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 <title>New Ornithology Books at Lowry-James Rare Prints &amp; Books, ABAA</title>
 <link href="http://www.lowryjames.com/cgi-bin/lowry/categoryrss/Ornithology" rel="self"/>
 <link href="http://www.lowryjames.com"/>
 <updated>2013-05-21T22:48:27Z</updated>
 <author>
   <name><![CDATA[Lowry-James Rare Prints & Books, ABAA]]></name>
   <email>orders@lowryjames.com</email>
 </author>
 <id>urn:uuid:60a76c80-d399-11d9-b91C-0003939e0af</id>
 

 <entry>
   <title type="html">
        <![CDATA[
        Variegated Plantain eater  - Jardine, Sir William, FRS, FLS .
        ]]>
   </title>
   <link href="http://www.lowryjames.com/cgi-bin/lowry/5815"/>
   <id>urn:uuid:1225c695-cfb8-4ebb-aaaa-80da344efa6a1</id>
   <updated>2013-05-21T22:48:27Z</updated>
   <summary type="html">
      
        <![CDATA[ 
                A Fine original hand-colored steel engraving with bright original coloring.  12mo (6.75 x 4.25 inches, 10.8 x 17.15 cm). This fine engraving is classified as one the very finest Natural History miniatures produced. A refined and intelligent work, The Naturalist's Library was intended for everyone interested in Natural History, not just the wealthy who could afford the lavish color plate books produced during the early to mid 19th Century. In addition, the education of young minds had recently become the fashion, yet there were no small color plate books sized to miniature hands capturing the realistic glory of the natural order.  Sir William Jardine (1800-1847), noted Scottish Ichthyologist and Ornithologist, combined the talents of his colleagues, acknowledged naturalists in every field- Edward Lear, Prideaux John Selby, William Swainson, among them, and produced The Naturalists' Library. The intention was to create a fine, yet affordable work, describing and illustrating all elements of the natural world, birds, animals, fish, insects, save the plant world. Several plates were engraved after the naturalist masters, John James Audubon, John Gould and Maria Sibylla Merian.  The success of the publication was evidenced by the creation of 40 separate volumes within the next few decades. The engraver of the work was William H. Lizars, who at the time was engraving the first ten plates of John James Audubon's magnum opus, The Double Elephant Folio Edition of The Birds of America. Lizars engraved the plates in steel, opposed to copper, to render a very fine line on a small tablet, allowing for a very full and intricate background setting for each described species. Traditionally, only the major subject (bird, animal, insect or fish) was hand-colored with watercolor, the background was left uncolored. This work has withstood the test of time and continues to be an affordable option to the engraved work of many natural history masters.  
        ]]>
   </summary>
   <content type="html">
    
       <![CDATA[ 
                
     <br/>Jardine, Sir William, FRS, FLS .

        
        <br/>WH Lizars,

        <br/>Price: $65.00
       
        ]]>
   </content>
 </entry>

 <entry>
   <title type="html">
        <![CDATA[
        Violet Plantin Eater  - Jardine, Sir William, FRS, FLS .
        ]]>
   </title>
   <link href="http://www.lowryjames.com/cgi-bin/lowry/5814"/>
   <id>urn:uuid:1225c695-cfb8-4ebb-aaaa-80da344efa6a2</id>
   <updated>2013-05-21T22:48:27Z</updated>
   <summary type="html">
      
        <![CDATA[ 
                A Fine original hand-colored steel engraving with bright original coloring.  12mo (6.75 x 4.25 inches, 10.8 x 17.15 cm). This fine engraving is classified as one the very finest Natural History miniatures produced. A refined and intelligent work, The Naturalist's Library was intended for everyone interested in Natural History, not just the wealthy who could afford the lavish color plate books produced during the early to mid 19th Century. In addition, the education of young minds had recently become the fashion, yet there were no small color plate books sized to miniature hands capturing the realistic glory of the natural order.  Sir William Jardine (1800-1847), noted Scottish Ichthyologist and Ornithologist, combined the talents of his colleagues, acknowledged naturalists in every field- Edward Lear, Prideaux John Selby, William Swainson, among them, and produced The Naturalists' Library. The intention was to create a fine, yet affordable work, describing and illustrating all elements of the natural world, birds, animals, fish, insects, save the plant world. Several plates were engraved after the naturalist masters, John James Audubon, John Gould and Maria Sibylla Merian.  The success of the publication was evidenced by the creation of 40 separate volumes within the next few decades. The engraver of the work was William H. Lizars, who at the time was engraving the first ten plates of John James Audubon's magnum opus, The Double Elephant Folio Edition of The Birds of America. Lizars engraved the plates in steel, opposed to copper, to render a very fine line on a small tablet, allowing for a very full and intricate background setting for each described species. Traditionally, only the major subject (bird, animal, insect or fish) was hand-colored with watercolor, the background was left uncolored. This work has withstood the test of time and continues to be an affordable option to the engraved work of many natural history masters.  
        ]]>
   </summary>
   <content type="html">
    
       <![CDATA[ 
                
     <br/>Jardine, Sir William, FRS, FLS .

        
        <br/>WH Lizars,

        <br/>Price: $65.00
       
        ]]>
   </content>
 </entry>

 <entry>
   <title type="html">
        <![CDATA[
        Senegal Touraco  - Jardine, Sir William, FRS, FLS .
        ]]>
   </title>
   <link href="http://www.lowryjames.com/cgi-bin/lowry/5813"/>
   <id>urn:uuid:1225c695-cfb8-4ebb-aaaa-80da344efa6a3</id>
   <updated>2013-05-21T22:48:27Z</updated>
   <summary type="html">
      
        <![CDATA[ 
                A Fine original hand-colored steel engraving with bright original coloring.  12mo (6.75 x 4.25 inches, 10.8 x 17.15 cm). This fine engraving is classified as one the very finest Natural History miniatures produced. A refined and intelligent work, The Naturalist's Library was intended for everyone interested in Natural History, not just the wealthy who could afford the lavish color plate books produced during the early to mid 19th Century. In addition, the education of young minds had recently become the fashion, yet there were no small color plate books sized to miniature hands capturing the realistic glory of the natural order.  Sir William Jardine (1800-1847), noted Scottish Ichthyologist and Ornithologist, combined the talents of his colleagues, acknowledged naturalists in every field- Edward Lear, Prideaux John Selby, William Swainson, among them, and produced The Naturalists' Library. The intention was to create a fine, yet affordable work, describing and illustrating all elements of the natural world, birds, animals, fish, insects, save the plant world. Several plates were engraved after the naturalist masters, John James Audubon, John Gould and Maria Sibylla Merian.  The success of the publication was evidenced by the creation of 40 separate volumes within the next few decades. The engraver of the work was William H. Lizars, who at the time was engraving the first ten plates of John James Audubon's magnum opus, The Double Elephant Folio Edition of The Birds of America. Lizars engraved the plates in steel, opposed to copper, to render a very fine line on a small tablet, allowing for a very full and intricate background setting for each described species. Traditionally, only the major subject (bird, animal, insect or fish) was hand-colored with watercolor, the background was left uncolored. This work has withstood the test of time and continues to be an affordable option to the engraved work of many natural history masters.  
        ]]>
   </summary>
   <content type="html">
    
       <![CDATA[ 
                
     <br/>Jardine, Sir William, FRS, FLS .

        
        <br/>WH Lizars,

        <br/>Price: $65.00
       
        ]]>
   </content>
 </entry>

 <entry>
   <title type="html">
        <![CDATA[
        Cryptonix Coronatus (The Crowned Cryptonix)  - Jardine, Sir William, FRS, FLS .
        ]]>
   </title>
   <link href="http://www.lowryjames.com/cgi-bin/lowry/5812"/>
   <id>urn:uuid:1225c695-cfb8-4ebb-aaaa-80da344efa6a4</id>
   <updated>2013-05-21T22:48:27Z</updated>
   <summary type="html">
      
        <![CDATA[ 
                A Fine original hand-colored steel engraving with bright original coloring.  12mo (6.75 x 4.25 inches, 10.8 x 17.15 cm). This fine engraving is classified as one the very finest Natural History miniatures produced. A refined and intelligent work, The Naturalist's Library was intended for everyone interested in Natural History, not just the wealthy who could afford the lavish color plate books produced during the early to mid 19th Century. In addition, the education of young minds had recently become the fashion, yet there were no small color plate books sized to miniature hands capturing the realistic glory of the natural order.  Sir William Jardine (1800-1847), noted Scottish Ichthyologist and Ornithologist, combined the talents of his colleagues, acknowledged naturalists in every field- Edward Lear, Prideaux John Selby, William Swainson, among them, and produced The Naturalists' Library. The intention was to create a fine, yet affordable work, describing and illustrating all elements of the natural world, birds, animals, fish, insects, save the plant world. Several plates were engraved after the naturalist masters, John James Audubon, John Gould and Maria Sibylla Merian.  The success of the publication was evidenced by the creation of 40 separate volumes within the next few decades. The engraver of the work was William H. Lizars, who at the time was engraving the first ten plates of John James Audubon's magnum opus, The Double Elephant Folio Edition of The Birds of America. Lizars engraved the plates in steel, opposed to copper, to render a very fine line on a small tablet, allowing for a very full and intricate background setting for each described species. Traditionally, only the major subject (bird, animal, insect or fish) was hand-colored with watercolor, the background was left uncolored. This work has withstood the test of time and continues to be an affordable option to the engraved work of many natural history masters.  
        ]]>
   </summary>
   <content type="html">
    
       <![CDATA[ 
                
     <br/>Jardine, Sir William, FRS, FLS .

        
        <br/>WH Lizars,

        <br/>Price: $65.00
       
        ]]>
   </content>
 </entry>

 <entry>
   <title type="html">
        <![CDATA[
        Senegal White Backed Crow  - Jardine, Sir William, FRS, FLS .
        ]]>
   </title>
   <link href="http://www.lowryjames.com/cgi-bin/lowry/5811"/>
   <id>urn:uuid:1225c695-cfb8-4ebb-aaaa-80da344efa6a5</id>
   <updated>2013-05-21T22:48:27Z</updated>
   <summary type="html">
      
        <![CDATA[ 
                A Fine original hand-colored steel engraving with bright original coloring.  12mo (6.75 x 4.25 inches, 10.8 x 17.15 cm). This fine engraving is classified as one the very finest Natural History miniatures produced. A refined and intelligent work, The Naturalist's Library was intended for everyone interested in Natural History, not just the wealthy who could afford the lavish color plate books produced during the early to mid 19th Century. In addition, the education of young minds had recently become the fashion, yet there were no small color plate books sized to miniature hands capturing the realistic glory of the natural order.  Sir William Jardine (1800-1847), noted Scottish Ichthyologist and Ornithologist, combined the talents of his colleagues, acknowledged naturalists in every field- Edward Lear, Prideaux John Selby, William Swainson, among them, and produced The Naturalists' Library. The intention was to create a fine, yet affordable work, describing and illustrating all elements of the natural world, birds, animals, fish, insects, save the plant world. Several plates were engraved after the naturalist masters, John James Audubon, John Gould and Maria Sibylla Merian.  The success of the publication was evidenced by the creation of 40 separate volumes within the next few decades. The engraver of the work was William H. Lizars, who at the time was engraving the first ten plates of John James Audubon's magnum opus, The Double Elephant Folio Edition of The Birds of America. Lizars engraved the plates in steel, opposed to copper, to render a very fine line on a small tablet, allowing for a very full and intricate background setting for each described species. Traditionally, only the major subject (bird, animal, insect or fish) was hand-colored with watercolor, the background was left uncolored. This work has withstood the test of time and continues to be an affordable option to the engraved work of many natural history masters.  
        ]]>
   </summary>
   <content type="html">
    
       <![CDATA[ 
                
     <br/>Jardine, Sir William, FRS, FLS .

        
        <br/>WH Lizars,

        <br/>Price: $65.00
       
        ]]>
   </content>
 </entry>

 <entry>
   <title type="html">
        <![CDATA[
        Crimson Nut Cracker  - Jardine, Sir William, FRS, FLS .
        ]]>
   </title>
   <link href="http://www.lowryjames.com/cgi-bin/lowry/5810"/>
   <id>urn:uuid:1225c695-cfb8-4ebb-aaaa-80da344efa6a6</id>
   <updated>2013-05-21T22:48:27Z</updated>
   <summary type="html">
      
        <![CDATA[ 
                A Fine original hand-colored steel engraving with bright original coloring.  12mo (6.75 x 4.25 inches, 10.8 x 17.15 cm). This fine engraving is classified as one the very finest Natural History miniatures produced. A refined and intelligent work, The Naturalist's Library was intended for everyone interested in Natural History, not just the wealthy who could afford the lavish color plate books produced during the early to mid 19th Century. In addition, the education of young minds had recently become the fashion, yet there were no small color plate books sized to miniature hands capturing the realistic glory of the natural order.  Sir William Jardine (1800-1847), noted Scottish Ichthyologist and Ornithologist, combined the talents of his colleagues, acknowledged naturalists in every field- Edward Lear, Prideaux John Selby, William Swainson, among them, and produced The Naturalists' Library. The intention was to create a fine, yet affordable work, describing and illustrating all elements of the natural world, birds, animals, fish, insects, save the plant world. Several plates were engraved after the naturalist masters, John James Audubon, John Gould and Maria Sibylla Merian.  The success of the publication was evidenced by the creation of 40 separate volumes within the next few decades. The engraver of the work was William H. Lizars, who at the time was engraving the first ten plates of John James Audubon's magnum opus, The Double Elephant Folio Edition of The Birds of America. Lizars engraved the plates in steel, opposed to copper, to render a very fine line on a small tablet, allowing for a very full and intricate background setting for each described species. Traditionally, only the major subject (bird, animal, insect or fish) was hand-colored with watercolor, the background was left uncolored. This work has withstood the test of time and continues to be an affordable option to the engraved work of many natural history masters.  
        ]]>
   </summary>
   <content type="html">
    
       <![CDATA[ 
                
     <br/>Jardine, Sir William, FRS, FLS .

        
        <br/>WH Lizars,

        <br/>Price: $65.00
       
        ]]>
   </content>
 </entry>

 <entry>
   <title type="html">
        <![CDATA[
        Rufous Necked Falcon  - Jardine, Sir William, FRS, FLS .
        ]]>
   </title>
   <link href="http://www.lowryjames.com/cgi-bin/lowry/5809"/>
   <id>urn:uuid:1225c695-cfb8-4ebb-aaaa-80da344efa6a7</id>
   <updated>2013-05-21T22:48:27Z</updated>
   <summary type="html">
      
        <![CDATA[ 
                A Fine original hand-colored steel engraving with bright original coloring.  12mo (6.75 x 4.25 inches, 10.8 x 17.15 cm). This fine engraving is classified as one the very finest Natural History miniatures produced. A refined and intelligent work, The Naturalist's Library was intended for everyone interested in Natural History, not just the wealthy who could afford the lavish color plate books produced during the early to mid 19th Century. In addition, the education of young minds had recently become the fashion, yet there were no small color plate books sized to miniature hands capturing the realistic glory of the natural order.  Sir William Jardine (1800-1847), noted Scottish Ichthyologist and Ornithologist, combined the talents of his colleagues, acknowledged naturalists in every field- Edward Lear, Prideaux John Selby, William Swainson, among them, and produced The Naturalists' Library. The intention was to create a fine, yet affordable work, describing and illustrating all elements of the natural world, birds, animals, fish, insects, save the plant world. Several plates were engraved after the naturalist masters, John James Audubon, John Gould and Maria Sibylla Merian.  The success of the publication was evidenced by the creation of 40 separate volumes within the next few decades. The engraver of the work was William H. Lizars, who at the time was engraving the first ten plates of John James Audubon's magnum opus, The Double Elephant Folio Edition of The Birds of America. Lizars engraved the plates in steel, opposed to copper, to render a very fine line on a small tablet, allowing for a very full and intricate background setting for each described species. Traditionally, only the major subject (bird, animal, insect or fish) was hand-colored with watercolor, the background was left uncolored. This work has withstood the test of time and continues to be an affordable option to the engraved work of many natural history masters.  
        ]]>
   </summary>
   <content type="html">
    
       <![CDATA[ 
                
     <br/>Jardine, Sir William, FRS, FLS .

        
        <br/>WH Lizars,

        <br/>Price: $65.00
       
        ]]>
   </content>
 </entry>

 <entry>
   <title type="html">
        <![CDATA[
        Cuckoo Falcon  - Jardine, Sir William, FRS, FLS .
        ]]>
   </title>
   <link href="http://www.lowryjames.com/cgi-bin/lowry/5808"/>
   <id>urn:uuid:1225c695-cfb8-4ebb-aaaa-80da344efa6a8</id>
   <updated>2013-05-21T22:48:27Z</updated>
   <summary type="html">
      
        <![CDATA[ 
                A Fine original hand-colored steel engraving with bright original coloring.  12mo (6.75 x 4.25 inches, 10.8 x 17.15 cm). This fine engraving is classified as one the very finest Natural History miniatures produced. A refined and intelligent work, The Naturalist's Library was intended for everyone interested in Natural History, not just the wealthy who could afford the lavish color plate books produced during the early to mid 19th Century. In addition, the education of young minds had recently become the fashion, yet there were no small color plate books sized to miniature hands capturing the realistic glory of the natural order.  Sir William Jardine (1800-1847), noted Scottish Ichthyologist and Ornithologist, combined the talents of his colleagues, acknowledged naturalists in every field- Edward Lear, Prideaux John Selby, William Swainson, among them, and produced The Naturalists' Library. The intention was to create a fine, yet affordable work, describing and illustrating all elements of the natural world, birds, animals, fish, insects, save the plant world. Several plates were engraved after the naturalist masters, John James Audubon, John Gould and Maria Sibylla Merian.  The success of the publication was evidenced by the creation of 40 separate volumes within the next few decades. The engraver of the work was William H. Lizars, who at the time was engraving the first ten plates of John James Audubon's magnum opus, The Double Elephant Folio Edition of The Birds of America. Lizars engraved the plates in steel, opposed to copper, to render a very fine line on a small tablet, allowing for a very full and intricate background setting for each described species. Traditionally, only the major subject (bird, animal, insect or fish) was hand-colored with watercolor, the background was left uncolored. This work has withstood the test of time and continues to be an affordable option to the engraved work of many natural history masters.  
        ]]>
   </summary>
   <content type="html">
    
       <![CDATA[ 
                
     <br/>Jardine, Sir William, FRS, FLS .

        
        <br/>WH Lizars,

        <br/>Price: $65.00
       
        ]]>
   </content>
 </entry>

 <entry>
   <title type="html">
        <![CDATA[
        Black Chinned Gosshawk  - Jardine, Sir William, FRS, FLS .
        ]]>
   </title>
   <link href="http://www.lowryjames.com/cgi-bin/lowry/5807"/>
   <id>urn:uuid:1225c695-cfb8-4ebb-aaaa-80da344efa6a9</id>
   <updated>2013-05-21T22:48:27Z</updated>
   <summary type="html">
      
        <![CDATA[ 
                A Fine original hand-colored steel engraving with bright original coloring.  12mo (6.75 x 4.25 inches, 10.8 x 17.15 cm). This fine engraving is classified as one the very finest Natural History miniatures produced. A refined and intelligent work, The Naturalist's Library was intended for everyone interested in Natural History, not just the wealthy who could afford the lavish color plate books produced during the early to mid 19th Century. In addition, the education of young minds had recently become the fashion, yet there were no small color plate books sized to miniature hands capturing the realistic glory of the natural order.  Sir William Jardine (1800-1847), noted Scottish Ichthyologist and Ornithologist, combined the talents of his colleagues, acknowledged naturalists in every field- Edward Lear, Prideaux John Selby, William Swainson, among them, and produced The Naturalists' Library. The intention was to create a fine, yet affordable work, describing and illustrating all elements of the natural world, birds, animals, fish, insects, save the plant world. Several plates were engraved after the naturalist masters, John James Audubon, John Gould and Maria Sibylla Merian.  The success of the publication was evidenced by the creation of 40 separate volumes within the next few decades. The engraver of the work was William H. Lizars, who at the time was engraving the first ten plates of John James Audubon's magnum opus, The Double Elephant Folio Edition of The Birds of America. Lizars engraved the plates in steel, opposed to copper, to render a very fine line on a small tablet, allowing for a very full and intricate background setting for each described species. Traditionally, only the major subject (bird, animal, insect or fish) was hand-colored with watercolor, the background was left uncolored. This work has withstood the test of time and continues to be an affordable option to the engraved work of many natural history masters.  
        ]]>
   </summary>
   <content type="html">
    
       <![CDATA[ 
                
     <br/>Jardine, Sir William, FRS, FLS .

