially to the publication. Indeed a family affair, both Frederick Polydore Nodder and his son Richard produced every one of the plates. A gifted and distinguished naturalist, Frederick P. Nodder was the preferred Botanical Painter to Her Majesty, Queen Charlotte. His early skills as botanical and animal draughtsman and engraver were honed from his association with Sir Joseph Banks, who employed Nodder to complete and engrave the drawings from the sketchbooks of the late Sydney Parkinson. Parkinson accompanied Banks as botanical draughtsman aboard Captain James Cook's The Endeavor in 1771. Parkinson died on the return of this South Seas Voyage. These engravings, along with the natural history collections of the British Museum, were the basis for the mastery of the Naturalist's Miscellany. Frederick's son, Richard P. Nodder, a gifted animal painter in his own right, was distinguished as botanic painter to King George III. At the time of its creation, The Naturalist's Miscellany was highly coveted as a definitive natural history offering, and as was the custom, the work was issued in installments between 1790 and 1813, and organized to be bound in a potential 24 volumes. Each volume was dedicated by permission and dutifully inscribed to the most devoted patrons and contributors of the natural historical pursuits of eighteenth and early nineteenth century Britain: (Queen Charlotte, Sir Joseph Banks, Thomas Pennant, Esq. The Universities of Oxford and Cambridge, The Trustees of the British Museum, to name a few.) An exceedingly rare series, very few complete sets remain today. (Andrews,1986, Blunt 151,Coats, 25, Sitwell FBB 142, Wood 482). Copyright: Lowry-James Rare Prints & Books, 1/09.
This species is a native of South America, and is particularly found in Guiana. In its manners it differs from the rest of the Tanagers, being a bird of a solitary nature, and inhabiting the deepest recesses of the woods. it usually measures about seven inches from the tip of the bill to the extremity of the tail. G. Shaw.
Publisher Information:
George Shaw and E. Nodder,
London:
1809.
Price: $250.00
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Shaw, George, MD, FRS, and Nodder, Frederick Polydore.
Plate #773 The Francolin (Tetrao Francolinus) : Shaw & Nodder's The Naturalist's Miscellany or Coloured Figures of Natural Objects: Drawn and Described Immediately from Nature. A Fine and rare original hand-colored copperplate engraving by Frederick Polydore Nodder and/or his son Richard Polydore Nodder from The Naturalist's Miscellany. Octavo (6 x 9.5 inches, 15.24 x 24.13 cm). Includes the original text in both English and Latin by George Shaw, MD, FRS. The Naturalist's Miscellany, distinguished by the refined hand-colored copperplate engravings and astute naturalists' observations, was aptly named as a diverse naturalists' compendium of the birds, mammals, reptiles, insects, fish, and crustacean identified by seventeenth and eighteenth century naturalists spanning the globe, particularly around the South Seas. Many of nature's most fascinating and unusual creatures were discovered during this period, several of which were introduced through The Naturalist's Miscellany. Doctor George Shaw, (1751-1813), Fellow of the Royal Society, cofounder of the Linnaean Society, as well as Zoologist of the British Museum, contributed the text. Publication of the Naturalist's Miscellany ceased with his death in 1813. Upon the death of the artist FP Nodder (1770-1800), his wife Elizabeth, and their son Richard Polydore Nodder (1793-1820) contributed artistically and editorially to the publication. Indeed a family affair, both Frederick Polydore Nodder and his son Richard produced every one of the plates. A gifted and distinguished naturalist, Frederick P. Nodder was the preferred Botanical Painter to Her Majesty, Queen Charlotte. His early skills as botanical and animal draughtsman and engraver were honed from his association with Sir Joseph Banks, who employed Nodder to complete and engrave the drawings from the sketchbooks of the late Sydney Parkinson. Parkinson accompanied Banks as botanical draughtsman aboard Captain James Cook's The Endeavor in 1771. Parkinson died on the return of this South Seas Voyage. These engravings, along with the natural history collections of the British Museum, were the basis for the mastery of the Naturalist's Miscellany. Frederick's son, Richard P. Nodder, a gifted animal painter in his own right, was distinguished as botanic painter to King George III. At the time of its creation, The Naturalist's Miscellany was highly coveted as a definitive natural history offering, and as was the custom, the work was issued in installments between 1790 and 1813, and organized to be bound in a potential 24 volumes. Each volume was dedicated by permission and dutifully inscribed to the most devoted patrons and contributors of the natural historical pursuits of eighteenth and early nineteenth century Britain: (Queen Charlotte, Sir Joseph Banks, Thomas Pennant, Esq. The Universities of Oxford and Cambridge, The Trustees of the British Museum, to name a few.) An exceedingly rare series, very few complete sets remain today. (Andrews,1986, Blunt 151,Coats, 25, Sitwell FBB 142, Wood 482). Copyright: Lowry-James Rare Prints & Books, 1/09.
The elgant bird here represented is a native of many of the warmer parts of Europe. Its size is that of a common Partridge. G. Shaw
Publisher Information:
George Shaw and E. Nodder,
London:
1809.
Price: $250.00
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Shaw, George, MD, FRS, and Nodder, Frederick Polydore.
Plate #791. The Cassia Butterfly (Papilio Cassiae). : Shaw & Nodder's The Naturalist's Miscellany or Coloured Figures of Natural Objects: Drawn and Described Immediately from Nature. A Fine and rare original hand-colored copperplate engraving by Frederick Polydore Nodder and/or his son Richard Polydore Nodder from The Naturalist's Miscellany. Octavo (6 x 9.5 inches, 15.24 x 24.13 cm). Includes the original text in both English and Latin by George Shaw, MD, FRS. The Naturalist's Miscellany, distinguished by the refined hand-colored copperplate engravings and astute naturalists' observations, was aptly named as a diverse naturalists' compendium of the birds, mammals, reptiles, insects, fish, and crustacean identified by seventeenth and eighteenth century naturalists spanning the globe, particularly around the South Seas. Many of nature's most fascinating and unusual creatures were discovered during this period, several of which were introduced through The Naturalist's Miscellany. Doctor George Shaw, (1751-1813), Fellow of the Royal Society, cofounder of the Linnaean Society, as well as Zoologist of the British Museum, contributed the text. Publication of the Naturalist's Miscellany ceased with his death in 1813. Upon the death of the artist FP Nodder (1770-1800), his wife Elizabeth, and their son Richard Polydore Nodder (1793-1820) contributed artistically and editorially to the publication. Indeed a family affair, both Frederick Polydore Nodder and his son Richard produced every one of the plates. A gifted and distinguished naturalist, Frederick P. Nodder was the preferred Botanical Painter to Her Majesty, Queen Charlotte. His early skills as botanical and animal draughtsman and engraver were honed from his association with Sir Joseph Banks, who employed Nodder to complete and engrave the drawings from the sketchbooks of the late Sydney Parkinson. Parkinson accompanied Banks as botanical draughtsman aboard Captain James Cook's The Endeavor in 1771. Parkinson died on the return of this South Seas Voyage. These engravings, along with the natural history collections of the British Museum, were the basis for the mastery of the Naturalist's Miscellany. Frederick's son, Richard P. Nodder, a gifted animal painter in his own right, was distinguished as botanic painter to King George III. At the time of its creation, The Naturalist's Miscellany was highly coveted as a definitive natural history offering, and as was the custom, the work was issued in installments between 1790 and 1813, and organized to be bound in a potential 24 volumes. Each volume was dedicated by permission and dutifully inscribed to the most devoted patrons and contributors of the natural historical pursuits of eighteenth and early nineteenth century Britain: (Queen Charlotte, Sir Joseph Banks, Thomas Pennant, Esq. The Universities of Oxford and Cambridge, The Trustees of the British Museum, to name a few.) An exceedingly rare series, very few complete sets remain today. (Andrews,1986, Blunt 151,Coats, 25, Sitwell FBB 142, Wood 482). Copyright: Lowry-James Rare Prints & Books, 1/09.
Publisher Information:
George Shaw and E. Nodder,
London:
1809.
Price: $250.00
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Shaw, George, MD, FRS, and Nodder, Frederick Polydore.