        
        <br/>WH Lizars,

        <br/>Price: $65.00
       
        ]]>
   </content>
 </entry>

 <entry>
   <title type="html">
        <![CDATA[
        Grey Falcon  - Jardine, Sir William, FRS, FLS .
        ]]>
   </title>
   <link href="http://www.lowryjames.com/cgi-bin/lowry/5806"/>
   <id>urn:uuid:1225c695-cfb8-4ebb-aaaa-80da344efa6a10</id>
   <updated>2013-05-21T22:48:27Z</updated>
   <summary type="html">
      
        <![CDATA[ 
                A Fine original hand-colored steel engraving with bright original coloring.  12mo (6.75 x 4.25 inches, 10.8 x 17.15 cm). This fine engraving is classified as one the very finest Natural History miniatures produced. A refined and intelligent work, The Naturalist's Library was intended for everyone interested in Natural History, not just the wealthy who could afford the lavish color plate books produced during the early to mid 19th Century. In addition, the education of young minds had recently become the fashion, yet there were no small color plate books sized to miniature hands capturing the realistic glory of the natural order.  Sir William Jardine (1800-1847), noted Scottish Ichthyologist and Ornithologist, combined the talents of his colleagues, acknowledged naturalists in every field- Edward Lear, Prideaux John Selby, William Swainson, among them, and produced The Naturalists' Library. The intention was to create a fine, yet affordable work, describing and illustrating all elements of the natural world, birds, animals, fish, insects, save the plant world. Several plates were engraved after the naturalist masters, John James Audubon, John Gould and Maria Sibylla Merian.  The success of the publication was evidenced by the creation of 40 separate volumes within the next few decades. The engraver of the work was William H. Lizars, who at the time was engraving the first ten plates of John James Audubon's magnum opus, The Double Elephant Folio Edition of The Birds of America. Lizars engraved the plates in steel, opposed to copper, to render a very fine line on a small tablet, allowing for a very full and intricate background setting for each described species. Traditionally, only the major subject (bird, animal, insect or fish) was hand-colored with watercolor, the background was left uncolored. This work has withstood the test of time and continues to be an affordable option to the engraved work of many natural history masters.  
        ]]>
   </summary>
   <content type="html">
    
       <![CDATA[ 
                
     <br/>Jardine, Sir William, FRS, FLS .

        
        <br/>WH Lizars,

        <br/>Price: $65.00
       
        ]]>
   </content>
 </entry>

 <entry>
   <title type="html">
        <![CDATA[
        Red Winged Bengaly  - Jardine, Sir William, FRS, FLS .
        ]]>
   </title>
   <link href="http://www.lowryjames.com/cgi-bin/lowry/5805"/>
   <id>urn:uuid:1225c695-cfb8-4ebb-aaaa-80da344efa6a11</id>
   <updated>2013-05-21T22:48:27Z</updated>
   <summary type="html">
      
        <![CDATA[ 
                A Fine original hand-colored steel engraving with bright original coloring.  12mo (6.75 x 4.25 inches, 10.8 x 17.15 cm). This fine engraving is classified as one the very finest Natural History miniatures produced. A refined and intelligent work, The Naturalist's Library was intended for everyone interested in Natural History, not just the wealthy who could afford the lavish color plate books produced during the early to mid 19th Century. In addition, the education of young minds had recently become the fashion, yet there were no small color plate books sized to miniature hands capturing the realistic glory of the natural order.  Sir William Jardine (1800-1847), noted Scottish Ichthyologist and Ornithologist, combined the talents of his colleagues, acknowledged naturalists in every field- Edward Lear, Prideaux John Selby, William Swainson, among them, and produced The Naturalists' Library. The intention was to create a fine, yet affordable work, describing and illustrating all elements of the natural world, birds, animals, fish, insects, save the plant world. Several plates were engraved after the naturalist masters, John James Audubon, John Gould and Maria Sibylla Merian.  The success of the publication was evidenced by the creation of 40 separate volumes within the next few decades. The engraver of the work was William H. Lizars, who at the time was engraving the first ten plates of John James Audubon's magnum opus, The Double Elephant Folio Edition of The Birds of America. Lizars engraved the plates in steel, opposed to copper, to render a very fine line on a small tablet, allowing for a very full and intricate background setting for each described species. Traditionally, only the major subject (bird, animal, insect or fish) was hand-colored with watercolor, the background was left uncolored. This work has withstood the test of time and continues to be an affordable option to the engraved work of many natural history masters.  
        ]]>
   </summary>
   <content type="html">
    
       <![CDATA[ 
                
     <br/>Jardine, Sir William, FRS, FLS .

        
        <br/>WH Lizars,

        <br/>Price: $65.00
       
        ]]>
   </content>
 </entry>

 <entry>
   <title type="html">
        <![CDATA[
        Crimson Crowned Weaver  - Jardine, Sir William, FRS, FLS .
        ]]>
   </title>
   <link href="http://www.lowryjames.com/cgi-bin/lowry/5804"/>
   <id>urn:uuid:1225c695-cfb8-4ebb-aaaa-80da344efa6a12</id>
   <updated>2013-05-21T22:48:27Z</updated>
   <summary type="html">
      
        <![CDATA[ 
                A Fine original hand-colored steel engraving with bright original coloring.  12mo (6.75 x 4.25 inches, 10.8 x 17.15 cm). This fine engraving is classified as one the very finest Natural History miniatures produced. A refined and intelligent work, The Naturalist's Library was intended for everyone interested in Natural History, not just the wealthy who could afford the lavish color plate books produced during the early to mid 19th Century. In addition, the education of young minds had recently become the fashion, yet there were no small color plate books sized to miniature hands capturing the realistic glory of the natural order.  Sir William Jardine (1800-1847), noted Scottish Ichthyologist and Ornithologist, combined the talents of his colleagues, acknowledged naturalists in every field- Edward Lear, Prideaux John Selby, William Swainson, among them, and produced The Naturalists' Library. The intention was to create a fine, yet affordable work, describing and illustrating all elements of the natural world, birds, animals, fish, insects, save the plant world. Several plates were engraved after the naturalist masters, John James Audubon, John Gould and Maria Sibylla Merian.  The success of the publication was evidenced by the creation of 40 separate volumes within the next few decades. The engraver of the work was William H. Lizars, who at the time was engraving the first ten plates of John James Audubon's magnum opus, The Double Elephant Folio Edition of The Birds of America. Lizars engraved the plates in steel, opposed to copper, to render a very fine line on a small tablet, allowing for a very full and intricate background setting for each described species. Traditionally, only the major subject (bird, animal, insect or fish) was hand-colored with watercolor, the background was left uncolored. This work has withstood the test of time and continues to be an affordable option to the engraved work of many natural history masters.  
        ]]>
   </summary>
   <content type="html">
    
       <![CDATA[ 
                
     <br/>Jardine, Sir William, FRS, FLS .

        
        <br/>WH Lizars,

        <br/>Price: $65.00
       
        ]]>
   </content>
 </entry>

 <entry>
   <title type="html">
        <![CDATA[
        Barbary or Yellow-Crowned Bush Shrike  - Jardine, Sir William, FRS, FLS .
        ]]>
   </title>
   <link href="http://www.lowryjames.com/cgi-bin/lowry/5803"/>
   <id>urn:uuid:1225c695-cfb8-4ebb-aaaa-80da344efa6a13</id>
   <updated>2013-05-21T22:48:27Z</updated>
   <summary type="html">
      
        <![CDATA[ 
                A Fine original hand-colored steel engraving with bright original coloring.  12mo (6.75 x 4.25 inches, 10.8 x 17.15 cm). This fine engraving is classified as one the very finest Natural History miniatures produced. A refined and intelligent work, The Naturalist's Library was intended for everyone interested in Natural History, not just the wealthy who could afford the lavish color plate books produced during the early to mid 19th Century. In addition, the education of young minds had recently become the fashion, yet there were no small color plate books sized to miniature hands capturing the realistic glory of the natural order.  Sir William Jardine (1800-1847), noted Scottish Ichthyologist and Ornithologist, combined the talents of his colleagues, acknowledged naturalists in every field- Edward Lear, Prideaux John Selby, William Swainson, among them, and produced The Naturalists' Library. The intention was to create a fine, yet affordable work, describing and illustrating all elements of the natural world, birds, animals, fish, insects, save the plant world. Several plates were engraved after the naturalist masters, John James Audubon, John Gould and Maria Sibylla Merian.  The success of the publication was evidenced by the creation of 40 separate volumes within the next few decades. The engraver of the work was William H. Lizars, who at the time was engraving the first ten plates of John James Audubon's magnum opus, The Double Elephant Folio Edition of The Birds of America. Lizars engraved the plates in steel, opposed to copper, to render a very fine line on a small tablet, allowing for a very full and intricate background setting for each described species. Traditionally, only the major subject (bird, animal, insect or fish) was hand-colored with watercolor, the background was left uncolored. This work has withstood the test of time and continues to be an affordable option to the engraved work of many natural history masters.  
        ]]>
   </summary>
   <content type="html">
    
       <![CDATA[ 
                
     <br/>Jardine, Sir William, FRS, FLS .

        
        <br/>WH Lizars,

        <br/>Price: $65.00
       
        ]]>
   </content>
 </entry>

 <entry>
   <title type="html">
        <![CDATA[
        Lesser White Crowned Rock Thrush  - Jardine, Sir William, FRS, FLS .
        ]]>
   </title>
   <link href="http://www.lowryjames.com/cgi-bin/lowry/5802"/>
   <id>urn:uuid:1225c695-cfb8-4ebb-aaaa-80da344efa6a14</id>
   <updated>2013-05-21T22:48:27Z</updated>
   <summary type="html">
      
        <![CDATA[ 
                A Fine original hand-colored steel engraving with bright original coloring.  12mo (6.75 x 4.25 inches, 10.8 x 17.15 cm). This fine engraving is classified as one the very finest Natural History miniatures produced. A refined and intelligent work, The Naturalist's Library was intended for everyone interested in Natural History, not just the wealthy who could afford the lavish color plate books produced during the early to mid 19th Century. In addition, the education of young minds had recently become the fashion, yet there were no small color plate books sized to miniature hands capturing the realistic glory of the natural order.  Sir William Jardine (1800-1847), noted Scottish Ichthyologist and Ornithologist, combined the talents of his colleagues, acknowledged naturalists in every field- Edward Lear, Prideaux John Selby, William Swainson, among them, and produced The Naturalists' Library. The intention was to create a fine, yet affordable work, describing and illustrating all elements of the natural world, birds, animals, fish, insects, save the plant world. Several plates were engraved after the naturalist masters, John James Audubon, John Gould and Maria Sibylla Merian.  The success of the publication was evidenced by the creation of 40 separate volumes within the next few decades. The engraver of the work was William H. Lizars, who at the time was engraving the first ten plates of John James Audubon's magnum opus, The Double Elephant Folio Edition of The Birds of America. Lizars engraved the plates in steel, opposed to copper, to render a very fine line on a small tablet, allowing for a very full and intricate background setting for each described species. Traditionally, only the major subject (bird, animal, insect or fish) was hand-colored with watercolor, the background was left uncolored. This work has withstood the test of time and continues to be an affordable option to the engraved work of many natural history masters.  
        ]]>
   </summary>
   <content type="html">
    
       <![CDATA[ 
                
     <br/>Jardine, Sir William, FRS, FLS .

        
        <br/>WH Lizars,

        <br/>Price: $65.00
       
        ]]>
   </content>
 </entry>

 <entry>
   <title type="html">
        <![CDATA[
        Climbing Leaflove  - Jardine, Sir William, FRS, FLS .
        ]]>
   </title>
   <link href="http://www.lowryjames.com/cgi-bin/lowry/5801"/>
   <id>urn:uuid:1225c695-cfb8-4ebb-aaaa-80da344efa6a15</id>
   <updated>2013-05-21T22:48:27Z</updated>
   <summary type="html">
      
        <![CDATA[ 
                A Fine original hand-colored steel engraving with bright original coloring.  12mo (6.75 x 4.25 inches, 10.8 x 17.15 cm). This fine engraving is classified as one the very finest Natural History miniatures produced. A refined and intelligent work, The Naturalist's Library was intended for everyone interested in Natural History, not just the wealthy who could afford the lavish color plate books produced during the early to mid 19th Century. In addition, the education of young minds had recently become the fashion, yet there were no small color plate books sized to miniature hands capturing the realistic glory of the natural order.  Sir William Jardine (1800-1847), noted Scottish Ichthyologist and Ornithologist, combined the talents of his colleagues, acknowledged naturalists in every field- Edward Lear, Prideaux John Selby, William Swainson, among them, and produced The Naturalists' Library. The intention was to create a fine, yet affordable work, describing and illustrating all elements of the natural world, birds, animals, fish, insects, save the plant world. Several plates were engraved after the naturalist masters, John James Audubon, John Gould and Maria Sibylla Merian.  The success of the publication was evidenced by the creation of 40 separate volumes within the next few decades. The engraver of the work was William H. Lizars, who at the time was engraving the first ten plates of John James Audubon's magnum opus, The Double Elephant Folio Edition of The Birds of America. Lizars engraved the plates in steel, opposed to copper, to render a very fine line on a small tablet, allowing for a very full and intricate background setting for each described species. Traditionally, only the major subject (bird, animal, insect or fish) was hand-colored with watercolor, the background was left uncolored. This work has withstood the test of time and continues to be an affordable option to the engraved work of many natural history masters.  
        ]]>
   </summary>
   <content type="html">
    
       <![CDATA[ 
                
     <br/>Jardine, Sir William, FRS, FLS .

        
        <br/>WH Lizars,

        <br/>Price: $65.00
       
        ]]>
   </content>
 </entry>

 <entry>
   <title type="html">
        <![CDATA[
        Red Collared Bengaly  - Jardine, Sir William, FRS, FLS .
        ]]>
   </title>
   <link href="http://www.lowryjames.com/cgi-bin/lowry/5800"/>
   <id>urn:uuid:1225c695-cfb8-4ebb-aaaa-80da344efa6a16</id>
   <updated>2013-05-21T22:48:27Z</updated>
   <summary type="html">
      
        <![CDATA[ 
                A Fine original hand-colored steel engraving with bright original coloring.  12mo (6.75 x 4.25 inches, 10.8 x 17.15 cm). This fine engraving is classified as one the very finest Natural History miniatures produced. A refined and intelligent work, The Naturalist's Library was intended for everyone interested in Natural History, not just the wealthy who could afford the lavish color plate books produced during the early to mid 19th Century. In addition, the education of young minds had recently become the fashion, yet there were no small color plate books sized to miniature hands capturing the realistic glory of the natural order.  Sir William Jardine (1800-1847), noted Scottish Ichthyologist and Ornithologist, combined the talents of his colleagues, acknowledged naturalists in every field- Edward Lear, Prideaux John Selby, William Swainson, among them, and produced The Naturalists' Library. The intention was to create a fine, yet affordable work, describing and illustrating all elements of the natural world, birds, animals, fish, insects, save the plant world. Several plates were engraved after the naturalist masters, John James Audubon, John Gould and Maria Sibylla Merian.  The success of the publication was evidenced by the creation of 40 separate volumes within the next few decades. The engraver of the work was William H. Lizars, who at the time was engraving the first ten plates of John James Audubon's magnum opus, The Double Elephant Folio Edition of The Birds of America. Lizars engraved the plates in steel, opposed to copper, to render a very fine line on a small tablet, allowing for a very full and intricate background setting for each described species. Traditionally, only the major subject (bird, animal, insect or fish) was hand-colored with watercolor, the background was left uncolored. This work has withstood the test of time and continues to be an affordable option to the engraved work of many natural history masters.  
        ]]>
   </summary>
   <content type="html">
    
       <![CDATA[ 
                
     <br/>Jardine, Sir William, FRS, FLS .

        
        <br/>WH Lizars,

        <br/>Price: $65.00
       
        ]]>
   </content>
 </entry>

 <entry>
   <title type="html">
        <![CDATA[
        Crimson Shouldered Caterpillar Catcher (Female)  - Jardine, Sir William, FRS, FLS .
        ]]>
   </title>
   <link href="http://www.lowryjames.com/cgi-bin/lowry/5799"/>
   <id>urn:uuid:1225c695-cfb8-4ebb-aaaa-80da344efa6a17</id>
   <updated>2013-05-21T22:48:27Z</updated>
   <summary type="html">
      
        <![CDATA[ 
                A Fine original hand-colored steel engraving with bright original coloring.  12mo (6.75 x 4.25 inches, 10.8 x 17.15 cm). This fine engraving is classified as one the very finest Natural History miniatures produced. A refined and intelligent work, The Naturalist's Library was intended for everyone interested in Natural History, not just the wealthy who could afford the lavish color plate books produced during the early to mid 19th Century. In addition, the education of young minds had recently become the fashion, yet there were no small color plate books sized to miniature hands capturing the realistic glory of the natural order.  Sir William Jardine (1800-1847), noted Scottish Ichthyologist and Ornithologist, combined the talents of his colleagues, acknowledged naturalists in every field- Edward Lear, Prideaux John Selby, William Swainson, among them, and produced The Naturalists' Library. The intention was to create a fine, yet affordable work, describing and illustrating all elements of the natural world, birds, animals, fish, insects, save the plant world. Several plates were engraved after the naturalist masters, John James Audubon, John Gould and Maria Sibylla Merian.  The success of the publication was evidenced by the creation of 40 separate volumes within the next few decades. The engraver of the work was William H. Lizars, who at the time was engraving the first ten plates of John James Audubon's magnum opus, The Double Elephant Folio Edition of The Birds of America. Lizars engraved the plates in steel, opposed to copper, to render a very fine line on a small tablet, allowing for a very full and intricate background setting for each described species. Traditionally, only the major subject (bird, animal, insect or fish) was hand-colored with watercolor, the background was left uncolored. This work has withstood the test of time and continues to be an affordable option to the engraved work of many natural history masters.  
        ]]>
   </summary>
   <content type="html">
    
       <![CDATA[ 
                
     <br/>Jardine, Sir William, FRS, FLS .