Plate #795. The Double-pointed Sphinx. (Sphinx satellitia). : Shaw & Nodder's The Naturalist's Miscellany or Coloured Figures of Natural Objects: Drawn and Described Immediately from Nature. A Fine and rare original hand-colored copperplate engraving by Frederick Polydore Nodder and/or his son Richard Polydore Nodder from The Naturalist's Miscellany. Octavo (6 x 9.5 inches, 15.24 x 24.13 cm). Archivally French-matted & framed in taupe burl, sized to 15 x 13 Inches. Includes the original text in both English and Latin by George Shaw, MD, FRS. The Naturalist's Miscellany, distinguished by the refined hand-colored copperplate engravings and astute naturalists' observations, was aptly named as a diverse naturalists' compendium of the birds, mammals, reptiles, insects, fish, and crustacean identified by seventeenth and eighteenth century naturalists spanning the globe, particularly around the South Seas. Many of nature's most fascinating and unusual creatures were discovered during this period, several of which were introduced through The Naturalist's Miscellany. Doctor George Shaw, (1751-1813), Fellow of the Royal Society, cofounder of the Linnaean Society, as well as Zoologist of the British Museum, contributed the text. Publication of the Naturalist's Miscellany ceased with his death in 1813. Upon the death of the artist FP Nodder (1770-1800), his wife Elizabeth, and their son Richard Polydore Nodder (1793-1820) contributed artistically and editorially to the publication. Indeed a family affair, both Frederick Polydore Nodder and his son Richard produced every one of the plates. A gifted and distinguished naturalist, Frederick P. Nodder was the preferred Botanical Painter to Her Majesty, Queen Charlotte. His early skills as botanical and animal draughtsman and engraver were honed from his association with Sir Joseph Banks, who employed Nodder to complete and engrave the drawings from the sketchbooks of the late Sydney Parkinson. Parkinson accompanied Banks as botanical draughtsman aboard Captain James Cook's The Endeavor in 1771. Parkinson died on the return of this South Seas Voyage. These engravings, along with the natural history collections of the British Museum, were the basis for the mastery of the Naturalist's Miscellany. Frederick's son, Richard P. Nodder, a gifted animal painter in his own right, was distinguished as botanic painter to King George III. At the time of its creation, The Naturalist's Miscellany was highly coveted as a definitive natural history offering, and as was the custom, the work was issued in installments between 1790 and 1813, and organized to be bound in a potential 24 volumes. Each volume was dedicated by permission and dutifully inscribed to the most devoted patrons and contributors of the natural historical pursuits of eighteenth and early nineteenth century Britain: (Queen Charlotte, Sir Joseph Banks, Thomas Pennant, Esq. The Universities of Oxford and Cambridge, The Trustees of the British Museum, to name a few.) An exceedingly rare series, very few complete sets remain today. (Andrews,1986, Blunt 151,Coats, 25, Sitwell FBB 142, Wood 482). Copyright: Lowry-James Rare Prints & Books, 1/09. "This insect is a native of Jamaica, and is represented on the plate in its natural size. " G. Shaw.
Publisher Information:
George Shaw and E. Nodder,
London:
1809.
Price: $425.00
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Shaw, George, MD, FRS, and Nodder, Frederick Polydore.
Plate #797. The Purple-throated Creeper. : Shaw & Nodder's The Naturalist's Miscellany or Coloured Figures of Natural Objects: Drawn and Described Immediately from Nature. A Fine and rare original hand-colored copperplate engraving by Frederick Polydore Nodder and/or his son Richard Polydore Nodder from The Naturalist's Miscellany. Octavo (6 x 9.5 inches, 15.24 x 24.13 cm). Includes the original text in both English and Latin by George Shaw, MD, FRS. The Naturalist's Miscellany, distinguished by the refined hand-colored copperplate engravings and astute naturalists' observations, was aptly named as a diverse naturalists' compendium of the birds, mammals, reptiles, insects, fish, and crustacean identified by seventeenth and eighteenth century naturalists spanning the globe, particularly around the South Seas. Many of nature's most fascinating and unusual creatures were discovered during this period, several of which were introduced through The Naturalist's Miscellany. Doctor George Shaw, (1751-1813), Fellow of the Royal Society, cofounder of the Linnaean Society, as well as Zoologist of the British Museum, contributed the text. Publication of the Naturalist's Miscellany ceased with his death in 1813. Upon the death of the artist FP Nodder (1770-1800), his wife Elizabeth, and their son Richard Polydore Nodder (1793-1820) contributed artistically and editorially to the publication. Indeed a family affair, both Frederick Polydore Nodder and his son Richard produced every one of the plates. A gifted and distinguished naturalist, Frederick P. Nodder was the preferred Botanical Painter to Her Majesty, Queen Charlotte. His early skills as botanical and animal draughtsman and engraver were honed from his association with Sir Joseph Banks, who employed Nodder to complete and engrave the drawings from the sketchbooks of the late Sydney Parkinson. Parkinson accompanied Banks as botanical draughtsman aboard Captain James Cook's The Endeavor in 1771. Parkinson died on the return of this South Seas Voyage. These engravings, along with the natural history collections of the British Museum, were the basis for the mastery of the Naturalist's Miscellany. Frederick's son, Richard P. Nodder, a gifted animal painter in his own right, was distinguished as botanic painter to King George III. At the time of its creation, The Naturalist's Miscellany was highly coveted as a definitive natural history offering, and as was the custom, the work was issued in installments between 1790 and 1813, and organized to be bound in a potential 24 volumes. Each volume was dedicated by permission and dutifully inscribed to the most devoted patrons and contributors of the natural historical pursuits of eighteenth and early nineteenth century Britain: (Queen Charlotte, Sir Joseph Banks, Thomas Pennant, Esq. The Universities of Oxford and Cambridge, The Trustees of the British Museum, to name a few.) An exceedingly rare series, very few complete sets remain today. (Andrews,1986, Blunt 151,Coats, 25, Sitwell FBB 142, Wood 482). Copyright: Lowry-James Rare Prints & Books, 1/09.
Publisher Information:
George Shaw and E. Nodder,
London:
1809.
Price: $225.00
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Shaw, George, MD, FRS, and Nodder, Frederick Polydore.
Plate #804. Androgeus (Papilio Androgeus) : Shaw & Nodder's The Naturalist's Miscellany or Coloured Figures of Natural Objects: Drawn and Described Immediately from Nature. A Fine and rare original hand-colored copperplate engraving by Frederick Polydore Nodder and/or his son Richard Polydore Nodder from The Naturalist's Miscellany. Octavo (6 x 9.5 inches, 15.24 x 24.13 cm). Includes the original text in both English and Latin by George Shaw, MD, FRS. The Naturalist's Miscellany, distinguished by the refined hand-colored copperplate engravings and astute naturalists' observations, was aptly named as a diverse naturalists' compendium of the birds, mammals, reptiles, insects, fish, and crustacean identified by seventeenth and eighteenth century naturalists spanning the globe, particularly around the South Seas. Many of nature's most fascinating and unusual creatures were discovered during this period, several of which were introduced through The Naturalist's Miscellany. Doctor George Shaw, (1751-1813), Fellow of the Royal Society, cofounder of the Linnaean Society, as well as Zoologist of the British Museum, contributed the text. Publication of the Naturalist's Miscellany ceased with his death in 1813. Upon the death of the artist FP Nodder (1770-1800), his wife Elizabeth, and their son Richard Polydore Nodder (1793-1820) contributed artistically and editorially to the publication. Indeed a family affair, both Frederick Polydore Nodder and his son Richard produced every one of the plates. A gifted and distinguished naturalist, Frederick P. Nodder was the preferred Botanical Painter to Her Majesty, Queen Charlotte. His early skills as botanical and animal draughtsman and engraver were honed from his association with Sir Joseph Banks, who employed Nodder to complete and engrave the drawings from the sketchbooks of the late Sydney Parkinson. Parkinson accompanied Banks as botanical draughtsman aboard Captain James Cook's The Endeavor in 1771. Parkinson died on the return of this South Seas Voyage. These engravings, along with the natural history collections of the British Museum, were the basis for the mastery of the Naturalist's Miscellany. Frederick's son, Richard P. Nodder, a gifted animal painter in his own right, was distinguished as botanic painter to King George III. At the time of its creation, The Naturalist's Miscellany was highly coveted as a definitive natural history offering, and as was the custom, the work was issued in installments between 1790 and 1813, and organized to be bound in a potential 24 volumes. Each volume was dedicated by permission and dutifully inscribed to the most devoted patrons and contributors of the natural historical pursuits of eighteenth and early nineteenth century Britain: (Queen Charlotte, Sir Joseph Banks, Thomas Pennant, Esq. The Universities of Oxford and Cambridge, The Trustees of the British Museum, to name a few.) An exceedingly rare series, very few complete sets remain today. (Andrews,1986, Blunt 151,Coats, 25, Sitwell FBB 142, Wood 482). Copyright: Lowry-James Rare Prints & Books, 1/09.
Publisher Information:
George Shaw and E. Nodder,
London:
1809.
Price: $175.00
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Shaw, George, MD, FRS, and Nodder, Frederick Polydore.