        
        <br/>WH Lizars,

        <br/>Price: $65.00
       
        ]]>
   </content>
 </entry>

 <entry>
   <title type="html">
        <![CDATA[
        Crimson Eared Bengaly  - Jardine, Sir William, FRS, FLS .
        ]]>
   </title>
   <link href="http://www.lowryjames.com/cgi-bin/lowry/5798"/>
   <id>urn:uuid:1225c695-cfb8-4ebb-aaaa-80da344efa6a18</id>
   <updated>2013-05-21T22:48:27Z</updated>
   <summary type="html">
      
        <![CDATA[ 
                A Fine original hand-colored steel engraving with bright original coloring.  12mo (6.75 x 4.25 inches, 10.8 x 17.15 cm). This fine engraving is classified as one the very finest Natural History miniatures produced. A refined and intelligent work, The Naturalist's Library was intended for everyone interested in Natural History, not just the wealthy who could afford the lavish color plate books produced during the early to mid 19th Century. In addition, the education of young minds had recently become the fashion, yet there were no small color plate books sized to miniature hands capturing the realistic glory of the natural order.  Sir William Jardine (1800-1847), noted Scottish Ichthyologist and Ornithologist, combined the talents of his colleagues, acknowledged naturalists in every field- Edward Lear, Prideaux John Selby, William Swainson, among them, and produced The Naturalists' Library. The intention was to create a fine, yet affordable work, describing and illustrating all elements of the natural world, birds, animals, fish, insects, save the plant world. Several plates were engraved after the naturalist masters, John James Audubon, John Gould and Maria Sibylla Merian.  The success of the publication was evidenced by the creation of 40 separate volumes within the next few decades. The engraver of the work was William H. Lizars, who at the time was engraving the first ten plates of John James Audubon's magnum opus, The Double Elephant Folio Edition of The Birds of America. Lizars engraved the plates in steel, opposed to copper, to render a very fine line on a small tablet, allowing for a very full and intricate background setting for each described species. Traditionally, only the major subject (bird, animal, insect or fish) was hand-colored with watercolor, the background was left uncolored. This work has withstood the test of time and continues to be an affordable option to the engraved work of many natural history masters.  
        ]]>
   </summary>
   <content type="html">
    
       <![CDATA[ 
                
     <br/>Jardine, Sir William, FRS, FLS .

        
        <br/>WH Lizars,

        <br/>Price: $65.00
       
        ]]>
   </content>
 </entry>

 <entry>
   <title type="html">
        <![CDATA[
        Honey Guide  - Jardine, Sir William, FRS, FLS .
        ]]>
   </title>
   <link href="http://www.lowryjames.com/cgi-bin/lowry/5797"/>
   <id>urn:uuid:1225c695-cfb8-4ebb-aaaa-80da344efa6a19</id>
   <updated>2013-05-21T22:48:27Z</updated>
   <summary type="html">
      
        <![CDATA[ 
                A Fine original hand-colored steel engraving with bright original coloring.  12mo (6.75 x 4.25 inches, 10.8 x 17.15 cm). This fine engraving is classified as one the very finest Natural History miniatures produced. A refined and intelligent work, The Naturalist's Library was intended for everyone interested in Natural History, not just the wealthy who could afford the lavish color plate books produced during the early to mid 19th Century. In addition, the education of young minds had recently become the fashion, yet there were no small color plate books sized to miniature hands capturing the realistic glory of the natural order.  Sir William Jardine (1800-1847), noted Scottish Ichthyologist and Ornithologist, combined the talents of his colleagues, acknowledged naturalists in every field- Edward Lear, Prideaux John Selby, William Swainson, among them, and produced The Naturalists' Library. The intention was to create a fine, yet affordable work, describing and illustrating all elements of the natural world, birds, animals, fish, insects, save the plant world. Several plates were engraved after the naturalist masters, John James Audubon, John Gould and Maria Sibylla Merian.  The success of the publication was evidenced by the creation of 40 separate volumes within the next few decades. The engraver of the work was William H. Lizars, who at the time was engraving the first ten plates of John James Audubon's magnum opus, The Double Elephant Folio Edition of The Birds of America. Lizars engraved the plates in steel, opposed to copper, to render a very fine line on a small tablet, allowing for a very full and intricate background setting for each described species. Traditionally, only the major subject (bird, animal, insect or fish) was hand-colored with watercolor, the background was left uncolored. This work has withstood the test of time and continues to be an affordable option to the engraved work of many natural history masters.  
        ]]>
   </summary>
   <content type="html">
    
       <![CDATA[ 
                
     <br/>Jardine, Sir William, FRS, FLS .

        
        <br/>WH Lizars,

        <br/>Price: $65.00
       
        ]]>
   </content>
 </entry>

 <entry>
   <title type="html">
        <![CDATA[
        European Bee-Eater  - Jardine, Sir William, FRS, FLS .
        ]]>
   </title>
   <link href="http://www.lowryjames.com/cgi-bin/lowry/5796"/>
   <id>urn:uuid:1225c695-cfb8-4ebb-aaaa-80da344efa6a20</id>
   <updated>2013-05-21T22:48:27Z</updated>
   <summary type="html">
      
        <![CDATA[ 
                A Fine original hand-colored steel engraving with bright original coloring.  12mo (6.75 x 4.25 inches, 10.8 x 17.15 cm). This fine engraving is classified as one the very finest Natural History miniatures produced. A refined and intelligent work, The Naturalist's Library was intended for everyone interested in Natural History, not just the wealthy who could afford the lavish color plate books produced during the early to mid 19th Century. In addition, the education of young minds had recently become the fashion, yet there were no small color plate books sized to miniature hands capturing the realistic glory of the natural order.  Sir William Jardine (1800-1847), noted Scottish Ichthyologist and Ornithologist, combined the talents of his colleagues, acknowledged naturalists in every field- Edward Lear, Prideaux John Selby, William Swainson, among them, and produced The Naturalists' Library. The intention was to create a fine, yet affordable work, describing and illustrating all elements of the natural world, birds, animals, fish, insects, save the plant world. Several plates were engraved after the naturalist masters, John James Audubon, John Gould and Maria Sibylla Merian.  The success of the publication was evidenced by the creation of 40 separate volumes within the next few decades. The engraver of the work was William H. Lizars, who at the time was engraving the first ten plates of John James Audubon's magnum opus, The Double Elephant Folio Edition of The Birds of America. Lizars engraved the plates in steel, opposed to copper, to render a very fine line on a small tablet, allowing for a very full and intricate background setting for each described species. Traditionally, only the major subject (bird, animal, insect or fish) was hand-colored with watercolor, the background was left uncolored. This work has withstood the test of time and continues to be an affordable option to the engraved work of many natural history masters.  
        ]]>
   </summary>
   <content type="html">
    
       <![CDATA[ 
                
     <br/>Jardine, Sir William, FRS, FLS .

        
        <br/>WH Lizars,

        <br/>Price: $65.00
       
        ]]>
   </content>
 </entry>

 <entry>
   <title type="html">
        <![CDATA[
        Yellow-White-Eye  - Jardine, Sir William, FRS, FLS .
        ]]>
   </title>
   <link href="http://www.lowryjames.com/cgi-bin/lowry/5795"/>
   <id>urn:uuid:1225c695-cfb8-4ebb-aaaa-80da344efa6a21</id>
   <updated>2013-05-21T22:48:27Z</updated>
   <summary type="html">
      
        <![CDATA[ 
                A Fine original hand-colored steel engraving with bright original coloring.  12mo (6.75 x 4.25 inches, 10.8 x 17.15 cm). This fine engraving is classified as one the very finest Natural History miniatures produced. A refined and intelligent work, The Naturalist's Library was intended for everyone interested in Natural History, not just the wealthy who could afford the lavish color plate books produced during the early to mid 19th Century. In addition, the education of young minds had recently become the fashion, yet there were no small color plate books sized to miniature hands capturing the realistic glory of the natural order.  Sir William Jardine (1800-1847), noted Scottish Ichthyologist and Ornithologist, combined the talents of his colleagues, acknowledged naturalists in every field- Edward Lear, Prideaux John Selby, William Swainson, among them, and produced The Naturalists' Library. The intention was to create a fine, yet affordable work, describing and illustrating all elements of the natural world, birds, animals, fish, insects, save the plant world. Several plates were engraved after the naturalist masters, John James Audubon, John Gould and Maria Sibylla Merian.  The success of the publication was evidenced by the creation of 40 separate volumes within the next few decades. The engraver of the work was William H. Lizars, who at the time was engraving the first ten plates of John James Audubon's magnum opus, The Double Elephant Folio Edition of The Birds of America. Lizars engraved the plates in steel, opposed to copper, to render a very fine line on a small tablet, allowing for a very full and intricate background setting for each described species. Traditionally, only the major subject (bird, animal, insect or fish) was hand-colored with watercolor, the background was left uncolored. This work has withstood the test of time and continues to be an affordable option to the engraved work of many natural history masters.  
        ]]>
   </summary>
   <content type="html">
    
       <![CDATA[ 
                
     <br/>Jardine, Sir William, FRS, FLS .

        
        <br/>WH Lizars,

        <br/>Price: $65.00
       
        ]]>
   </content>
 </entry>

 <entry>
   <title type="html">
        <![CDATA[
        Klas's Golden Cuckoo  - Jardine, Sir William, FRS, FLS .
        ]]>
   </title>
   <link href="http://www.lowryjames.com/cgi-bin/lowry/5794"/>
   <id>urn:uuid:1225c695-cfb8-4ebb-aaaa-80da344efa6a22</id>
   <updated>2013-05-21T22:48:27Z</updated>
   <summary type="html">
      
        <![CDATA[ 
                A Fine original hand-colored steel engraving with bright original coloring.  12mo (6.75 x 4.25 inches, 10.8 x 17.15 cm). This fine engraving is classified as one the very finest Natural History miniatures produced. A refined and intelligent work, The Naturalist's Library was intended for everyone interested in Natural History, not just the wealthy who could afford the lavish color plate books produced during the early to mid 19th Century. In addition, the education of young minds had recently become the fashion, yet there were no small color plate books sized to miniature hands capturing the realistic glory of the natural order.  Sir William Jardine (1800-1847), noted Scottish Ichthyologist and Ornithologist, combined the talents of his colleagues, acknowledged naturalists in every field- Edward Lear, Prideaux John Selby, William Swainson, among them, and produced The Naturalists' Library. The intention was to create a fine, yet affordable work, describing and illustrating all elements of the natural world, birds, animals, fish, insects, save the plant world. Several plates were engraved after the naturalist masters, John James Audubon, John Gould and Maria Sibylla Merian.  The success of the publication was evidenced by the creation of 40 separate volumes within the next few decades. The engraver of the work was William H. Lizars, who at the time was engraving the first ten plates of John James Audubon's magnum opus, The Double Elephant Folio Edition of The Birds of America. Lizars engraved the plates in steel, opposed to copper, to render a very fine line on a small tablet, allowing for a very full and intricate background setting for each described species. Traditionally, only the major subject (bird, animal, insect or fish) was hand-colored with watercolor, the background was left uncolored. This work has withstood the test of time and continues to be an affordable option to the engraved work of many natural history masters.  
        ]]>
   </summary>
   <content type="html">
    
       <![CDATA[ 
                
     <br/>Jardine, Sir William, FRS, FLS .

        
        <br/>WH Lizars,

        <br/>Price: $65.00
       
        ]]>
   </content>
 </entry>

 <entry>
   <title type="html">
        <![CDATA[
        Oriole Babbler  - Jardine, Sir William, FRS, FLS .
        ]]>
   </title>
   <link href="http://www.lowryjames.com/cgi-bin/lowry/5793"/>
   <id>urn:uuid:1225c695-cfb8-4ebb-aaaa-80da344efa6a23</id>
   <updated>2013-05-21T22:48:27Z</updated>
   <summary type="html">
      
        <![CDATA[ 
                A Fine original hand-colored steel engraving with bright original coloring.  12mo (6.75 x 4.25 inches, 10.8 x 17.15 cm). This fine engraving is classified as one the very finest Natural History miniatures produced. A refined and intelligent work, The Naturalist's Library was intended for everyone interested in Natural History, not just the wealthy who could afford the lavish color plate books produced during the early to mid 19th Century. In addition, the education of young minds had recently become the fashion, yet there were no small color plate books sized to miniature hands capturing the realistic glory of the natural order.  Sir William Jardine (1800-1847), noted Scottish Ichthyologist and Ornithologist, combined the talents of his colleagues, acknowledged naturalists in every field- Edward Lear, Prideaux John Selby, William Swainson, among them, and produced The Naturalists' Library. The intention was to create a fine, yet affordable work, describing and illustrating all elements of the natural world, birds, animals, fish, insects, save the plant world. Several plates were engraved after the naturalist masters, John James Audubon, John Gould and Maria Sibylla Merian.  The success of the publication was evidenced by the creation of 40 separate volumes within the next few decades. The engraver of the work was William H. Lizars, who at the time was engraving the first ten plates of John James Audubon's magnum opus, The Double Elephant Folio Edition of The Birds of America. Lizars engraved the plates in steel, opposed to copper, to render a very fine line on a small tablet, allowing for a very full and intricate background setting for each described species. Traditionally, only the major subject (bird, animal, insect or fish) was hand-colored with watercolor, the background was left uncolored. This work has withstood the test of time and continues to be an affordable option to the engraved work of many natural history masters.  
        ]]>
   </summary>
   <content type="html">
    
       <![CDATA[ 
                
     <br/>Jardine, Sir William, FRS, FLS .

        
        <br/>WH Lizars,

        <br/>Price: $65.00
       
        ]]>
   </content>
 </entry>

 <entry>
   <title type="html">
        <![CDATA[
        African Golden Oriole  - Jardine, Sir William, FRS, FLS .
        ]]>
   </title>
   <link href="http://www.lowryjames.com/cgi-bin/lowry/5792"/>
   <id>urn:uuid:1225c695-cfb8-4ebb-aaaa-80da344efa6a24</id>
   <updated>2013-05-21T22:48:27Z</updated>
   <summary type="html">
      
        <![CDATA[ 
                A Fine original hand-colored steel engraving with bright original coloring.  12mo (6.75 x 4.25 inches, 10.8 x 17.15 cm). This fine engraving is classified as one the very finest Natural History miniatures produced. A refined and intelligent work, The Naturalist's Library was intended for everyone interested in Natural History, not just the wealthy who could afford the lavish color plate books produced during the early to mid 19th Century. In addition, the education of young minds had recently become the fashion, yet there were no small color plate books sized to miniature hands capturing the realistic glory of the natural order.  Sir William Jardine (1800-1847), noted Scottish Ichthyologist and Ornithologist, combined the talents of his colleagues, acknowledged naturalists in every field- Edward Lear, Prideaux John Selby, William Swainson, among them, and produced The Naturalists' Library. The intention was to create a fine, yet affordable work, describing and illustrating all elements of the natural world, birds, animals, fish, insects, save the plant world. Several plates were engraved after the naturalist masters, John James Audubon, John Gould and Maria Sibylla Merian.  The success of the publication was evidenced by the creation of 40 separate volumes within the next few decades. The engraver of the work was William H. Lizars, who at the time was engraving the first ten plates of John James Audubon's magnum opus, The Double Elephant Folio Edition of The Birds of America. Lizars engraved the plates in steel, opposed to copper, to render a very fine line on a small tablet, allowing for a very full and intricate background setting for each described species. Traditionally, only the major subject (bird, animal, insect or fish) was hand-colored with watercolor, the background was left uncolored. This work has withstood the test of time and continues to be an affordable option to the engraved work of many natural history masters.  
        ]]>
   </summary>
   <content type="html">
    
       <![CDATA[ 
                
     <br/>Jardine, Sir William, FRS, FLS .

        
        <br/>WH Lizars,

        <br/>Price: $65.00
       
        ]]>
   </content>
 </entry>

 <entry>
   <title type="html">
        <![CDATA[
        Yellow-Crowned Weaver  - Jardine, Sir William, FRS, FLS .
        ]]>
   </title>
   <link href="http://www.lowryjames.com/cgi-bin/lowry/5791"/>
   <id>urn:uuid:1225c695-cfb8-4ebb-aaaa-80da344efa6a25</id>
   <updated>2013-05-21T22:48:27Z</updated>
   <summary type="html">
      
        <![CDATA[ 
                A Fine original hand-colored steel engraving with bright original coloring.  12mo (6.75 x 4.25 inches, 10.8 x 17.15 cm). This fine engraving is classified as one the very finest Natural History miniatures produced. A refined and intelligent work, The Naturalist's Library was intended for everyone interested in Natural History, not just the wealthy who could afford the lavish color plate books produced during the early to mid 19th Century. In addition, the education of young minds had recently become the fashion, yet there were no small color plate books sized to miniature hands capturing the realistic glory of the natural order.  Sir William Jardine (1800-1847), noted Scottish Ichthyologist and Ornithologist, combined the talents of his colleagues, acknowledged naturalists in every field- Edward Lear, Prideaux John Selby, William Swainson, among them, and produced The Naturalists' Library. The intention was to create a fine, yet affordable work, describing and illustrating all elements of the natural world, birds, animals, fish, insects, save the plant world. Several plates were engraved after the naturalist masters, John James Audubon, John Gould and Maria Sibylla Merian.  The success of the publication was evidenced by the creation of 40 separate volumes within the next few decades. The engraver of the work was William H. Lizars, who at the time was engraving the first ten plates of John James Audubon's magnum opus, The Double Elephant Folio Edition of The Birds of America. Lizars engraved the plates in steel, opposed to copper, to render a very fine line on a small tablet, allowing for a very full and intricate background setting for each described species. Traditionally, only the major subject (bird, animal, insect or fish) was hand-colored with watercolor, the background was left uncolored. This work has withstood the test of time and continues to be an affordable option to the engraved work of many natural history masters.  
        ]]>
   </summary>
   <content type="html">
    
       <![CDATA[ 
                
     <br/>Jardine, Sir William, FRS, FLS .

        
        <br/>WH Lizars,

        <br/>Price: $65.00
       
        ]]>
   </content>
 </entry>

 <entry>
   <title type="html">
        <![CDATA[
        Large Grey Headed Bush Shrike  - Jardine, Sir William, FRS, FLS .
        ]]>
   </title>
   <link href="http://www.lowryjames.com/cgi-bin/lowry/5790"/>
   <id>urn:uuid:1225c695-cfb8-4ebb-aaaa-80da344efa6a26</id>
   <updated>2013-05-21T22:48:27Z</updated>
   <summary type="html">
      
        <![CDATA[ 
                A Fine original hand-colored steel engraving with bright original coloring.  12mo (6.75 x 4.25 inches, 10.8 x 17.15 cm). This fine engraving is classified as one the very finest Natural History miniatures produced. A refined and intelligent work, The Naturalist's Library was intended for everyone interested in Natural History, not just the wealthy who could afford the lavish color plate books produced during the early to mid 19th Century. In addition, the education of young minds had recently become the fashion, yet there were no small color plate books sized to miniature hands capturing the realistic glory of the natural order.  Sir William Jardine (1800-1847), noted Scottish Ichthyologist and Ornithologist, combined the talents of his colleagues, acknowledged naturalists in every field- Edward Lear, Prideaux John Selby, William Swainson, among them, and produced The Naturalists' Library. The intention was to create a fine, yet affordable work, describing and illustrating all elements of the natural world, birds, animals, fish, insects, save the plant world. Several plates were engraved after the naturalist masters, John James Audubon, John Gould and Maria Sibylla Merian.  The success of the publication was evidenced by the creation of 40 separate volumes within the next few decades. The engraver of the work was William H. Lizars, who at the time was engraving the first ten plates of John James Audubon's magnum opus, The Double Elephant Folio Edition of The Birds of America. Lizars engraved the plates in steel, opposed to copper, to render a very fine line on a small tablet, allowing for a very full and intricate background setting for each described species. Traditionally, only the major subject (bird, animal, insect or fish) was hand-colored with watercolor, the background was left uncolored. This work has withstood the test of time and continues to be an affordable option to the engraved work of many natural history masters.  
        ]]>
   </summary>
   <content type="html">
    
       <![CDATA[ 
                
     <br/>Jardine, Sir William, FRS, FLS .