Plate #805. The Subrosaceous Stare. (Sturnus Subroseus). : Shaw & Nodder's The Naturalist's Miscellany or Coloured Figures of Natural Objects: Drawn and Described Immediately from Nature. A Fine and rare original hand-colored copperplate engraving by Frederick Polydore Nodder and/or his son Richard Polydore Nodder from The Naturalist's Miscellany. Octavo (6 x 9.5 inches, 15.24 x 24.13 cm). Includes the original text in both English and Latin by George Shaw, MD, FRS. The Naturalist's Miscellany, distinguished by the refined hand-colored copperplate engravings and astute naturalists' observations, was aptly named as a diverse naturalists' compendium of the birds, mammals, reptiles, insects, fish, and crustacean identified by seventeenth and eighteenth century naturalists spanning the globe, particularly around the South Seas. Many of nature's most fascinating and unusual creatures were discovered during this period, several of which were introduced through The Naturalist's Miscellany. Doctor George Shaw, (1751-1813), Fellow of the Royal Society, cofounder of the Linnaean Society, as well as Zoologist of the British Museum, contributed the text. Publication of the Naturalist's Miscellany ceased with his death in 1813. Upon the death of the artist FP Nodder (1770-1800), his wife Elizabeth, and their son Richard Polydore Nodder (1793-1820) contributed artistically and editorially to the publication. Indeed a family affair, both Frederick Polydore Nodder and his son Richard produced every one of the plates. A gifted and distinguished naturalist, Frederick P. Nodder was the preferred Botanical Painter to Her Majesty, Queen Charlotte. His early skills as botanical and animal draughtsman and engraver were honed from his association with Sir Joseph Banks, who employed Nodder to complete and engrave the drawings from the sketchbooks of the late Sydney Parkinson. Parkinson accompanied Banks as botanical draughtsman aboard Captain James Cook's The Endeavor in 1771. Parkinson died on the return of this South Seas Voyage. These engravings, along with the natural history collections of the British Museum, were the basis for the mastery of the Naturalist's Miscellany. Frederick's son, Richard P. Nodder, a gifted animal painter in his own right, was distinguished as botanic painter to King George III. At the time of its creation, The Naturalist's Miscellany was highly coveted as a definitive natural history offering, and as was the custom, the work was issued in installments between 1790 and 1813, and organized to be bound in a potential 24 volumes. Each volume was dedicated by permission and dutifully inscribed to the most devoted patrons and contributors of the natural historical pursuits of eighteenth and early nineteenth century Britain: (Queen Charlotte, Sir Joseph Banks, Thomas Pennant, Esq. The Universities of Oxford and Cambridge, The Trustees of the British Museum, to name a few.) An exceedingly rare series, very few complete sets remain today. (Andrews,1986, Blunt 151,Coats, 25, Sitwell FBB 142, Wood 482). Copyright: Lowry-James Rare Prints & Books, 1/09.
Publisher Information:
George Shaw and E. Nodder,
London:
1809.
Price: $225.00
Add to Cart
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Shaw, George, MD, FRS, and Nodder, Frederick Polydore.
Plate #824. Empedocles (Papilo Empedocles) : Shaw & Nodder's The Naturalist's Miscellany or Coloured Figures of Natural Objects: Drawn and Described Immediately from Nature. A Fine and rare original hand-colored copperplate engraving by Frederick Polydore Nodder and/or his son Richard Polydore Nodder from The Naturalist's Miscellany. Octavo (6 x 9.5 inches, 15.24 x 24.13 cm). Includes the original text in both English and Latin by George Shaw, MD, FRS. The Naturalist's Miscellany, distinguished by the refined hand-colored copperplate engravings and astute naturalists' observations, was aptly named as a diverse naturalists' compendium of the birds, mammals, reptiles, insects, fish, and crustacean identified by seventeenth and eighteenth century naturalists spanning the globe, particularly around the South Seas. Many of nature's most fascinating and unusual creatures were discovered during this period, several of which were introduced through The Naturalist's Miscellany. Doctor George Shaw, (1751-1813), Fellow of the Royal Society, cofounder of the Linnaean Society, as well as Zoologist of the British Museum, contributed the text. Publication of the Naturalist's Miscellany ceased with his death in 1813. Upon the death of the artist FP Nodder (1770-1800), his wife Elizabeth, and their son Richard Polydore Nodder (1793-1820) contributed artistically and editorially to the publication. Indeed a family affair, both Frederick Polydore Nodder and his son Richard produced every one of the plates. A gifted and distinguished naturalist, Frederick P. Nodder was the preferred Botanical Painter to Her Majesty, Queen Charlotte. His early skills as botanical and animal draughtsman and engraver were honed from his association with Sir Joseph Banks, who employed Nodder to complete and engrave the drawings from the sketchbooks of the late Sydney Parkinson. Parkinson accompanied Banks as botanical draughtsman aboard Captain James Cook's The Endeavor in 1771. Parkinson died on the return of this South Seas Voyage. These engravings, along with the natural history collections of the British Museum, were the basis for the mastery of the Naturalist's Miscellany. Frederick's son, Richard P. Nodder, a gifted animal painter in his own right, was distinguished as botanic painter to King George III. At the time of its creation, The Naturalist's Miscellany was highly coveted as a definitive natural history offering, and as was the custom, the work was issued in installments between 1790 and 1813, and organized to be bound in a potential 24 volumes. Each volume was dedicated by permission and dutifully inscribed to the most devoted patrons and contributors of the natural historical pursuits of eighteenth and early nineteenth century Britain: (Queen Charlotte, Sir Joseph Banks, Thomas Pennant, Esq. The Universities of Oxford and Cambridge, The Trustees of the British Museum, to name a few.) An exceedingly rare series, very few complete sets remain today. (Andrews,1986, Blunt 151,Coats, 25, Sitwell FBB 142, Wood 482). Copyright: Lowry-James Rare Prints & Books, 1/09.