        
        <br/>WH Lizars,

        <br/>Price: $65.00
       
        ]]>
   </content>
 </entry>

 <entry>
   <title type="html">
        <![CDATA[
        Round Winged Weaver  - Jardine, Sir William, FRS, FLS .
        ]]>
   </title>
   <link href="http://www.lowryjames.com/cgi-bin/lowry/5789"/>
   <id>urn:uuid:1225c695-cfb8-4ebb-aaaa-80da344efa6a27</id>
   <updated>2013-05-21T22:48:27Z</updated>
   <summary type="html">
      
        <![CDATA[ 
                A Fine original hand-colored steel engraving with bright original coloring.  12mo (6.75 x 4.25 inches, 10.8 x 17.15 cm). This fine engraving is classified as one the very finest Natural History miniatures produced. A refined and intelligent work, The Naturalist's Library was intended for everyone interested in Natural History, not just the wealthy who could afford the lavish color plate books produced during the early to mid 19th Century. In addition, the education of young minds had recently become the fashion, yet there were no small color plate books sized to miniature hands capturing the realistic glory of the natural order.  Sir William Jardine (1800-1847), noted Scottish Ichthyologist and Ornithologist, combined the talents of his colleagues, acknowledged naturalists in every field- Edward Lear, Prideaux John Selby, William Swainson, among them, and produced The Naturalists' Library. The intention was to create a fine, yet affordable work, describing and illustrating all elements of the natural world, birds, animals, fish, insects, save the plant world. Several plates were engraved after the naturalist masters, John James Audubon, John Gould and Maria Sibylla Merian.  The success of the publication was evidenced by the creation of 40 separate volumes within the next few decades. The engraver of the work was William H. Lizars, who at the time was engraving the first ten plates of John James Audubon's magnum opus, The Double Elephant Folio Edition of The Birds of America. Lizars engraved the plates in steel, opposed to copper, to render a very fine line on a small tablet, allowing for a very full and intricate background setting for each described species. Traditionally, only the major subject (bird, animal, insect or fish) was hand-colored with watercolor, the background was left uncolored. This work has withstood the test of time and continues to be an affordable option to the engraved work of many natural history masters.  
        ]]>
   </summary>
   <content type="html">
    
       <![CDATA[ 
                
     <br/>Jardine, Sir William, FRS, FLS .

        
        <br/>WH Lizars,

        <br/>Price: $65.00
       
        ]]>
   </content>
 </entry>

 <entry>
   <title type="html">
        <![CDATA[
        Yellow Rumped Bullfinch  - Jardine, Sir William, FRS, FLS .
        ]]>
   </title>
   <link href="http://www.lowryjames.com/cgi-bin/lowry/5788"/>
   <id>urn:uuid:1225c695-cfb8-4ebb-aaaa-80da344efa6a28</id>
   <updated>2013-05-21T22:48:27Z</updated>
   <summary type="html">
      
        <![CDATA[ 
                A Fine original hand-colored steel engraving with bright original coloring.  12mo (6.75 x 4.25 inches, 10.8 x 17.15 cm). This fine engraving is classified as one the very finest Natural History miniatures produced. A refined and intelligent work, The Naturalist's Library was intended for everyone interested in Natural History, not just the wealthy who could afford the lavish color plate books produced during the early to mid 19th Century. In addition, the education of young minds had recently become the fashion, yet there were no small color plate books sized to miniature hands capturing the realistic glory of the natural order.  Sir William Jardine (1800-1847), noted Scottish Ichthyologist and Ornithologist, combined the talents of his colleagues, acknowledged naturalists in every field- Edward Lear, Prideaux John Selby, William Swainson, among them, and produced The Naturalists' Library. The intention was to create a fine, yet affordable work, describing and illustrating all elements of the natural world, birds, animals, fish, insects, save the plant world. Several plates were engraved after the naturalist masters, John James Audubon, John Gould and Maria Sibylla Merian.  The success of the publication was evidenced by the creation of 40 separate volumes within the next few decades. The engraver of the work was William H. Lizars, who at the time was engraving the first ten plates of John James Audubon's magnum opus, The Double Elephant Folio Edition of The Birds of America. Lizars engraved the plates in steel, opposed to copper, to render a very fine line on a small tablet, allowing for a very full and intricate background setting for each described species. Traditionally, only the major subject (bird, animal, insect or fish) was hand-colored with watercolor, the background was left uncolored. This work has withstood the test of time and continues to be an affordable option to the engraved work of many natural history masters.  
        ]]>
   </summary>
   <content type="html">
    
       <![CDATA[ 
                
     <br/>Jardine, Sir William, FRS, FLS .

        
        <br/>WH Lizars,

        <br/>Price: $65.00
       
        ]]>
   </content>
 </entry>

 <entry>
   <title type="html">
        <![CDATA[
        Orange Breasted Bull Shrike  - Jardine, Sir William, FRS, FLS .
        ]]>
   </title>
   <link href="http://www.lowryjames.com/cgi-bin/lowry/5787"/>
   <id>urn:uuid:1225c695-cfb8-4ebb-aaaa-80da344efa6a29</id>
   <updated>2013-05-21T22:48:27Z</updated>
   <summary type="html">
      
        <![CDATA[ 
                A Fine original hand-colored steel engraving with bright original coloring.  12mo (6.75 x 4.25 inches, 10.8 x 17.15 cm). This fine engraving is classified as one the very finest Natural History miniatures produced. A refined and intelligent work, The Naturalist's Library was intended for everyone interested in Natural History, not just the wealthy who could afford the lavish color plate books produced during the early to mid 19th Century. In addition, the education of young minds had recently become the fashion, yet there were no small color plate books sized to miniature hands capturing the realistic glory of the natural order.  Sir William Jardine (1800-1847), noted Scottish Ichthyologist and Ornithologist, combined the talents of his colleagues, acknowledged naturalists in every field- Edward Lear, Prideaux John Selby, William Swainson, among them, and produced The Naturalists' Library. The intention was to create a fine, yet affordable work, describing and illustrating all elements of the natural world, birds, animals, fish, insects, save the plant world. Several plates were engraved after the naturalist masters, John James Audubon, John Gould and Maria Sibylla Merian.  The success of the publication was evidenced by the creation of 40 separate volumes within the next few decades. The engraver of the work was William H. Lizars, who at the time was engraving the first ten plates of John James Audubon's magnum opus, The Double Elephant Folio Edition of The Birds of America. Lizars engraved the plates in steel, opposed to copper, to render a very fine line on a small tablet, allowing for a very full and intricate background setting for each described species. Traditionally, only the major subject (bird, animal, insect or fish) was hand-colored with watercolor, the background was left uncolored. This work has withstood the test of time and continues to be an affordable option to the engraved work of many natural history masters.  
        ]]>
   </summary>
   <content type="html">
    
       <![CDATA[ 
                
     <br/>Jardine, Sir William, FRS, FLS .

        
        <br/>WH Lizars,

        <br/>Price: $65.00
       
        ]]>
   </content>
 </entry>

 <entry>
   <title type="html">
        <![CDATA[
        Yellow Bellied or Cape Bunting  - Jardine, Sir William, FRS, FLS .
        ]]>
   </title>
   <link href="http://www.lowryjames.com/cgi-bin/lowry/5786"/>
   <id>urn:uuid:1225c695-cfb8-4ebb-aaaa-80da344efa6a30</id>
   <updated>2013-05-21T22:48:27Z</updated>
   <summary type="html">
      
        <![CDATA[ 
                A Fine original hand-colored steel engraving with bright original coloring.  12mo (6.75 x 4.25 inches, 10.8 x 17.15 cm). This fine engraving is classified as one the very finest Natural History miniatures produced. A refined and intelligent work, The Naturalist's Library was intended for everyone interested in Natural History, not just the wealthy who could afford the lavish color plate books produced during the early to mid 19th Century. In addition, the education of young minds had recently become the fashion, yet there were no small color plate books sized to miniature hands capturing the realistic glory of the natural order.  Sir William Jardine (1800-1847), noted Scottish Ichthyologist and Ornithologist, combined the talents of his colleagues, acknowledged naturalists in every field- Edward Lear, Prideaux John Selby, William Swainson, among them, and produced The Naturalists' Library. The intention was to create a fine, yet affordable work, describing and illustrating all elements of the natural world, birds, animals, fish, insects, save the plant world. Several plates were engraved after the naturalist masters, John James Audubon, John Gould and Maria Sibylla Merian.  The success of the publication was evidenced by the creation of 40 separate volumes within the next few decades. The engraver of the work was William H. Lizars, who at the time was engraving the first ten plates of John James Audubon's magnum opus, The Double Elephant Folio Edition of The Birds of America. Lizars engraved the plates in steel, opposed to copper, to render a very fine line on a small tablet, allowing for a very full and intricate background setting for each described species. Traditionally, only the major subject (bird, animal, insect or fish) was hand-colored with watercolor, the background was left uncolored. This work has withstood the test of time and continues to be an affordable option to the engraved work of many natural history masters.  
        ]]>
   </summary>
   <content type="html">
    
       <![CDATA[ 
                
     <br/>Jardine, Sir William, FRS, FLS .

        
        <br/>WH Lizars,

        <br/>Price: $65.00
       
        ]]>
   </content>
 </entry>

 <entry>
   <title type="html">
        <![CDATA[
        White Bodied Grakle  - Jardine, Sir William, FRS, FLS .
        ]]>
   </title>
   <link href="http://www.lowryjames.com/cgi-bin/lowry/5784"/>
   <id>urn:uuid:1225c695-cfb8-4ebb-aaaa-80da344efa6a31</id>
   <updated>2013-05-21T22:48:27Z</updated>
   <summary type="html">
      
        <![CDATA[ 
                A Fine original hand-colored steel engraving with bright original coloring.  12mo (6.75 x 4.25 inches, 10.8 x 17.15 cm). This fine engraving is classified as one the very finest Natural History miniatures produced. A refined and intelligent work, The Naturalist's Library was intended for everyone interested in Natural History, not just the wealthy who could afford the lavish color plate books produced during the early to mid 19th Century. In addition, the education of young minds had recently become the fashion, yet there were no small color plate books sized to miniature hands capturing the realistic glory of the natural order.  Sir William Jardine (1800-1847), noted Scottish Ichthyologist and Ornithologist, combined the talents of his colleagues, acknowledged naturalists in every field- Edward Lear, Prideaux John Selby, William Swainson, among them, and produced The Naturalists' Library. The intention was to create a fine, yet affordable work, describing and illustrating all elements of the natural world, birds, animals, fish, insects, save the plant world. Several plates were engraved after the naturalist masters, John James Audubon, John Gould and Maria Sibylla Merian.  The success of the publication was evidenced by the creation of 40 separate volumes within the next few decades. The engraver of the work was William H. Lizars, who at the time was engraving the first ten plates of John James Audubon's magnum opus, The Double Elephant Folio Edition of The Birds of America. Lizars engraved the plates in steel, opposed to copper, to render a very fine line on a small tablet, allowing for a very full and intricate background setting for each described species. Traditionally, only the major subject (bird, animal, insect or fish) was hand-colored with watercolor, the background was left uncolored. This work has withstood the test of time and continues to be an affordable option to the engraved work of many natural history masters.  
        ]]>
   </summary>
   <content type="html">
    
       <![CDATA[ 
                
     <br/>Jardine, Sir William, FRS, FLS .

        
        <br/>WH Lizars,

        <br/>Price: $65.00
       
        ]]>
   </content>
 </entry>

 <entry>
   <title type="html">
        <![CDATA[
        Long Tailed Grakle  - Jardine, Sir William, FRS, FLS .
        ]]>
   </title>
   <link href="http://www.lowryjames.com/cgi-bin/lowry/5783"/>
   <id>urn:uuid:1225c695-cfb8-4ebb-aaaa-80da344efa6a32</id>
   <updated>2013-05-21T22:48:27Z</updated>
   <summary type="html">
      
        <![CDATA[ 
                A Fine original hand-colored steel engraving with bright original coloring.  12mo (6.75 x 4.25 inches, 10.8 x 17.15 cm). This fine engraving is classified as one the very finest Natural History miniatures produced. A refined and intelligent work, The Naturalist's Library was intended for everyone interested in Natural History, not just the wealthy who could afford the lavish color plate books produced during the early to mid 19th Century. In addition, the education of young minds had recently become the fashion, yet there were no small color plate books sized to miniature hands capturing the realistic glory of the natural order.  Sir William Jardine (1800-1847), noted Scottish Ichthyologist and Ornithologist, combined the talents of his colleagues, acknowledged naturalists in every field- Edward Lear, Prideaux John Selby, William Swainson, among them, and produced The Naturalists' Library. The intention was to create a fine, yet affordable work, describing and illustrating all elements of the natural world, birds, animals, fish, insects, save the plant world. Several plates were engraved after the naturalist masters, John James Audubon, John Gould and Maria Sibylla Merian.  The success of the publication was evidenced by the creation of 40 separate volumes within the next few decades. The engraver of the work was William H. Lizars, who at the time was engraving the first ten plates of John James Audubon's magnum opus, The Double Elephant Folio Edition of The Birds of America. Lizars engraved the plates in steel, opposed to copper, to render a very fine line on a small tablet, allowing for a very full and intricate background setting for each described species. Traditionally, only the major subject (bird, animal, insect or fish) was hand-colored with watercolor, the background was left uncolored. This work has withstood the test of time and continues to be an affordable option to the engraved work of many natural history masters.  
        ]]>
   </summary>
   <content type="html">
    
       <![CDATA[ 
                
     <br/>Jardine, Sir William, FRS, FLS .

        
        <br/>WH Lizars,

        <br/>Price: $65.00
       
        ]]>
   </content>
 </entry>

 <entry>
   <title type="html">
        <![CDATA[
        Walking Drongo Shrike  - Jardine, Sir William, FRS, FLS .
        ]]>
   </title>
   <link href="http://www.lowryjames.com/cgi-bin/lowry/5782"/>
   <id>urn:uuid:1225c695-cfb8-4ebb-aaaa-80da344efa6a33</id>
   <updated>2013-05-21T22:48:28Z</updated>
   <summary type="html">
      
        <![CDATA[ 
                A Fine original hand-colored steel engraving with bright original coloring.  12mo (6.75 x 4.25 inches, 10.8 x 17.15 cm). This fine engraving is classified as one the very finest Natural History miniatures produced. A refined and intelligent work, The Naturalist's Library was intended for everyone interested in Natural History, not just the wealthy who could afford the lavish color plate books produced during the early to mid 19th Century. In addition, the education of young minds had recently become the fashion, yet there were no small color plate books sized to miniature hands capturing the realistic glory of the natural order.  Sir William Jardine (1800-1847), noted Scottish Ichthyologist and Ornithologist, combined the talents of his colleagues, acknowledged naturalists in every field- Edward Lear, Prideaux John Selby, William Swainson, among them, and produced The Naturalists' Library. The intention was to create a fine, yet affordable work, describing and illustrating all elements of the natural world, birds, animals, fish, insects, save the plant world. Several plates were engraved after the naturalist masters, John James Audubon, John Gould and Maria Sibylla Merian.  The success of the publication was evidenced by the creation of 40 separate volumes within the next few decades. The engraver of the work was William H. Lizars, who at the time was engraving the first ten plates of John James Audubon's magnum opus, The Double Elephant Folio Edition of The Birds of America. Lizars engraved the plates in steel, opposed to copper, to render a very fine line on a small tablet, allowing for a very full and intricate background setting for each described species. Traditionally, only the major subject (bird, animal, insect or fish) was hand-colored with watercolor, the background was left uncolored. This work has withstood the test of time and continues to be an affordable option to the engraved work of many natural history masters.  
        ]]>
   </summary>
   <content type="html">
    
       <![CDATA[ 
                
     <br/>Jardine, Sir William, FRS, FLS .

        
        <br/>WH Lizars,

        <br/>Price: $65.00
       
        ]]>
   </content>
 </entry>

 <entry>
   <title type="html">
        <![CDATA[
        Crimson Shouldered Caterpillar Catcher  - Jardine, Sir William, FRS, FLS .
        ]]>
   </title>
   <link href="http://www.lowryjames.com/cgi-bin/lowry/5781"/>
   <id>urn:uuid:1225c695-cfb8-4ebb-aaaa-80da344efa6a34</id>
   <updated>2013-05-21T22:48:28Z</updated>
   <summary type="html">
      
        <![CDATA[ 
                A Fine original hand-colored steel engraving with bright original coloring.  12mo (6.75 x 4.25 inches, 10.8 x 17.15 cm). This fine engraving is classified as one the very finest Natural History miniatures produced. A refined and intelligent work, The Naturalist's Library was intended for everyone interested in Natural History, not just the wealthy who could afford the lavish color plate books produced during the early to mid 19th Century. In addition, the education of young minds had recently become the fashion, yet there were no small color plate books sized to miniature hands capturing the realistic glory of the natural order.  Sir William Jardine (1800-1847), noted Scottish Ichthyologist and Ornithologist, combined the talents of his colleagues, acknowledged naturalists in every field- Edward Lear, Prideaux John Selby, William Swainson, among them, and produced The Naturalists' Library. The intention was to create a fine, yet affordable work, describing and illustrating all elements of the natural world, birds, animals, fish, insects, save the plant world. Several plates were engraved after the naturalist masters, John James Audubon, John Gould and Maria Sibylla Merian.  The success of the publication was evidenced by the creation of 40 separate volumes within the next few decades. The engraver of the work was William H. Lizars, who at the time was engraving the first ten plates of John James Audubon's magnum opus, The Double Elephant Folio Edition of The Birds of America. Lizars engraved the plates in steel, opposed to copper, to render a very fine line on a small tablet, allowing for a very full and intricate background setting for each described species. Traditionally, only the major subject (bird, animal, insect or fish) was hand-colored with watercolor, the background was left uncolored. This work has withstood the test of time and continues to be an affordable option to the engraved work of many natural history masters.  
        ]]>
   </summary>
   <content type="html">
    
       <![CDATA[ 
                
     <br/>Jardine, Sir William, FRS, FLS .

        
        <br/>WH Lizars,

        <br/>Price: $65.00
       
        ]]>
   </content>
 </entry>

 <entry>
   <title type="html">
        <![CDATA[
        Senegal Lark-Heel  - Jardine, Sir William, FRS, FLS .
        ]]>
   </title>
   <link href="http://www.lowryjames.com/cgi-bin/lowry/5780"/>
   <id>urn:uuid:1225c695-cfb8-4ebb-aaaa-80da344efa6a35</id>
   <updated>2013-05-21T22:48:28Z</updated>
   <summary type="html">
      
        <![CDATA[ 
                A Fine original hand-colored steel engraving with bright original coloring.  12mo (6.75 x 4.25 inches, 10.8 x 17.15 cm). This fine engraving is classified as one the very finest Natural History miniatures produced. A refined and intelligent work, The Naturalist's Library was intended for everyone interested in Natural History, not just the wealthy who could afford the lavish color plate books produced during the early to mid 19th Century. In addition, the education of young minds had recently become the fashion, yet there were no small color plate books sized to miniature hands capturing the realistic glory of the natural order.  Sir William Jardine (1800-1847), noted Scottish Ichthyologist and Ornithologist, combined the talents of his colleagues, acknowledged naturalists in every field- Edward Lear, Prideaux John Selby, William Swainson, among them, and produced The Naturalists' Library. The intention was to create a fine, yet affordable work, describing and illustrating all elements of the natural world, birds, animals, fish, insects, save the plant world. Several plates were engraved after the naturalist masters, John James Audubon, John Gould and Maria Sibylla Merian.  The success of the publication was evidenced by the creation of 40 separate volumes within the next few decades. The engraver of the work was William H. Lizars, who at the time was engraving the first ten plates of John James Audubon's magnum opus, The Double Elephant Folio Edition of The Birds of America. Lizars engraved the plates in steel, opposed to copper, to render a very fine line on a small tablet, allowing for a very full and intricate background setting for each described species. Traditionally, only the major subject (bird, animal, insect or fish) was hand-colored with watercolor, the background was left uncolored. This work has withstood the test of time and continues to be an affordable option to the engraved work of many natural history masters.  
        ]]>
   </summary>
   <content type="html">
    
       <![CDATA[ 
                
     <br/>Jardine, Sir William, FRS, FLS .