Publisher Information:
George Shaw and E. Nodder,
London:
1809.
Price: $125.00
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Shaw, George, MD, FRS, and Nodder, Frederick Polydore.
Plate 781. The Pied Roller. (Coracias Varia). : Shaw & Nodder's The Naturalist's Miscellany or Coloured Figures of Natural Objects: Drawn and Described Immediately from Nature. A Fine and rare original hand-colored copperplate engraving by Frederick Polydore Nodder and/or his son Richard Polydore Nodder from The Naturalist's Miscellany. Octavo (6 x 9.5 inches, 15.24 x 24.13 cm). Includes the original text in both English and Latin by George Shaw, MD, FRS. The Naturalist's Miscellany, distinguished by the refined hand-colored copperplate engravings and astute naturalists' observations, was aptly named as a diverse naturalists' compendium of the birds, mammals, reptiles, insects, fish, and crustacean identified by seventeenth and eighteenth century naturalists spanning the globe, particularly around the South Seas. Many of nature's most fascinating and unusual creatures were discovered during this period, several of which were introduced through The Naturalist's Miscellany. Doctor George Shaw, (1751-1813), Fellow of the Royal Society, cofounder of the Linnaean Society, as well as Zoologist of the British Museum, contributed the text. Publication of the Naturalist's Miscellany ceased with his death in 1813. Upon the death of the artist FP Nodder (1770-1800), his wife Elizabeth, and their son Richard Polydore Nodder (1793-1820) contributed artistically and editorially to the publication. Indeed a family affair, both Frederick Polydore Nodder and his son Richard produced every one of the plates. A gifted and distinguished naturalist, Frederick P. Nodder was the preferred Botanical Painter to Her Majesty, Queen Charlotte. His early skills as botanical and animal draughtsman and engraver were honed from his association with Sir Joseph Banks, who employed Nodder to complete and engrave the drawings from the sketchbooks of the late Sydney Parkinson. Parkinson accompanied Banks as botanical draughtsman aboard Captain James Cook's The Endeavor in 1771. Parkinson died on the return of this South Seas Voyage. These engravings, along with the natural history collections of the British Museum, were the basis for the mastery of the Naturalist's Miscellany. Frederick's son, Richard P. Nodder, a gifted animal painter in his own right, was distinguished as botanic painter to King George III. At the time of its creation, The Naturalist's Miscellany was highly coveted as a definitive natural history offering, and as was the custom, the work was issued in installments between 1790 and 1813, and organized to be bound in a potential 24 volumes. Each volume was dedicated by permission and dutifully inscribed to the most devoted patrons and contributors of the natural historical pursuits of eighteenth and early nineteenth century Britain: (Queen Charlotte, Sir Joseph Banks, Thomas Pennant, Esq. The Universities of Oxford and Cambridge, The Trustees of the British Museum, to name a few.) An exceedingly rare series, very few complete sets remain today. (Andrews,1986, Blunt 151,Coats, 25, Sitwell FBB 142, Wood 482). Copyright: Lowry-James Rare Prints & Books, 1/09.
Publisher Information:
George Shaw and E. Nodder,
London:
1809.
Price: $275.00
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Shaw, George, MD, FRS, and Nodder, Frederick Polydore.