        
        <br/>WH Lizars,

        <br/>Price: $65.00
       
        ]]>
   </content>
 </entry>

 <entry>
   <title type="html">
        <![CDATA[
        Pennant-Winged Night-Jar  - Jardine, Sir William, FRS, FLS .
        ]]>
   </title>
   <link href="http://www.lowryjames.com/cgi-bin/lowry/5779"/>
   <id>urn:uuid:1225c695-cfb8-4ebb-aaaa-80da344efa6a36</id>
   <updated>2013-05-21T22:48:28Z</updated>
   <summary type="html">
      
        <![CDATA[ 
                A Fine original hand-colored steel engraving with bright original coloring.  12mo (6.75 x 4.25 inches, 10.8 x 17.15 cm). This fine engraving is classified as one the very finest Natural History miniatures produced. A refined and intelligent work, The Naturalist's Library was intended for everyone interested in Natural History, not just the wealthy who could afford the lavish color plate books produced during the early to mid 19th Century. In addition, the education of young minds had recently become the fashion, yet there were no small color plate books sized to miniature hands capturing the realistic glory of the natural order.  Sir William Jardine (1800-1847), noted Scottish Ichthyologist and Ornithologist, combined the talents of his colleagues, acknowledged naturalists in every field- Edward Lear, Prideaux John Selby, William Swainson, among them, and produced The Naturalists' Library. The intention was to create a fine, yet affordable work, describing and illustrating all elements of the natural world, birds, animals, fish, insects, save the plant world. Several plates were engraved after the naturalist masters, John James Audubon, John Gould and Maria Sibylla Merian.  The success of the publication was evidenced by the creation of 40 separate volumes within the next few decades. The engraver of the work was William H. Lizars, who at the time was engraving the first ten plates of John James Audubon's magnum opus, The Double Elephant Folio Edition of The Birds of America. Lizars engraved the plates in steel, opposed to copper, to render a very fine line on a small tablet, allowing for a very full and intricate background setting for each described species. Traditionally, only the major subject (bird, animal, insect or fish) was hand-colored with watercolor, the background was left uncolored. This work has withstood the test of time and continues to be an affordable option to the engraved work of many natural history masters.  
        ]]>
   </summary>
   <content type="html">
    
       <![CDATA[ 
                
     <br/>Jardine, Sir William, FRS, FLS .

        
        <br/>WH Lizars,

        <br/>Price: $65.00
       
        ]]>
   </content>
 </entry>

 <entry>
   <title type="html">
        <![CDATA[
        Red Billed Whidah  - Jardine, Sir William, FRS, FLS .
        ]]>
   </title>
   <link href="http://www.lowryjames.com/cgi-bin/lowry/5778"/>
   <id>urn:uuid:1225c695-cfb8-4ebb-aaaa-80da344efa6a37</id>
   <updated>2013-05-21T22:48:28Z</updated>
   <summary type="html">
      
        <![CDATA[ 
                A Fine original hand-colored steel engraving with bright original coloring.  12mo (6.75 x 4.25 inches, 10.8 x 17.15 cm). This fine engraving is classified as one the very finest Natural History miniatures produced. A refined and intelligent work, The Naturalist's Library was intended for everyone interested in Natural History, not just the wealthy who could afford the lavish color plate books produced during the early to mid 19th Century. In addition, the education of young minds had recently become the fashion, yet there were no small color plate books sized to miniature hands capturing the realistic glory of the natural order.  Sir William Jardine (1800-1847), noted Scottish Ichthyologist and Ornithologist, combined the talents of his colleagues, acknowledged naturalists in every field- Edward Lear, Prideaux John Selby, William Swainson, among them, and produced The Naturalists' Library. The intention was to create a fine, yet affordable work, describing and illustrating all elements of the natural world, birds, animals, fish, insects, save the plant world. Several plates were engraved after the naturalist masters, John James Audubon, John Gould and Maria Sibylla Merian.  The success of the publication was evidenced by the creation of 40 separate volumes within the next few decades. The engraver of the work was William H. Lizars, who at the time was engraving the first ten plates of John James Audubon's magnum opus, The Double Elephant Folio Edition of The Birds of America. Lizars engraved the plates in steel, opposed to copper, to render a very fine line on a small tablet, allowing for a very full and intricate background setting for each described species. Traditionally, only the major subject (bird, animal, insect or fish) was hand-colored with watercolor, the background was left uncolored. This work has withstood the test of time and continues to be an affordable option to the engraved work of many natural history masters.  
        ]]>
   </summary>
   <content type="html">
    
       <![CDATA[ 
                
     <br/>Jardine, Sir William, FRS, FLS .

        
        <br/>WH Lizars,

        <br/>Price: $65.00
       
        ]]>
   </content>
 </entry>

 <entry>
   <title type="html">
        <![CDATA[
        Broad Shafted Whidah Finch  - Jardine, Sir William, FRS, FLS .
        ]]>
   </title>
   <link href="http://www.lowryjames.com/cgi-bin/lowry/5777"/>
   <id>urn:uuid:1225c695-cfb8-4ebb-aaaa-80da344efa6a38</id>
   <updated>2013-05-21T22:48:28Z</updated>
   <summary type="html">
      
        <![CDATA[ 
                A Fine original hand-colored steel engraving with bright original coloring.  12mo (6.75 x 4.25 inches, 10.8 x 17.15 cm). This fine engraving is classified as one the very finest Natural History miniatures produced. A refined and intelligent work, The Naturalist's Library was intended for everyone interested in Natural History, not just the wealthy who could afford the lavish color plate books produced during the early to mid 19th Century. In addition, the education of young minds had recently become the fashion, yet there were no small color plate books sized to miniature hands capturing the realistic glory of the natural order.  Sir William Jardine (1800-1847), noted Scottish Ichthyologist and Ornithologist, combined the talents of his colleagues, acknowledged naturalists in every field- Edward Lear, Prideaux John Selby, William Swainson, among them, and produced The Naturalists' Library. The intention was to create a fine, yet affordable work, describing and illustrating all elements of the natural world, birds, animals, fish, insects, save the plant world. Several plates were engraved after the naturalist masters, John James Audubon, John Gould and Maria Sibylla Merian.  The success of the publication was evidenced by the creation of 40 separate volumes within the next few decades. The engraver of the work was William H. Lizars, who at the time was engraving the first ten plates of John James Audubon's magnum opus, The Double Elephant Folio Edition of The Birds of America. Lizars engraved the plates in steel, opposed to copper, to render a very fine line on a small tablet, allowing for a very full and intricate background setting for each described species. Traditionally, only the major subject (bird, animal, insect or fish) was hand-colored with watercolor, the background was left uncolored. This work has withstood the test of time and continues to be an affordable option to the engraved work of many natural history masters.  
        ]]>
   </summary>
   <content type="html">
    
       <![CDATA[ 
                
     <br/>Jardine, Sir William, FRS, FLS .

        
        <br/>WH Lizars,

        <br/>Price: $65.00
       
        ]]>
   </content>
 </entry>

 <entry>
   <title type="html">
        <![CDATA[
        White Plumed Shrike  - Jardine, Sir William, FRS, FLS .
        ]]>
   </title>
   <link href="http://www.lowryjames.com/cgi-bin/lowry/5776"/>
   <id>urn:uuid:1225c695-cfb8-4ebb-aaaa-80da344efa6a39</id>
   <updated>2013-05-21T22:48:28Z</updated>
   <summary type="html">
      
        <![CDATA[ 
                A Fine original hand-colored steel engraving with bright original coloring.  12mo (6.75 x 4.25 inches, 10.8 x 17.15 cm). This fine engraving is classified as one the very finest Natural History miniatures produced. A refined and intelligent work, The Naturalist's Library was intended for everyone interested in Natural History, not just the wealthy who could afford the lavish color plate books produced during the early to mid 19th Century. In addition, the education of young minds had recently become the fashion, yet there were no small color plate books sized to miniature hands capturing the realistic glory of the natural order.  Sir William Jardine (1800-1847), noted Scottish Ichthyologist and Ornithologist, combined the talents of his colleagues, acknowledged naturalists in every field- Edward Lear, Prideaux John Selby, William Swainson, among them, and produced The Naturalists' Library. The intention was to create a fine, yet affordable work, describing and illustrating all elements of the natural world, birds, animals, fish, insects, save the plant world. Several plates were engraved after the naturalist masters, John James Audubon, John Gould and Maria Sibylla Merian.  The success of the publication was evidenced by the creation of 40 separate volumes within the next few decades. The engraver of the work was William H. Lizars, who at the time was engraving the first ten plates of John James Audubon's magnum opus, The Double Elephant Folio Edition of The Birds of America. Lizars engraved the plates in steel, opposed to copper, to render a very fine line on a small tablet, allowing for a very full and intricate background setting for each described species. Traditionally, only the major subject (bird, animal, insect or fish) was hand-colored with watercolor, the background was left uncolored. This work has withstood the test of time and continues to be an affordable option to the engraved work of many natural history masters.  
        ]]>
   </summary>
   <content type="html">
    
       <![CDATA[ 
                
     <br/>Jardine, Sir William, FRS, FLS .

        
        <br/>WH Lizars,

        <br/>Price: $65.00
       
        ]]>
   </content>
 </entry>

 <entry>
   <title type="html">
        <![CDATA[
        Puff-Backed Bush Shrike  - Jardine, Sir William, FRS, FLS .
        ]]>
   </title>
   <link href="http://www.lowryjames.com/cgi-bin/lowry/5775"/>
   <id>urn:uuid:1225c695-cfb8-4ebb-aaaa-80da344efa6a40</id>
   <updated>2013-05-21T22:48:28Z</updated>
   <summary type="html">
      
        <![CDATA[ 
                A Fine original hand-colored steel engraving with bright original coloring.  12mo (6.75 x 4.25 inches, 10.8 x 17.15 cm). This fine engraving is classified as one the very finest Natural History miniatures produced. A refined and intelligent work, The Naturalist's Library was intended for everyone interested in Natural History, not just the wealthy who could afford the lavish color plate books produced during the early to mid 19th Century. In addition, the education of young minds had recently become the fashion, yet there were no small color plate books sized to miniature hands capturing the realistic glory of the natural order.  Sir William Jardine (1800-1847), noted Scottish Ichthyologist and Ornithologist, combined the talents of his colleagues, acknowledged naturalists in every field- Edward Lear, Prideaux John Selby, William Swainson, among them, and produced The Naturalists' Library. The intention was to create a fine, yet affordable work, describing and illustrating all elements of the natural world, birds, animals, fish, insects, save the plant world. Several plates were engraved after the naturalist masters, John James Audubon, John Gould and Maria Sibylla Merian.  The success of the publication was evidenced by the creation of 40 separate volumes within the next few decades. The engraver of the work was William H. Lizars, who at the time was engraving the first ten plates of John James Audubon's magnum opus, The Double Elephant Folio Edition of The Birds of America. Lizars engraved the plates in steel, opposed to copper, to render a very fine line on a small tablet, allowing for a very full and intricate background setting for each described species. Traditionally, only the major subject (bird, animal, insect or fish) was hand-colored with watercolor, the background was left uncolored. This work has withstood the test of time and continues to be an affordable option to the engraved work of many natural history masters.  
        ]]>
   </summary>
   <content type="html">
    
       <![CDATA[ 
                
     <br/>Jardine, Sir William, FRS, FLS .

        
        <br/>WH Lizars,

        <br/>Price: $65.00
       
        ]]>
   </content>
 </entry>

 <entry>
   <title type="html">
        <![CDATA[
        Black Zoned Plover  - Jardine, Sir William, FRS, FLS .
        ]]>
   </title>
   <link href="http://www.lowryjames.com/cgi-bin/lowry/5774"/>
   <id>urn:uuid:1225c695-cfb8-4ebb-aaaa-80da344efa6a41</id>
   <updated>2013-05-21T22:48:28Z</updated>
   <summary type="html">
      
        <![CDATA[ 
                A Fine original hand-colored steel engraving with bright original coloring.  12mo (6.75 x 4.25 inches, 10.8 x 17.15 cm). This fine engraving is classified as one the very finest Natural History miniatures produced. A refined and intelligent work, The Naturalist's Library was intended for everyone interested in Natural History, not just the wealthy who could afford the lavish color plate books produced during the early to mid 19th Century. In addition, the education of young minds had recently become the fashion, yet there were no small color plate books sized to miniature hands capturing the realistic glory of the natural order.  Sir William Jardine (1800-1847), noted Scottish Ichthyologist and Ornithologist, combined the talents of his colleagues, acknowledged naturalists in every field- Edward Lear, Prideaux John Selby, William Swainson, among them, and produced The Naturalists' Library. The intention was to create a fine, yet affordable work, describing and illustrating all elements of the natural world, birds, animals, fish, insects, save the plant world. Several plates were engraved after the naturalist masters, John James Audubon, John Gould and Maria Sibylla Merian.  The success of the publication was evidenced by the creation of 40 separate volumes within the next few decades. The engraver of the work was William H. Lizars, who at the time was engraving the first ten plates of John James Audubon's magnum opus, The Double Elephant Folio Edition of The Birds of America. Lizars engraved the plates in steel, opposed to copper, to render a very fine line on a small tablet, allowing for a very full and intricate background setting for each described species. Traditionally, only the major subject (bird, animal, insect or fish) was hand-colored with watercolor, the background was left uncolored. This work has withstood the test of time and continues to be an affordable option to the engraved work of many natural history masters.  
        ]]>
   </summary>
   <content type="html">
    
       <![CDATA[ 
                
     <br/>Jardine, Sir William, FRS, FLS .

        
        <br/>WH Lizars,

        <br/>Price: $65.00
       
        ]]>
   </content>
 </entry>

 <entry>
   <title type="html">
        <![CDATA[
        Black-Bodied Lapwing  - Jardine, Sir William, FRS, FLS .
        ]]>
   </title>
   <link href="http://www.lowryjames.com/cgi-bin/lowry/5773"/>
   <id>urn:uuid:1225c695-cfb8-4ebb-aaaa-80da344efa6a42</id>
   <updated>2013-05-21T22:48:28Z</updated>
   <summary type="html">
      
        <![CDATA[ 
                A Fine original hand-colored steel engraving with bright original coloring.  12mo (6.75 x 4.25 inches, 10.8 x 17.15 cm). This fine engraving is classified as one the very finest Natural History miniatures produced. A refined and intelligent work, The Naturalist's Library was intended for everyone interested in Natural History, not just the wealthy who could afford the lavish color plate books produced during the early to mid 19th Century. In addition, the education of young minds had recently become the fashion, yet there were no small color plate books sized to miniature hands capturing the realistic glory of the natural order.  Sir William Jardine (1800-1847), noted Scottish Ichthyologist and Ornithologist, combined the talents of his colleagues, acknowledged naturalists in every field- Edward Lear, Prideaux John Selby, William Swainson, among them, and produced The Naturalists' Library. The intention was to create a fine, yet affordable work, describing and illustrating all elements of the natural world, birds, animals, fish, insects, save the plant world. Several plates were engraved after the naturalist masters, John James Audubon, John Gould and Maria Sibylla Merian.  The success of the publication was evidenced by the creation of 40 separate volumes within the next few decades. The engraver of the work was William H. Lizars, who at the time was engraving the first ten plates of John James Audubon's magnum opus, The Double Elephant Folio Edition of The Birds of America. Lizars engraved the plates in steel, opposed to copper, to render a very fine line on a small tablet, allowing for a very full and intricate background setting for each described species. Traditionally, only the major subject (bird, animal, insect or fish) was hand-colored with watercolor, the background was left uncolored. This work has withstood the test of time and continues to be an affordable option to the engraved work of many natural history masters.  
        ]]>
   </summary>
   <content type="html">
    
       <![CDATA[ 
                
     <br/>Jardine, Sir William, FRS, FLS .

        
        <br/>WH Lizars,

        <br/>Price: $65.00
       
        ]]>
   </content>
 </entry>

 <entry>
   <title type="html">
        <![CDATA[
        Orange Legged Falcon  - Jardine, Sir William, FRS, FLS .
        ]]>
   </title>
   <link href="http://www.lowryjames.com/cgi-bin/lowry/5772"/>
   <id>urn:uuid:1225c695-cfb8-4ebb-aaaa-80da344efa6a43</id>
   <updated>2013-05-21T22:48:28Z</updated>
   <summary type="html">
      
        <![CDATA[ 
                A Fine original hand-colored steel engraving with bright original coloring.  12mo (6.75 x 4.25 inches, 10.8 x 17.15 cm). This fine engraving is classified as one the very finest Natural History miniatures produced. A refined and intelligent work, The Naturalist's Library was intended for everyone interested in Natural History, not just the wealthy who could afford the lavish color plate books produced during the early to mid 19th Century. In addition, the education of young minds had recently become the fashion, yet there were no small color plate books sized to miniature hands capturing the realistic glory of the natural order.  Sir William Jardine (1800-1847), noted Scottish Ichthyologist and Ornithologist, combined the talents of his colleagues, acknowledged naturalists in every field- Edward Lear, Prideaux John Selby, William Swainson, among them, and produced The Naturalists' Library. The intention was to create a fine, yet affordable work, describing and illustrating all elements of the natural world, birds, animals, fish, insects, save the plant world. Several plates were engraved after the naturalist masters, John James Audubon, John Gould and Maria Sibylla Merian.  The success of the publication was evidenced by the creation of 40 separate volumes within the next few decades. The engraver of the work was William H. Lizars, who at the time was engraving the first ten plates of John James Audubon's magnum opus, The Double Elephant Folio Edition of The Birds of America. Lizars engraved the plates in steel, opposed to copper, to render a very fine line on a small tablet, allowing for a very full and intricate background setting for each described species. Traditionally, only the major subject (bird, animal, insect or fish) was hand-colored with watercolor, the background was left uncolored. This work has withstood the test of time and continues to be an affordable option to the engraved work of many natural history masters.  
        ]]>
   </summary>
   <content type="html">
    
       <![CDATA[ 
                
     <br/>Jardine, Sir William, FRS, FLS .

        
        <br/>WH Lizars,

        <br/>Price: $65.00
       
        ]]>
   </content>
 </entry>

 <entry>
   <title type="html">
        <![CDATA[
        Yellow-Billed Waterhen  - Jardine, Sir William, FRS, FLS .
        ]]>
   </title>
   <link href="http://www.lowryjames.com/cgi-bin/lowry/5771"/>
   <id>urn:uuid:1225c695-cfb8-4ebb-aaaa-80da344efa6a44</id>
   <updated>2013-05-21T22:48:28Z</updated>
   <summary type="html">
      
        <![CDATA[ 
                A Fine original hand-colored steel engraving with bright original coloring.  12mo (6.75 x 4.25 inches, 10.8 x 17.15 cm). This fine engraving is classified as one the very finest Natural History miniatures produced. A refined and intelligent work, The Naturalist's Library was intended for everyone interested in Natural History, not just the wealthy who could afford the lavish color plate books produced during the early to mid 19th Century. In addition, the education of young minds had recently become the fashion, yet there were no small color plate books sized to miniature hands capturing the realistic glory of the natural order.  Sir William Jardine (1800-1847), noted Scottish Ichthyologist and Ornithologist, combined the talents of his colleagues, acknowledged naturalists in every field- Edward Lear, Prideaux John Selby, William Swainson, among them, and produced The Naturalists' Library. The intention was to create a fine, yet affordable work, describing and illustrating all elements of the natural world, birds, animals, fish, insects, save the plant world. Several plates were engraved after the naturalist masters, John James Audubon, John Gould and Maria Sibylla Merian.  The success of the publication was evidenced by the creation of 40 separate volumes within the next few decades. The engraver of the work was William H. Lizars, who at the time was engraving the first ten plates of John James Audubon's magnum opus, The Double Elephant Folio Edition of The Birds of America. Lizars engraved the plates in steel, opposed to copper, to render a very fine line on a small tablet, allowing for a very full and intricate background setting for each described species. Traditionally, only the major subject (bird, animal, insect or fish) was hand-colored with watercolor, the background was left uncolored. This work has withstood the test of time and continues to be an affordable option to the engraved work of many natural history masters.  
        ]]>
   </summary>
   <content type="html">
    
       <![CDATA[ 
                
     <br/>Jardine, Sir William, FRS, FLS .