Plate 809. The White-beaked Hornbill (Buceros Albirostris). : Shaw & Nodder's The Naturalist's Miscellany or Coloured Figures of Natural Objects: Drawn and Described Immediately from Nature. A Fine and rare original hand-colored copperplate engraving by Frederick Polydore Nodder and/or his son Richard Polydore Nodder from The Naturalist's Miscellany. Octavo (6 x 9.5 inches, 15.24 x 24.13 cm). Includes the original text in both English and Latin by George Shaw, MD, FRS. The Naturalist's Miscellany, distinguished by the refined hand-colored copperplate engravings and astute naturalists' observations, was aptly named as a diverse naturalists' compendium of the birds, mammals, reptiles, insects, fish, and crustacean identified by seventeenth and eighteenth century naturalists spanning the globe, particularly around the South Seas. Many of nature's most fascinating and unusual creatures were discovered during this period, several of which were introduced through The Naturalist's Miscellany. Doctor George Shaw, (1751-1813), Fellow of the Royal Society, cofounder of the Linnaean Society, as well as Zoologist of the British Museum, contributed the text. Publication of the Naturalist's Miscellany ceased with his death in 1813. Upon the death of the artist FP Nodder (1770-1800), his wife Elizabeth, and their son Richard Polydore Nodder (1793-1820) contributed artistically and editorially to the publication. Indeed a family affair, both Frederick Polydore Nodder and his son Richard produced every one of the plates. A gifted and distinguished naturalist, Frederick P. Nodder was the preferred Botanical Painter to Her Majesty, Queen Charlotte. His early skills as botanical and animal draughtsman and engraver were honed from his association with Sir Joseph Banks, who employed Nodder to complete and engrave the drawings from the sketchbooks of the late Sydney Parkinson. Parkinson accompanied Banks as botanical draughtsman aboard Captain James Cook's The Endeavor in 1771. Parkinson died on the return of this South Seas Voyage. These engravings, along with the natural history collections of the British Museum, were the basis for the mastery of the Naturalist's Miscellany. Frederick's son, Richard P. Nodder, a gifted animal painter in his own right, was distinguished as botanic painter to King George III. At the time of its creation, The Naturalist's Miscellany was highly coveted as a definitive natural history offering, and as was the custom, the work was issued in installments between 1790 and 1813, and organized to be bound in a potential 24 volumes. Each volume was dedicated by permission and dutifully inscribed to the most devoted patrons and contributors of the natural historical pursuits of eighteenth and early nineteenth century Britain: (Queen Charlotte, Sir Joseph Banks, Thomas Pennant, Esq. The Universities of Oxford and Cambridge, The Trustees of the British Museum, to name a few.) An exceedingly rare series, very few complete sets remain today. (Andrews,1986, Blunt 151,Coats, 25, Sitwell FBB 142, Wood 482). Copyright: Lowry-James Rare Prints & Books, 1/09.
Publisher Information:
George Shaw and E. Nodder,
London:
1809.
Price: $250.00
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Shaw, George, MD, FRS, and Nodder, Frederick Polydore.
Plate 817. The Purple-breasted Chatterer. (Ampelis Cotinga). : Shaw & Nodder's The Naturalist's Miscellany or Coloured Figures of Natural Objects: Drawn and Described Immediately from Nature. A Fine and rare original hand-colored copperplate engraving by Frederick Polydore Nodder and/or his son Richard Polydore Nodder from The Naturalist's Miscellany. Octavo (6 x 9.5 inches, 15.24 x 24.13 cm). Includes the original text in both English and Latin by George Shaw, MD, FRS. The Naturalist's Miscellany, distinguished by the refined hand-colored copperplate engravings and astute naturalists' observations, was aptly named as a diverse naturalists' compendium of the birds, mammals, reptiles, insects, fish, and crustacean identified by seventeenth and eighteenth century naturalists spanning the globe, particularly around the South Seas. Many of nature's most fascinating and unusual creatures were discovered during this period, several of which were introduced through The Naturalist's Miscellany. Doctor George Shaw, (1751-1813), Fellow of the Royal Society, cofounder of the Linnaean Society, as well as Zoologist of the British Museum, contributed the text. Publication of the Naturalist's Miscellany ceased with his death in 1813. Upon the death of the artist FP Nodder (1770-1800), his wife Elizabeth, and their son Richard Polydore Nodder (1793-1820) contributed artistically and editorially to the publication. Indeed a family affair, both Frederick Polydore Nodder and his son Richard produced every one of the plates. A gifted and distinguished naturalist, Frederick P. Nodder was the preferred Botanical Painter to Her Majesty, Queen Charlotte. His early skills as botanical and animal draughtsman and engraver were honed from his association with Sir Joseph Banks, who employed Nodder to complete and engrave the drawings from the sketchbooks of the late Sydney Parkinson. Parkinson accompanied Banks as botanical draughtsman aboard Captain James Cook's The Endeavor in 1771. Parkinson died on the return of this South Seas Voyage. These engravings, along with the natural history collections of the British Museum, were the basis for the mastery of the Naturalist's Miscellany. Frederick's son, Richard P. Nodder, a gifted animal painter in his own right, was distinguished as botanic painter to King George III. At the time of its creation, The Naturalist's Miscellany was highly coveted as a definitive natural history offering, and as was the custom, the work was issued in installments between 1790 and 1813, and organized to be bound in a potential 24 volumes. Each volume was dedicated by permission and dutifully inscribed to the most devoted patrons and contributors of the natural historical pursuits of eighteenth and early nineteenth century Britain: (Queen Charlotte, Sir Joseph Banks, Thomas Pennant, Esq. The Universities of Oxford and Cambridge, The Trustees of the British Museum, to name a few.) An exceedingly rare series, very few complete sets remain today. (Andrews,1986, Blunt 151,Coats, 25, Sitwell FBB 142, Wood 482). Copyright: Lowry-James Rare Prints & Books, 1/09.