        
        <br/>WH Lizars,

        <br/>Price: $65.00
       
        ]]>
   </content>
 </entry>

 <entry>
   <title type="html">
        <![CDATA[
        The Bird Watcher's Anthology.  - Peterson, Roger Tory.
        ]]>
   </title>
   <link href="http://www.lowryjames.com/cgi-bin/lowry/5655"/>
   <id>urn:uuid:1225c695-cfb8-4ebb-aaaa-80da344efa6a45</id>
   <updated>2013-05-21T22:48:28Z</updated>
   <summary type="html">
      
        <![CDATA[ 
                Fine in a VG+ price-clipped DJ, minor chipping  to head and tail of spine. Quarto (6.75 x 10 Inches).  Decorated turquoise cloth. End papers decorated in b/w , color frontispiece,  illustrated in b/w,  &#91;1,2] 401 pp.  First edition after printing 750 copies of limited edition. A collection of the great literature of bird lore collected by the leading ornithologist of modern day.  The writings of Burroughs, Huxley, Kieran, Peattie, Teale, Beebe, Hudson, Audubon, Darwin, Sutton, Thoreau. 
        ]]>
   </summary>
   <content type="html">
    
       <![CDATA[ 
                
     <br/>Peterson, Roger Tory.

        
        <br/>Harcourt Brace,

        <br/>Price: $48.00
       
        ]]>
   </content>
 </entry>

 <entry>
   <title type="html">
        <![CDATA[
        Mexican Birds. First Impressions based upon an ornithological expedition to Tamulipas, Nuevo Leon, and Coahuila with an Appendix briefly describing all Mexican birds.  - Sutton, George Miksch.
        ]]>
   </title>
   <link href="http://www.lowryjames.com/cgi-bin/lowry/5654"/>
   <id>urn:uuid:1225c695-cfb8-4ebb-aaaa-80da344efa6a46</id>
   <updated>2013-05-21T22:48:28Z</updated>
   <summary type="html">
      
        <![CDATA[ 
                Near Fine in a Near Fine DJ, slight chipping to spine. Octavo (6.75 x 9.5 Inches). Green cloth with gilt lettered spine. Paper clip marks to rear end paper. Illustrated in b/w with 16 water-color paintings reproduced in full color, &#91;1,2] 282 pp. 
        ]]>
   </summary>
   <content type="html">
    
       <![CDATA[ 
                
     <br/>Sutton, George Miksch.

        
        <br/>University of Oklahoma Press,

        <br/>Price: $95.00
       
        ]]>
   </content>
 </entry>

 <entry>
   <title type="html">
        <![CDATA[
        That Quail, Robert.  - Stranger, Margaret A.
        ]]>
   </title>
   <link href="http://www.lowryjames.com/cgi-bin/lowry/5637"/>
   <id>urn:uuid:1225c695-cfb8-4ebb-aaaa-80da344efa6a47</id>
   <updated>2013-05-21T22:48:28Z</updated>
   <summary type="html">
      
        <![CDATA[ 
                Fine in a Fine DJ. Octavo (5.5 x 8.25 Inches). Decorated quarter cloth with paper boards and gilt lettering to spine, previous owners dated inscription to back of endpaper. Illustrated in b/w 126 pp. The life and times of a domesticated quail named Robert. 
        ]]>
   </summary>
   <content type="html">
    
       <![CDATA[ 
                
     <br/>Stranger, Margaret A.

        
        <br/>J.B. Lippincott Company,

        <br/>Price: $48.00
       
        ]]>
   </content>
 </entry>

 <entry>
   <title type="html">
        <![CDATA[
        Pl. XXXIV Three-toed Woodpecker & Yellow-breasted Chat  - Newberry, Dr. JS.  Baird, SF, Trowbridge, Lt. WP.
        ]]>
   </title>
   <link href="http://www.lowryjames.com/cgi-bin/lowry/5302"/>
   <id>urn:uuid:1225c695-cfb8-4ebb-aaaa-80da344efa6a48</id>
   <updated>2013-05-21T22:48:28Z</updated>
   <summary type="html">
      
        <![CDATA[ 
                Quarto (8 7/8 x 11 3/8 inches). A Fine hand-colored lithograph produced for the famed mid-nineteenth century Pacific Railroad Surveys: Reports of Explorations and Surveys to Ascertain the Most Practicable & Economical Route for a Railroad from the Mississippi River to the Pacific Ocean. The Reports were made under the direction of the Secretary of War in 1853-6, according to the acts of Congress of March 3, 1853, May 31, 1854 and August 5, 1854. The Natural History department of the Expedition executed by The Corps of Engineers, was lead by Lt. WP Trowbridge, and included zoologists Dr. E. Sterling,  Dr. JS Newberry  and Mr. CD Anderson. In an attempt to document the vast flora, fauna and avifauna of the American West in preparation for the potential Pacific Railroad system, the team gathered and preserved thousands of distinct zoological specimens. The zoologists for the expedition were prepared, and specimens preserved, under the supervision and instruction of the Smithsonian Institution, who eventually housed the preserved collection. In addition,  the subsequent illustrations (hand-painted lithographs) of these heretofore uncatalogued Western American birds and mammals were executed within the walls and under the direct supervision of the Smithsonian Institution and are today classified as fine Western Americana.  USPRR Exp & SurveysBirds of  California & OregonPl. XXXIV Three-toed Woodpecker & Yellow-breasted Chat 
        ]]>
   </summary>
   <content type="html">
    
       <![CDATA[ 
                
     <br/>Newberry, Dr. JS.  Baird, SF, Trowbridge, Lt. WP.

        
        <br/>Washington DC, A.O.P. Nicholson, Printer,

        <br/>Price: $175.00
       
        ]]>
   </content>
 </entry>

 <entry>
   <title type="html">
        <![CDATA[
        Pl. XXII White-necked Crow  - Newberry, Dr. JS.  Baird, SF, Trowbridge, Lt. WP.
        ]]>
   </title>
   <link href="http://www.lowryjames.com/cgi-bin/lowry/5300"/>
   <id>urn:uuid:1225c695-cfb8-4ebb-aaaa-80da344efa6a49</id>
   <updated>2013-05-21T22:48:28Z</updated>
   <summary type="html">
      
        <![CDATA[ 
                Quarto (8 7/8 x 11 3/8 inches). A Fine hand-colored lithograph produced for the famed mid-nineteenth century Pacific Railroad Surveys: Reports of Explorations and Surveys to Ascertain the Most Practicable & Economical Route for a Railroad from the Mississippi River to the Pacific Ocean. The Reports were made under the direction of the Secretary of War in 1853-6, according to the acts of Congress of March 3, 1853, May 31, 1854 and August 5, 1854. The Natural History department of the Expedition executed by The Corps of Engineers, was lead by Lt. WP Trowbridge, and included zoologists Dr. E. Sterling,  Dr. JS Newberry  and Mr. CD Anderson. In an attempt to document the vast flora, fauna and avifauna of the American West in preparation for the potential Pacific Railroad system, the team gathered and preserved thousands of distinct zoological specimens. The zoologists for the expedition were prepared, and specimens preserved, under the supervision and instruction of the Smithsonian Institution, who eventually housed the preserved collection. In addition,  the subsequent illustrations (hand-painted lithographs) of these heretofore uncatalogued Western American birds and mammals were executed within the walls and under the direct supervision of the Smithsonian Institution and are today classified as fine Western Americana.  USPRR Exp & SurveysBirds of 32nd Parallel: Texas/Mexico BorderPl. XXII White-necked CrowCorvus Cryptoleucus, CouchSeen abundantly on the Llano Estacado 
        ]]>
   </summary>
   <content type="html">
    
       <![CDATA[ 
                
     <br/>Newberry, Dr. JS.  Baird, SF, Trowbridge, Lt. WP.

        
        <br/>Washington DC, A.O.P. Nicholson, Printer,

        <br/>Price: $175.00
       
        ]]>
   </content>
 </entry>

 <entry>
   <title type="html">
        <![CDATA[
        Pl. XXVI The Yellow-billed Magpie  - Newberry, Dr. JS.  Baird, SF, Trowbridge, Lt. WP.
        ]]>
   </title>
   <link href="http://www.lowryjames.com/cgi-bin/lowry/5297"/>
   <id>urn:uuid:1225c695-cfb8-4ebb-aaaa-80da344efa6a50</id>
   <updated>2013-05-21T22:48:28Z</updated>
   <summary type="html">
      
        <![CDATA[ 
                Quarto (8 7/8 x 11 3/8 inches). A Fine hand-colored lithograph produced for the famed mid-nineteenth century Pacific Railroad Surveys: Reports of Explorations and Surveys to Ascertain the Most Practicable & Economical Route for a Railroad from the Mississippi River to the Pacific Ocean. The Reports were made under the direction of the Secretary of War in 1853-6, according to the acts of Congress of March 3, 1853, May 31, 1854 and August 5, 1854. The Natural History department of the Expedition executed by The Corps of Engineers, was lead by Lt. WP Trowbridge, and included zoologists Dr. E. Sterling,  Dr. JS Newberry  and Mr. CD Anderson. In an attempt to document the vast flora, fauna and avifauna of the American West in preparation for the potential Pacific Railroad system, the team gathered and preserved thousands of distinct zoological specimens. The zoologists for the expedition were prepared, and specimens preserved, under the supervision and instruction of the Smithsonian Institution, who eventually housed the preserved collection. In addition,  the subsequent illustrations (hand-painted lithographs) of these heretofore uncatalogued Western American birds and mammals were executed within the walls and under the direct supervision of the Smithsonian Institution and are today classified as fine Western Americana.  USPRR Exp & SurveysBirds of California & OregonPl .XXVI The Yellow-billed MagpiePica NuttalliThe beautiful bird inhabits the valleys of California in great numbers but never extends its range northward as far as the Oregon line. The flocks seen in California are very large, containing hundreds of individuals. Their habits and manners betray distinctly their affinity to the brows as well as the jays...all vociferous, petulant, mischievous, social, omnivorous.  
        ]]>
   </summary>
   <content type="html">
    
       <![CDATA[ 
                
     <br/>Newberry, Dr. JS.  Baird, SF, Trowbridge, Lt. WP.

        
        <br/>Washington DC, A.O.P. Nicholson, Printer,

        <br/>Price: $175.00
       
        ]]>
   </content>
 </entry>

 <entry>
   <title type="html">
        <![CDATA[
        Pl. I Aplomado Falcon  - Newberry, Dr. JS.  Baird, SF, Trowbridge, Lt. WP.
        ]]>
   </title>
   <link href="http://www.lowryjames.com/cgi-bin/lowry/5296"/>
   <id>urn:uuid:1225c695-cfb8-4ebb-aaaa-80da344efa6a51</id>
   <updated>2013-05-21T22:48:28Z</updated>
   <summary type="html">
      
        <![CDATA[ 
                Quarto (8 7/8 x 11 3/8 inches). A Fine hand-colored lithograph produced for the famed mid-nineteenth century Pacific Railroad Surveys: Reports of Explorations and Surveys to Ascertain the Most Practicable & Economical Route for a Railroad from the Mississippi River to the Pacific Ocean. The Reports were made under the direction of the Secretary of War in 1853-6, according to the acts of Congress of March 3, 1853, May 31, 1854 and August 5, 1854. The Natural History department of the Expedition executed by The Corps of Engineers, was lead by Lt. WP Trowbridge, and included zoologists Dr. E. Sterling,  Dr. JS Newberry  and Mr. CD Anderson. In an attempt to document the vast flora, fauna and avifauna of the American West in preparation for the potential Pacific Railroad system, the team gathered and preserved thousands of distinct zoological specimens. The zoologists for the expedition were prepared, and specimens preserved, under the supervision and instruction of the Smithsonian Institution, who eventually housed the preserved collection. In addition,  the subsequent illustrations (hand-painted lithographs) of these heretofore uncatalogued Western American birds and mammals were executed within the walls and under the direct supervision of the Smithsonian Institution and are today classified as fine Western Americana.  USPRR Exp & SurveysBirds of the 32nd Parallel; New Mexico/ Texas BorderPl. I Aplomado FalconHypotriorchis femoralis or Falco femoralis 
        ]]>
   </summary>
   <content type="html">
    
       <![CDATA[ 
                
     <br/>Newberry, Dr. JS.  Baird, SF, Trowbridge, Lt. WP.

        
        <br/>Washington DC, A.O.P. Nicholson, Printer,

        <br/>Price: $175.00
       
        ]]>
   </content>
 </entry>

 <entry>
   <title type="html">
        <![CDATA[
        Pl. XVI California Hawk  - Newberry, Dr. JS.  Baird, SF, Trowbridge, Lt. WP.
        ]]>
   </title>
   <link href="http://www.lowryjames.com/cgi-bin/lowry/5295"/>
   <id>urn:uuid:1225c695-cfb8-4ebb-aaaa-80da344efa6a52</id>
   <updated>2013-05-21T22:48:28Z</updated>
   <summary type="html">
      
        <![CDATA[ 
                Quarto (8 7/8 x 11 3/8 inches). A Near Fine hand-colored lithograph produced for the famed mid-nineteenth century Pacific Railroad Surveys: Reports of Explorations and Surveys to Ascertain the Most Practicable & Economical Route for a Railroad from the Mississippi River to the Pacific Ocean. The Reports were made under the direction of the Secretary of War in 1853-6, according to the acts of Congress of March 3, 1853, May 31, 1854 and August 5, 1854. The Natural History department of the Expedition executed by The Corps of Engineers, was lead by Lt. WP Trowbridge, and included zoologists Dr. E. Sterling,  Dr. JS Newberry  and Mr. CD Anderson. In an attempt to document the vast flora, fauna and avifauna of the American West in preparation for the potential Pacific Railroad system, the team gathered and preserved thousands of distinct zoological specimens. The zoologists for the expedition were prepared, and specimens preserved, under the supervision and instruction of the Smithsonian Institution, who eventually housed the preserved collection. In addition,  the subsequent illustrations (hand-painted lithographs) of these heretofore uncatalogued Western American birds and mammals were executed within the walls and under the direct supervision of the Smithsonian Institution and are today classified as fine Western Americana.  USPRR Exp & SurveysBirds  of the 47th Parallel 
        ]]>
   </summary>
   <content type="html">
    
       <![CDATA[ 
                
     <br/>Newberry, Dr. JS.  Baird, SF, Trowbridge, Lt. WP.

        
        <br/>Washington DC, A.O.P. Nicholson, Printer,

        <br/>Price: $175.00
       
        ]]>
   </content>
 </entry>

 <entry>
   <title type="html">
        <![CDATA[
        Pl. XI The Western Duck Hawk  - Newberry, Dr. JS.  Baird, SF, Trowbridge, Lt. WP.
        ]]>
   </title>
   <link href="http://www.lowryjames.com/cgi-bin/lowry/5294"/>
   <id>urn:uuid:1225c695-cfb8-4ebb-aaaa-80da344efa6a53</id>
   <updated>2013-05-21T22:48:28Z</updated>
   <summary type="html">
      
        <![CDATA[ 
                Quarto (8 7/8 x 11 3/8 inches). A Fine hand-colored lithograph produced for the famed mid-nineteenth century Pacific Railroad Surveys: Reports of Explorations and Surveys to Ascertain the Most Practicable & Economical Route for a Railroad from the Mississippi River to the Pacific Ocean. The Reports were made under the direction of the Secretary of War in 1853-6, according to the acts of Congress of March 3, 1853, May 31, 1854 and August 5, 1854. The Natural History department of the Expedition executed by The Corps of Engineers, was lead by Lt. WP Trowbridge, and included zoologists Dr. E. Sterling,  Dr. JS Newberry  and Mr. CD Anderson. In an attempt to document the vast flora, fauna and avifauna of the American West in preparation for the potential Pacific Railroad system, the team gathered and preserved thousands of distinct zoological specimens. The zoologists for the expedition were prepared, and specimens preserved, under the supervision and instruction of the Smithsonian Institution, who eventually housed the preserved collection. In addition,  the subsequent illustrations (hand-painted lithographs) of these heretofore uncatalogued Western American birds and mammals were executed within the walls and under the direct supervision of the Smithsonian Institution and are today classified as fine Western Americana.  USPRR Exp & SurveysBirds  of the 47th ParallelOf the western duck I have only seen two pairs, which, in March 1854, frequented a high wooded cliff at Shoalwater bay. In the summer of 1856 Mr. George Gibbs, of Steilacoom, W.T. , presented me a specimen of this bird. this was forwarded to the Smithsonian Institution museum.  
        ]]>
   </summary>
   <content type="html">
    
       <![CDATA[ 
                
     <br/>Newberry, Dr. JS.  Baird, SF, Trowbridge, Lt. WP.

        
        <br/>Washington DC, A.O.P. Nicholson, Printer,

        <br/>Price: $175.00
       
        ]]>
   </content>
 </entry>

 <entry>
   <title type="html">
        <![CDATA[
        Pl. II Red-bellied Hawk  - Newberry, Dr. JS.  Baird, SF, Trowbridge, Lt. WP.
        ]]>
   </title>
   <link href="http://www.lowryjames.com/cgi-bin/lowry/5293"/>
   <id>urn:uuid:1225c695-cfb8-4ebb-aaaa-80da344efa6a54</id>
   <updated>2013-05-21T22:48:28Z</updated>
   <summary type="html">
      
        <![CDATA[ 
                Quarto (8 7/8 x 11 3/8 inches). A Near Fine hand-colored lithograph produced for the famed mid-nineteenth century Pacific Railroad Surveys: Reports of Explorations and Surveys to Ascertain the Most Practicable & Economical Route for a Railroad from the Mississippi River to the Pacific Ocean. The Reports were made under the direction of the Secretary of War in 1853-6, according to the acts of Congress of March 3, 1853, May 31, 1854 and August 5, 1854. The Natural History department of the Expedition executed by The Corps of Engineers, was lead by Lt. WP Trowbridge, and included zoologists Dr. E. Sterling,  Dr. JS Newberry  and Mr. CD Anderson. In an attempt to document the vast flora, fauna and avifauna of the American West in preparation for the potential Pacific Railroad system, the team gathered and preserved thousands of distinct zoological specimens. The zoologists for the expedition were prepared, and specimens preserved, under the supervision and instruction of the Smithsonian Institution, who eventually housed the preserved collection. In addition,  the subsequent illustrations (hand-painted lithographs) of these heretofore uncatalogued Western American birds and mammals were executed within the walls and under the direct supervision of the Smithsonian Institution and are today classified as fine Western Americana.  USPRR Exp & SurveysBirds of California Pl. II Red-bellied HawkButeo Elegans, CassinI will here mention a hawk which  I saw October 25 at the town of Santa Clara: I have lately seen a hawk which looks and flies like an owl, but has  the loud scream and high-sailing habit of the winter hawk at midday.. it has begun to be shy at the approach of man, whose murderous intentions most of the hawks on that coast had apparently not yet learned.  
        ]]>
   </summary>
   <content type="html">
    
       <![CDATA[ 
                
     <br/>Newberry, Dr. JS.  Baird, SF, Trowbridge, Lt. WP.