Publisher Information:
George Shaw and E. Nodder,
London:
1809.
Price: $350.00
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Shaw, George, MD, FRS, and Nodder, Frederick Polydore.
Plate 821. The Superb Chatterer. (Ampelis Superba) : Shaw & Nodder's The Naturalist's Miscellany or Coloured Figures of Natural Objects: Drawn and Described Immediately from Nature. A Fine and rare original hand-colored copperplate engraving by Frederick Polydore Nodder and/or his son Richard Polydore Nodder from The Naturalist's Miscellany. Octavo (6 x 9.5 inches, 15.24 x 24.13 cm). Includes the original text in both English and Latin by George Shaw, MD, FRS. The Naturalist's Miscellany, distinguished by the refined hand-colored copperplate engravings and astute naturalists' observations, was aptly named as a diverse naturalists' compendium of the birds, mammals, reptiles, insects, fish, and crustacean identified by seventeenth and eighteenth century naturalists spanning the globe, particularly around the South Seas. Many of nature's most fascinating and unusual creatures were discovered during this period, several of which were introduced through The Naturalist's Miscellany. Doctor George Shaw, (1751-1813), Fellow of the Royal Society, cofounder of the Linnaean Society, as well as Zoologist of the British Museum, contributed the text. Publication of the Naturalist's Miscellany ceased with his death in 1813. Upon the death of the artist FP Nodder (1770-1800), his wife Elizabeth, and their son Richard Polydore Nodder (1793-1820) contributed artistically and editorially to the publication. Indeed a family affair, both Frederick Polydore Nodder and his son Richard produced every one of the plates. A gifted and distinguished naturalist, Frederick P. Nodder was the preferred Botanical Painter to Her Majesty, Queen Charlotte. His early skills as botanical and animal draughtsman and engraver were honed from his association with Sir Joseph Banks, who employed Nodder to complete and engrave the drawings from the sketchbooks of the late Sydney Parkinson. Parkinson accompanied Banks as botanical draughtsman aboard Captain James Cook's The Endeavor in 1771. Parkinson died on the return of this South Seas Voyage. These engravings, along with the natural history collections of the British Museum, were the basis for the mastery of the Naturalist's Miscellany. Frederick's son, Richard P. Nodder, a gifted animal painter in his own right, was distinguished as botanic painter to King George III. At the time of its creation, The Naturalist's Miscellany was highly coveted as a definitive natural history offering, and as was the custom, the work was issued in installments between 1790 and 1813, and organized to be bound in a potential 24 volumes. Each volume was dedicated by permission and dutifully inscribed to the most devoted patrons and contributors of the natural historical pursuits of eighteenth and early nineteenth century Britain: (Queen Charlotte, Sir Joseph Banks, Thomas Pennant, Esq. The Universities of Oxford and Cambridge, The Trustees of the British Museum, to name a few.) An exceedingly rare series, very few complete sets remain today. (Andrews,1986, Blunt 151,Coats, 25, Sitwell FBB 142, Wood 482). Copyright: Lowry-James Rare Prints & Books, 1/09.
Publisher Information:
George Shaw and E. Nodder,
London:
1809.
Price: $350.00
Add to Cart
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