        
        <br/>Washington DC, A.O.P. Nicholson, Printer,

        <br/>Price: $150.00
       
        ]]>
   </content>
 </entry>

 <entry>
   <title type="html">
        <![CDATA[
        Pl. IX Lineated Diver  - Newberry, Dr. JS.  Baird, SF, Trowbridge, Lt. WP.
        ]]>
   </title>
   <link href="http://www.lowryjames.com/cgi-bin/lowry/5292"/>
   <id>urn:uuid:1225c695-cfb8-4ebb-aaaa-80da344efa6a55</id>
   <updated>2013-05-21T22:48:28Z</updated>
   <summary type="html">
      
        <![CDATA[ 
                Quarto (8 7/8 x 11 3/8 inches). A Fine hand-colored lithograph produced for the famed mid-nineteenth century Pacific Railroad Surveys: Reports of Explorations and Surveys to Ascertain the Most Practicable & Economical Route for a Railroad from the Mississippi River to the Pacific Ocean. The Reports were made under the direction of the Secretary of War in 1853-6, according to the acts of Congress of March 3, 1853, May 31, 1854 and August 5, 1854. The Natural History department of the Expedition executed by The Corps of Engineers, was lead by Lt. WP Trowbridge, and included zoologists Dr. E. Sterling,  Dr. JS Newberry  and Mr. CD Anderson. In an attempt to document the vast flora, fauna and avifauna of the American West in preparation for the potential Pacific Railroad system, the team gathered and preserved thousands of distinct zoological specimens. The zoologists for the expedition were prepared, and specimens preserved, under the supervision and instruction of the Smithsonian Institution, who eventually housed the preserved collection. In addition,  the subsequent illustrations (hand-painted lithographs) of these heretofore uncatalogued Western American birds and mammals were executed within the walls and under the direct supervision of the Smithsonian Institution and are today classified as fine Western Americana.  USPRR Exp & SurveysBirds of California Pl. IX Lineated Diver Podylymbus Lineatus, HeermannThis bird  is found on the fresh water courses and marshy lakes of California throughout the year. The nest, composed of a few loose straws or rushes, is placed on the ground near the water and contains four eggs of a dirty white color.  
        ]]>
   </summary>
   <content type="html">
    
       <![CDATA[ 
                
     <br/>Newberry, Dr. JS.  Baird, SF, Trowbridge, Lt. WP.

        
        <br/>Washington DC, A.O.P. Nicholson, Printer,

        <br/>Price: $175.00
       
        ]]>
   </content>
 </entry>

 <entry>
   <title type="html">
        <![CDATA[
        Pl. VIII California Grebe  - Newberry, Dr. JS.  Baird, SF, Trowbridge, Lt. WP.
        ]]>
   </title>
   <link href="http://www.lowryjames.com/cgi-bin/lowry/5291"/>
   <id>urn:uuid:1225c695-cfb8-4ebb-aaaa-80da344efa6a56</id>
   <updated>2013-05-21T22:48:28Z</updated>
   <summary type="html">
      
        <![CDATA[ 
                Quarto (8 7/8 x 11 3/8 inches). A Fine hand-colored lithograph produced for the famed mid-nineteenth century Pacific Railroad Surveys: Reports of Explorations and Surveys to Ascertain the Most Practicable & Economical Route for a Railroad from the Mississippi River to the Pacific Ocean. The Reports were made under the direction of the Secretary of War in 1853-6, according to the acts of Congress of March 3, 1853, May 31, 1854 and August 5, 1854. The Natural History department of the Expedition executed by The Corps of Engineers, was lead by Lt. WP Trowbridge, and included zoologists Dr. E. Sterling,  Dr. JS Newberry  and Mr. CD Anderson. In an attempt to document the vast flora, fauna and avifauna of the American West in preparation for the potential Pacific Railroad system, the team gathered and preserved thousands of distinct zoological specimens. The zoologists for the expedition were prepared, and specimens preserved, under the supervision and instruction of the Smithsonian Institution, who eventually housed the preserved collection. In addition,  the subsequent illustrations (hand-painted lithographs) of these heretofore uncatalogued Western American birds and mammals were executed within the walls and under the direct supervision of the Smithsonian Institution and are today classified as fine Western Americana.  USPRR Exp & SurveysBirds of California Pl. VIII California GrebePodiceps Californicus, HeermannI observed this grebe on the inland fresh water ponds, as well as on the sea shore, where it was abundant, passing its time on the water in pursuit of insects and small fish.. 
        ]]>
   </summary>
   <content type="html">
    
       <![CDATA[ 
                
     <br/>Newberry, Dr. JS.  Baird, SF, Trowbridge, Lt. WP.

        
        <br/>Washington DC, A.O.P. Nicholson, Printer,

        <br/>Price: $175.00
       
        ]]>
   </content>
 </entry>

 <entry>
   <title type="html">
        <![CDATA[
        Pl. X Brandt's Cormorant  - Newberry, Dr. JS.  Baird, SF, Trowbridge, Lt. WP.
        ]]>
   </title>
   <link href="http://www.lowryjames.com/cgi-bin/lowry/5290"/>
   <id>urn:uuid:1225c695-cfb8-4ebb-aaaa-80da344efa6a57</id>
   <updated>2013-05-21T22:48:28Z</updated>
   <summary type="html">
      
        <![CDATA[ 
                Quarto (8 7/8 x 11 3/8 inches). A Fine hand-colored lithograph produced for the famed mid-nineteenth century Pacific Railroad Surveys: Reports of Explorations and Surveys to Ascertain the Most Practicable & Economical Route for a Railroad from the Mississippi River to the Pacific Ocean. The Reports were made under the direction of the Secretary of War in 1853-6, according to the acts of Congress of March 3, 1853, May 31, 1854 and August 5, 1854. The Natural History department of the Expedition executed by The Corps of Engineers, was lead by Lt. WP Trowbridge, and included zoologists Dr. E. Sterling,  Dr. JS Newberry  and Mr. CD Anderson. In an attempt to document the vast flora, fauna and avifauna of the American West in preparation for the potential Pacific Railroad system, the team gathered and preserved thousands of distinct zoological specimens. The zoologists for the expedition were prepared, and specimens preserved, under the supervision and instruction of the Smithsonian Institution, who eventually housed the preserved collection. In addition,  the subsequent illustrations (hand-painted lithographs) of these heretofore uncatalogued Western American birds and mammals were executed within the walls and under the direct supervision of the Smithsonian Institution and are today classified as fine Western Americana.  USPRR Exp & SurveysBirds of California & OregonPl. X Brandt's CormorantPhalacrocorax Penecillatus, Brandt 
        ]]>
   </summary>
   <content type="html">
    
       <![CDATA[ 
                
     <br/>Newberry, Dr. JS.  Baird, SF, Trowbridge, Lt. WP.

        
        <br/>Washington DC, A.O.P. Nicholson, Printer,

        <br/>Price: $175.00
       
        ]]>
   </content>
 </entry>

 <entry>
   <title type="html">
        <![CDATA[
        Pl. VII Plover  - Newberry, Dr. JS.  Baird, SF, Trowbridge, Lt. WP.
        ]]>
   </title>
   <link href="http://www.lowryjames.com/cgi-bin/lowry/5289"/>
   <id>urn:uuid:1225c695-cfb8-4ebb-aaaa-80da344efa6a58</id>
   <updated>2013-05-21T22:48:28Z</updated>
   <summary type="html">
      
        <![CDATA[ 
                Quarto (8 7/8 x 11 3/8 inches). A Fine hand-colored lithograph produced for the famed mid-nineteenth century Pacific Railroad Surveys: Reports of Explorations and Surveys to Ascertain the Most Practicable & Economical Route for a Railroad from the Mississippi River to the Pacific Ocean. The Reports were made under the direction of the Secretary of War in 1853-6, according to the acts of Congress of March 3, 1853, May 31, 1854 and August 5, 1854. The Natural History department of the Expedition executed by The Corps of Engineers, was lead by Lt. WP Trowbridge, and included zoologists Dr. E. Sterling,  Dr. JS Newberry  and Mr. CD Anderson. In an attempt to document the vast flora, fauna and avifauna of the American West in preparation for the potential Pacific Railroad system, the team gathered and preserved thousands of distinct zoological specimens. The zoologists for the expedition were prepared, and specimens preserved, under the supervision and instruction of the Smithsonian Institution, who eventually housed the preserved collection. In addition,  the subsequent illustrations (hand-painted lithographs) of these heretofore uncatalogued Western American birds and mammals were executed within the walls and under the direct supervision of the Smithsonian Institution and are today classified as fine Western Americana.  USPRR Exp & SurveysBirds of CaliforniaPl. VII Plover 
        ]]>
   </summary>
   <content type="html">
    
       <![CDATA[ 
                
     <br/>Newberry, Dr. JS.  Baird, SF, Trowbridge, Lt. WP.

        
        <br/>Washington DC, A.O.P. Nicholson, Printer,

        <br/>Price: $175.00
       
        ]]>
   </content>
 </entry>

 <entry>
   <title type="html">
        <![CDATA[
        Pl. VI Mottled Grass Plover.  - Newberry, Dr. JS.  Baird, SF, Trowbridge, Lt. WP.
        ]]>
   </title>
   <link href="http://www.lowryjames.com/cgi-bin/lowry/5288"/>
   <id>urn:uuid:1225c695-cfb8-4ebb-aaaa-80da344efa6a59</id>
   <updated>2013-05-21T22:48:28Z</updated>
   <summary type="html">
      
        <![CDATA[ 
                Quarto (8 7/8 x 11 3/8 inches). A Fine hand-colored lithograph produced for the famed mid-nineteenth century Pacific Railroad Surveys: Reports of Explorations and Surveys to Ascertain the Most Practicable & Economical Route for a Railroad from the Mississippi River to the Pacific Ocean. The Reports were made under the direction of the Secretary of War in 1853-6, according to the acts of Congress of March 3, 1853, May 31, 1854 and August 5, 1854. The Natural History department of the Expedition executed by The Corps of Engineers, was lead by Lt. WP Trowbridge, and included zoologists Dr. E. Sterling,  Dr. JS Newberry  and Mr. CD Anderson. In an attempt to document the vast flora, fauna and avifauna of the American West in preparation for the potential Pacific Railroad system, the team gathered and preserved thousands of distinct zoological specimens. The zoologists for the expedition were prepared, and specimens preserved, under the supervision and instruction of the Smithsonian Institution, who eventually housed the preserved collection. In addition,  the subsequent illustrations (hand-painted lithographs) of these heretofore uncatalogued Western American birds and mammals were executed within the walls and under the direct supervision of the Smithsonian Institution and are today classified as fine Western Americana.  USPRR Exp & SurveysBirds of CaliforniaPl. VI Mottled Grass Plover 
        ]]>
   </summary>
   <content type="html">
    
       <![CDATA[ 
                
     <br/>Newberry, Dr. JS.  Baird, SF, Trowbridge, Lt. WP.

        
        <br/>Washington DC, A.O.P. Nicholson, Printer,

        <br/>Price: $150.00
       
        ]]>
   </content>
 </entry>

 <entry>
   <title type="html">
        <![CDATA[
        Pl. XXXII Horned or Shore Lark  - Newberry, Dr. JS.  Baird, SF, Trowbridge, Lt. WP.
        ]]>
   </title>
   <link href="http://www.lowryjames.com/cgi-bin/lowry/5287"/>
   <id>urn:uuid:1225c695-cfb8-4ebb-aaaa-80da344efa6a60</id>
   <updated>2013-05-21T22:48:28Z</updated>
   <summary type="html">
      
        <![CDATA[ 
                Quarto (8 7/8 x 11 3/8 inches). A Fine hand-colored lithograph produced for the famed mid-nineteenth century Pacific Railroad Surveys: Reports of Explorations and Surveys to Ascertain the Most Practicable & Economical Route for a Railroad from the Mississippi River to the Pacific Ocean. The Reports were made under the direction of the Secretary of War in 1853-6, according to the acts of Congress of March 3, 1853, May 31, 1854 and August 5, 1854. The Natural History department of the Expedition executed by The Corps of Engineers, was lead by Lt. WP Trowbridge, and included zoologists Dr. E. Sterling,  Dr. JS Newberry  and Mr. CD Anderson. In an attempt to document the vast flora, fauna and avifauna of the American West in preparation for the potential Pacific Railroad system, the team gathered and preserved thousands of distinct zoological specimens. The zoologists for the expedition were prepared, and specimens preserved, under the supervision and instruction of the Smithsonian Institution, who eventually housed the preserved collection. In addition,  the subsequent illustrations (hand-painted lithographs) of these heretofore uncatalogued Western American birds and mammals were executed within the walls and under the direct supervision of the Smithsonian Institution and are today classified as fine Western Americana.  USPRR Exp & Surveys38th, 39th, 41st ParallelsPl. XXXII Horned or Shore LarkThe shore or horned lark is abundant on the prairies of the interior... a very abundant summer resident on the gravelly prairies near Fort Steilacoom, &#91;WA].   
        ]]>
   </summary>
   <content type="html">
    
       <![CDATA[ 
                
     <br/>Newberry, Dr. JS.  Baird, SF, Trowbridge, Lt. WP.

        
        <br/>Washington DC, A.O.P. Nicholson, Printer,

        <br/>Price: $175.00
       
        ]]>
   </content>
 </entry>

 <entry>
   <title type="html">
        <![CDATA[
        Golden-crowned Kinglet, Ruby-crowned Kinglet and Brown Creeper.  - Fuertes, Louis Agassiz.
        ]]>
   </title>
   <link href="http://www.lowryjames.com/cgi-bin/lowry/5283"/>
   <id>urn:uuid:1225c695-cfb8-4ebb-aaaa-80da344efa6a61</id>
   <updated>2013-05-21T22:48:28Z</updated>
   <summary type="html">
      
        <![CDATA[ 
                A Fine original chromolithograph printed on heavy coated stock. Quarto (9.5  x 12 inches). Published as part of the portfolio of the Birds of New York State from the Forest, Fish and Game Commission in 1902. Native to New York State, Louis Agassiz Fuertes (1874-1927) gained regard as a fine ornithological painter while still an undergraduate student  at Cornell University. Through his self-styled skills as a bird collector, aided by his photographic memory,  many have liken his talents as a supreme portrayer of America's birds to those of John James Audubon.  
        ]]>
   </summary>
   <content type="html">
    
       <![CDATA[ 
                
     <br/>Fuertes, Louis Agassiz.

        
        <br/>Forest, Fish and Game Commision,

        <br/>Price: $125.00
       
        ]]>
   </content>
 </entry>

 <entry>
   <title type="html">
        <![CDATA[
        Wood Thrush and Hermit Thrush.  - Fuertes, Louis Agassiz.
        ]]>
   </title>
   <link href="http://www.lowryjames.com/cgi-bin/lowry/5282"/>
   <id>urn:uuid:1225c695-cfb8-4ebb-aaaa-80da344efa6a62</id>
   <updated>2013-05-21T22:48:28Z</updated>
   <summary type="html">
      
        <![CDATA[ 
                A Fine original chromolithograph printed on heavy coated stock. Quarto (9.5  x 12 inches). Published as part of the portfolio of the Birds of New York State from the Forest, Fish and Game Commission in 1902. Native to New York State, Louis Agassiz Fuertes (1874-1927) gained regard as a fine ornithological painter while still an undergraduate student  at Cornell University. Through his self-styled skills as a bird collector, aided by his photographic memory,  many have liken his talents as a supreme portrayer of America's birds to those of John James Audubon.  
        ]]>
   </summary>
   <content type="html">
    
       <![CDATA[ 
                
     <br/>Fuertes, Louis Agassiz.

        
        <br/>Forest, Fish and Game Commision,

        <br/>Price: $125.00
       
        ]]>
   </content>
 </entry>

 <entry>
   <title type="html">
        <![CDATA[
        Black-billed Cuckoo and Yellow-bellied Sapsucker.  - Fuertes, Louis Agassiz.
        ]]>
   </title>
   <link href="http://www.lowryjames.com/cgi-bin/lowry/5281"/>
   <id>urn:uuid:1225c695-cfb8-4ebb-aaaa-80da344efa6a63</id>
   <updated>2013-05-21T22:48:28Z</updated>
   <summary type="html">
      
        <![CDATA[ 
                A Fine original chromolithograph printed on heavy coated stock. Quarto (9.5  x 12 inches). Published as part of the portfolio of the Birds of New York State from the Forest, Fish and Game Commission in 1902. Native to New York State, Louis Agassiz Fuertes (1874-1927) gained regard as a fine ornithological painter while still an undergraduate student  at Cornell University. Through his self-styled skills as a bird collector, aided by his photographic memory,  many have liken his talents as a supreme portrayer of America's birds to those of John James Audubon.  
        ]]>
   </summary>
   <content type="html">
    
       <![CDATA[ 
                
     <br/>Fuertes, Louis Agassiz.

        
        <br/>Forest, Fish and Game Commision,

        <br/>Price: $125.00
       
        ]]>
   </content>
 </entry>

 <entry>
   <title type="html">
        <![CDATA[
        Black and White Warbler and American Redstart.  - Fuertes, Louis Agassiz.
        ]]>
   </title>
   <link href="http://www.lowryjames.com/cgi-bin/lowry/5280"/>
   <id>urn:uuid:1225c695-cfb8-4ebb-aaaa-80da344efa6a64</id>
   <updated>2013-05-21T22:48:28Z</updated>
   <summary type="html">
      
        <![CDATA[ 
                A Fine original chromolithograph printed on heavy coated stock. Quarto (9.5  x 12 inches). Published as part of the portfolio of the Birds of New York State from the Forest, Fish and Game Commission in 1902. Native to New York State, Louis Agassiz Fuertes (1874-1927) gained regard as a fine ornithological painter while still an undergraduate student  at Cornell University. Through his self-styled skills as a bird collector, aided by his photographic memory,  many have liken his talents as a supreme portrayer of America's birds to those of John James Audubon.  
        ]]>
   </summary>
   <content type="html">
    
       <![CDATA[ 
                
     <br/>Fuertes, Louis Agassiz.

        
        <br/>Forest, Fish and Game Commision,

        <br/>Price: $125.00
       
        ]]>
   </content>
 </entry>

 <entry>
   <title type="html">
        <![CDATA[
        Kingbird and Phoebe.  - Fuertes, Louis Agassiz.
        ]]>
   </title>
   <link href="http://www.lowryjames.com/cgi-bin/lowry/5279"/>
   <id>urn:uuid:1225c695-cfb8-4ebb-aaaa-80da344efa6a65</id>
   <updated>2013-05-21T22:48:28Z</updated>
   <summary type="html">
      
        <![CDATA[ 
                A Fine original chromolithograph printed on heavy coated stock. Quarto (9.5  x 12 inches). Published as part of the portfolio of the Birds of New York State from the Forest, Fish and Game Commission in 1902. Native to New York State, Louis Agassiz Fuertes (1874-1927) gained regard as a fine ornithological painter while still an undergraduate student  at Cornell University. Through his self-styled skills as a bird collector, aided by his photographic memory,  many have liken his talents as a supreme portrayer of America's birds to those of John James Audubon.  
        ]]>
   </summary>
   <content type="html">
    
       <![CDATA[ 
                
     <br/>Fuertes, Louis Agassiz.

        
        <br/>Forest, Fish and Game Commision,

        <br/>Price: $125.00
       
        ]]>
   </content>
 </entry>

 <entry>
   <title type="html">
        <![CDATA[
        Nighthawk and Whip-poor-will.  - Fuertes, Louis Agassiz.
        ]]>
   </title>
   <link href="http://www.lowryjames.com/cgi-bin/lowry/5275"/>
   <id>urn:uuid:1225c695-cfb8-4ebb-aaaa-80da344efa6a66</id>
   <updated>2013-05-21T22:48:28Z</updated>
   <summary type="html">
      
        <![CDATA[ 
                A Fine original chromolithograph printed on heavy coated stock. Quarto (9.5  x 12 inches). Published as part of the portfolio of the Birds of New York State from the Forest, Fish and Game Commission in 1902. Native to New York State, Louis Agassiz Fuertes (1874-1927) gained regard as a fine ornithological painter while still an undergraduate student  at Cornell University. Through his self-styled skills as a bird collector, aided by his photographic memory,  many have liken his talents as a supreme portrayer of America's birds to those of John James Audubon.  
        ]]>
   </summary>
   <content type="html">
    
       <![CDATA[ 
                
     <br/>Fuertes, Louis Agassiz.

        
        <br/>Forest, Fish and Game Commision,

        <br/>Price: $125.00
       
        ]]>
   </content>
 </entry>

 <entry>
   <title type="html">
        <![CDATA[
        Tree Sparrow and Snowflake.  - Fuertes, Louis Agassiz.
        ]]>
   </title>
   <link href="http://www.lowryjames.com/cgi-bin/lowry/5274"/>
   <id>urn:uuid:1225c695-cfb8-4ebb-aaaa-80da344efa6a67</id>
   <updated>2013-05-21T22:48:28Z</updated>
   <summary type="html">
      
        <![CDATA[ 
                A Fine original chromolithograph printed on heavy coated stock. Quarto (9.5  x 12 inches). Published as part of the portfolio of the Birds of New York State from the Forest, Fish and Game Commission in 1902. Native to New York State, Louis Agassiz Fuertes (1874-1927) gained regard as a fine ornithological painter while still an undergraduate student  at Cornell University. Through his self-styled skills as a bird collector, aided by his photographic memory,  many have liken his talents as a supreme portrayer of America's birds to those of John James Audubon.  
        ]]>
   </summary>
   <content type="html">
    
       <![CDATA[ 
                
     <br/>Fuertes, Louis Agassiz.

        
        <br/>Forest, Fish and Game Commision,

        <br/>Price: $125.00
       
        ]]>
   </content>
 </entry>

 <entry>
   <title type="html">
        <![CDATA[
        Kookaburras.  - Parry, Veronica A.
        ]]>
   </title>
   <link href="http://www.lowryjames.com/cgi-bin/lowry/4708"/>
   <id>urn:uuid:1225c695-cfb8-4ebb-aaaa-80da344efa6a68</id>
   <updated>2013-05-21T22:48:28Z</updated>
   <summary type="html">
      
        <![CDATA[ 
                Fine condition in a Fine DJ. Quarto (7.5 x 9.75 Inches). Burgundy boards w/ gold lettering to spine. Pp 110, Great Brown kingfisher ffrontispice, fully illustrated w/ b/w photographs and diagrams. A colelction of various bird habits written after years of research and observation by American biologist Veronica A. Parry. 
        ]]>
   </summary>
   <content type="html">
    
       <![CDATA[ 
                
     <br/>Parry, Veronica A.

        
        <br/>Taplinger Publishing Company,

        <br/>Price: $65.00
       
        ]]>
   </content>
 </entry>

 <entry>
   <title type="html">
        <![CDATA[
        Bower-Birds  - Marshall, A.J.
        ]]>
   </title>
   <link href="http://www.lowryjames.com/cgi-bin/lowry/4701"/>
   <id>urn:uuid:1225c695-cfb8-4ebb-aaaa-80da344efa6a69</id>
   <updated>2013-05-21T22:48:28Z</updated>
   <summary type="html">
      
        <![CDATA[ 
                Fine condition, authors signature on title page in VG price clipped DJ, tear to head of cover. Octavo (6.5 x 9.5 Inches). Blue boards w/ gold lettering to spine. Pp. 208, frontispiece Blue Male Satin-Birds at Bower b/w photograph, fully illustrated w/ b/w drawings & 26 b/w plates. A biological study based on a series of lectures covering the stuy of innate behaviour. 
        ]]>
   </summary>
   <content type="html">
    
       <![CDATA[ 
                
     <br/>Marshall, A.J.

        
        <br/>University Press, Oxford,

        <br/>Price: $125.00
       
        ]]>
   </content>
 </entry>

 <entry>
   <title type="html">
        <![CDATA[
        Hawaiian Birdlife.  - Berger, Andrew J.
        ]]>
   </title>
   <link href="http://www.lowryjames.com/cgi-bin/lowry/4699"/>
   <id>urn:uuid:1225c695-cfb8-4ebb-aaaa-80da344efa6a70</id>
   <updated>2013-05-21T22:48:28Z</updated>
   <summary type="html">
      
        <![CDATA[ 
                Fine condition, previous owners signature to FFL in a Near Fine DJ. Folio (8.75 x 11.25 Inches). Orange boards gold lettering to spine. Pp. 250 fully illustrated w/ 67 color plates and 137 b/w illustrations. 
        ]]>
   </summary>
   <content type="html">
    
       <![CDATA[ 
                
     <br/>Berger, Andrew J.

        
        <br/>University of Hawaii Press,

        <br/>Price: $85.00
       
        ]]>
   </content>
 </entry>

 <entry>
   <title type="html">
        <![CDATA[
        Rare and Elusive Birds of North America.  - Burt, William.
        ]]>
   </title>
   <link href="http://www.lowryjames.com/cgi-bin/lowry/4696"/>
   <id>urn:uuid:1225c695-cfb8-4ebb-aaaa-80da344efa6a71</id>
   <updated>2013-05-21T22:48:28Z</updated>
   <summary type="html">
      
        <![CDATA[ 
                Fine condition, endpapers illustrated w/ color photographs, in a Fine DJ. Quarto (9.25 x 9 Inches). Grey boards w/ black lettering to spine. Pp. 208, fully illustrated w/ over 50 color photographs by the author. A collection of both rare and shy birds of North America. 
        ]]>
   </summary>
   <content type="html">
    
       <![CDATA[ 
                
     <br/>Burt, William.

        
        <br/>Universe Publishing,

        <br/>Price: $45.00
       
        ]]>
   </content>
 </entry>

 <entry>
   <title type="html">
        <![CDATA[
        Dangerous Birds  - Lembke, Janet.
        ]]>
   </title>
   <link href="http://www.lowryjames.com/cgi-bin/lowry/4695"/>
   <id>urn:uuid:1225c695-cfb8-4ebb-aaaa-80da344efa6a72</id>
   <updated>2013-05-21T22:48:28Z</updated>
   <summary type="html">
      
        <![CDATA[ 
                Fine condition in a Fine DJ. Octavo (6.25 x 9.25 Inches). Oyster speckled boards w/ red cloth and gold lettering to spine. Pp. 179. Dangerous Birds is an intellectual work on the elegance of our aviarian friends. 
        ]]>
   </summary>
   <content type="html">
    
       <![CDATA[ 
                
     <br/>Lembke, Janet.

        
        <br/>Lyons & Burford, Publishers,

        <br/>Price: $35.00
       
        ]]>
   </content>
 </entry>

 <entry>
   <title type="html">
        <![CDATA[
        Our Beautiful Western Birds  - Congdon, Russel T. M.D.
        ]]>
   </title>
   <link href="http://www.lowryjames.com/cgi-bin/lowry/4694"/>
   <id>urn:uuid:1225c695-cfb8-4ebb-aaaa-80da344efa6a73</id>
   <updated>2013-05-21T22:48:28Z</updated>
   <summary type="html">
      
        <![CDATA[ 
                Near Fine condition, endpapers illustrated w/ color photographs in a Near Fine DJ. Octavo (6.75 x 9.75 Inches). Green boards, illustrations to cover w/ black cloth and gold lettering to spine. Pp. 408, fully illustrated w/ 185 photographs and 4 full-color plates. A wonderfully written and informative guide on the Birds of the Western United States 
        ]]>
   </summary>
   <content type="html">
    
       <![CDATA[ 
                
     <br/>Congdon, Russel T. M.D.

        
        <br/>Exposition Press,

        <br/>Price: $65.00
       
        ]]>
   </content>
 </entry>

 <entry>
   <title type="html">
        <![CDATA[
        A Season of Birds.  - Vincent, Jim.
        ]]>
   </title>
   <link href="http://www.lowryjames.com/cgi-bin/lowry/4692"/>
   <id>urn:uuid:1225c695-cfb8-4ebb-aaaa-80da344efa6a74</id>
   <updated>2013-05-21T22:48:28Z</updated>
   <summary type="html">
      
        <![CDATA[ 
                Near Fine condition, slightly sunned  boards, 1910 ordnance survey map of Hickling area endpapers, in a Fine DJ. Octavo (8.75 x 7.5 Inches). Olive boards, gilt illustration to cover & gold lettering to spine. Pp. 152, frontispiece a female Montagu's harrier, fully illustrated w/ over 90 color illustrations. A collaboration of a rich cambridge undergraudate Edwin Montagu, a local Norweigan boy James Vincent and the Edwardian artist George E. Lodge. Montagu commisioned Vincent to keep a journal of birds, while Lodge illustrated it, creating a fabulous bird journal and launching Vincent's career as an ornithologist. 
        ]]>
   </summary>
   <content type="html">
    
       <![CDATA[ 
                
     <br/>Vincent, Jim.

        
        <br/>A & W Publishers, Inc.,

        <br/>Price: $65.00
       
        ]]>
   </content>
 </entry>

 <entry>
   <title type="html">
        <![CDATA[
        Plate XXVIII The Yellow-billed Cuckoo, Crested Titmouse, Cardinal  - Studer, Jacob H.(enry).
        ]]>
   </title>
   <link href="http://www.lowryjames.com/cgi-bin/lowry/4300"/>
   <id>urn:uuid:1225c695-cfb8-4ebb-aaaa-80da344efa6a75</id>
   <updated>2013-05-21T22:48:28Z</updated>
   <summary type="html">
      
        <![CDATA[ 
                Fine Condition. Original Chromolithograph from Jacob Henry Studer's The Birds of North America. Folio. 11.25 x 14.5 inches, (285 x 368 mm), archivally matted in Olde Tan French mat sized to 16 x 20 inches, (406 x 508 mm), and suitable for framing. This popular edition of ornithology is often classified as the 'Poor Man's Audubon' : popular thus affordable. Jacob Henry Studer (1840-1904), printer and publisher, utilized Chromolithography, (the color-printed lithograph), opposed to the hand-colored print, as an affordable means of capturing both the brilliant plumage and delicate shading of the birds, which are depicted in their natural surroundings by Theodore Jasper, doctor and amateur Ornithologist. Jasper followed the tradition of  John James Audubon (1770-1851), who was preceded by Alexander Wilson (1766-1813), in an effort to document and render all (or most) of the different and varying species of birds found in 19th-century North America. Drawing from accounts of not only Audubon and Wilson, supreme naturalists in their own right, but 'the most eminent writers on Ornithology of the day', the insightful text, which accompanies the print,  provides a thorough and lively account of each species. Although inspired by the artistry and genius of John James Audubon, Jasper's compositions, often populated with a multitude of birds rendered in a flat paper cutout style, are reminiscent of the engravings by Alexander Wilson in his introductory work on America's birds; American Ornithology, or The Natural History of the Birds of the United States, Philadelphia 1808-14. (Bennet 63, Wood 406,585, Sitwell, 145).  
        ]]>
   </summary>
   <content type="html">
    
       <![CDATA[ 
                
     <br/>Studer, Jacob H.(enry).

        
        <br/>Jacob H. Studer & Co.,

        <br/>Price: $125.00
       
        ]]>
   </content>
 </entry>

 <entry>
   <title type="html">
        <![CDATA[
        Plate LIII Black-backed Three-toed Woodpecker, Banded Three-toed Woodpecker, Hudson's Bay Chickadee, White-winged Crossbill, Brown Creeper, American Magpie, Lapland Longspur  - Studer, Jacob H.(enry).
        ]]>
   </title>
   <link href="http://www.lowryjames.com/cgi-bin/lowry/4298"/>
   <id>urn:uuid:1225c695-cfb8-4ebb-aaaa-80da344efa6a76</id>
   <updated>2013-05-21T22:48:28Z</updated>
   <summary type="html">
      
        <![CDATA[ 
                Fine Condition. Original Chromolithograph from Jacob Henry Studer's The Birds of North America. Folio. 11.25 x 14.5 inches, (285 x 368 mm), archivally matted in Olde Tan French mat sized to 16 x 20 inches, (406 x 508 mm), and suitable for framing. This popular edition of ornithology is often classified as the 'Poor Man's Audubon' : popular thus affordable. Jacob Henry Studer (1840-1904), printer and publisher, utilized Chromolithography, (the color-printed lithograph), opposed to the hand-colored print, as an affordable means of capturing both the brilliant plumage and delicate shading of the birds, which are depicted in their natural surroundings by Theodore Jasper, doctor and amateur Ornithologist. Jasper followed the tradition of  John James Audubon (1770-1851), who was preceded by Alexander Wilson (1766-1813), in an effort to document and render all (or most) of the different and varying species of birds found in 19th-century North America. Drawing from accounts of not only Audubon and Wilson, supreme naturalists in their own right, but 'the most eminent writers on Ornithology of the day', the insightful text, which accompanies the print,  provides a thorough and lively account of each species. Although inspired by the artistry and genius of John James Audubon, Jasper's compositions, often populated with a multitude of birds rendered in a flat paper cutout style, are reminiscent of the engravings by Alexander Wilson in his introductory work on America's birds; American Ornithology, or The Natural History of the Birds of the United States, Philadelphia 1808-14. (Bennet 63, Wood 406,585, Sitwell, 145).  
        ]]>
   </summary>
   <content type="html">
    
       <![CDATA[ 
                
     <br/>Studer, Jacob H.(enry).

        
        <br/>Jacob H. Studer & Co.,

        <br/>Price: $125.00
       
        ]]>
   </content>
 </entry>

 <entry>
   <title type="html">
        <![CDATA[
        Plate LXI.  White-fronted Goose, Short-billed Marsh Wren, Cayenne Tern, Red Phalarope, American Avocet  - Studer, Jacob H.(enry).
        ]]>
   </title>
   <link href="http://www.lowryjames.com/cgi-bin/lowry/4296"/>
   <id>urn:uuid:1225c695-cfb8-4ebb-aaaa-80da344efa6a77</id>
   <updated>2013-05-21T22:48:28Z</updated>
   <summary type="html">
      
        <![CDATA[ 
                Fine Condition. Original Chromolithograph from Jacob Henry Studer's The Birds of North America. Folio. 11.25 x 14.5 inches, (285 x 368 mm), archivally matted in Olde Tan French mat sized to 16 x 20 inches, (406 x 508 mm), and suitable for framing. This popular edition of ornithology is often classified as the 'Poor Man's Audubon' : popular thus affordable. Jacob Henry Studer (1840-1904), printer and publisher, utilized Chromolithography, (the color-printed lithograph), opposed to the hand-colored print, as an affordable means of capturing both the brilliant plumage and delicate shading of the birds, which are depicted in their natural surroundings by Theodore Jasper, doctor and amateur Ornithologist. Jasper followed the tradition of  John James Audubon (1770-1851), who was preceded by Alexander Wilson (1766-1813), in an effort to document and render all (or most) of the different and varying species of birds found in 19th-century North America. Drawing from accounts of not only Audubon and Wilson, supreme naturalists in their own right, but 'the most eminent writers on Ornithology of the day', the insightful text, which accompanies the print,  provides a thorough and lively account of each species. Although inspired by the artistry and genius of John James Audubon, Jasper's compositions, often populated with a multitude of birds rendered in a flat paper cutout style, are reminiscent of the engravings by Alexander Wilson in his introductory work on America's birds; American Ornithology, or The Natural History of the Birds of the United States, Philadelphia 1808-14. (Bennet 63, Wood 406,585, Sitwell, 145).  
        ]]>
   </summary>
   <content type="html">
    
       <![CDATA[ 
                
     <br/>Studer, Jacob H.(enry).

        
        <br/>Jacob H. Studer & Co.,

        <br/>Price: $125.00
       
        ]]>
   </content>
 </entry>

 <entry>
   <title type="html">
        <![CDATA[
        Plate LXXXI Short-eared Owl, Mottled Owl or Screech Owl, Red-shouldered Hawk, Black Rough legged Hawk  - Studer, Jacob H.(enry).
        ]]>
   </title>
   <link href="http://www.lowryjames.com/cgi-bin/lowry/4293"/>
   <id>urn:uuid:1225c695-cfb8-4ebb-aaaa-80da344efa6a78</id>
   <updated>2013-05-21T22:48:28Z</updated>
   <summary type="html">
      
        <![CDATA[ 
                Fine Condition. Original Chromolithograph from Jacob Henry Studer's The Birds of North America. Folio. 11.25 x 14.5 inches, (285 x 368 mm), archivally matted in Olde Tan French mat sized to 16 x 20 inches, (406 x 508 mm), and suitable for framing. This popular edition of ornithology is often classified as the 'Poor Man's Audubon' : popular thus affordable. Jacob Henry Studer (1840-1904), printer and publisher, utilized Chromolithography, (the color-printed lithograph), opposed to the hand-colored print, as an affordable means of capturing both the brilliant plumage and delicate shading of the birds, which are depicted in their natural surroundings by Theodore Jasper, doctor and amateur Ornithologist. Jasper followed the tradition of  John James Audubon (1770-1851), who was preceded by Alexander Wilson (1766-1813), in an effort to document and render all (or most) of the different and varying species of birds found in 19th-century North America. Drawing from accounts of not only Audubon and Wilson, supreme naturalists in their own right, but 'the most eminent writers on Ornithology of the day', the insightful text, which accompanies the print,  provides a thorough and lively account of each species. Although inspired by the artistry and genius of John James Audubon, Jasper's compositions, often populated with a multitude of birds rendered in a flat paper cutout style, are reminiscent of the engravings by Alexander Wilson in his introductory work on America's birds; American Ornithology, or The Natural History of the Birds of the United States, Philadelphia 1808-14. (Bennet 63, Wood 406,585, Sitwell, 145).  
        ]]>
   </summary>
   <content type="html">
    
       <![CDATA[ 
                
     <br/>Studer, Jacob H.(enry).

        
        <br/>Jacob H. Studer & Co.,

        <br/>Price: $125.00
       
        ]]>
   </content>
 </entry>

 <entry>
   <title type="html">
        <![CDATA[
        Studer's Popular Ornithology. The Birds of North America.  - Studer, Jacob H.(enry).
        ]]>
   </title>
   <link href="http://www.lowryjames.com/cgi-bin/lowry/4291"/>
   <id>urn:uuid:1225c695-cfb8-4ebb-aaaa-80da344efa6a79</id>
   <updated>2013-05-21T22:48:28Z</updated>
   <summary type="html">
      
        <![CDATA[ 
                Fine Condition. Original Chromolithograph from Jacob Henry Studer's The Birds of North America. Folio. 11.25 x 14.5 inches, (285 x 368 mm), archivally matted in Olde Tan French mat sized to 16 x 20 inches, (406 x 508 mm), and suitable for framing. This popular edition of ornithology is often classified as the 'Poor Man's Audubon' : popular thus affordable. Jacob Henry Studer (1840-1904), printer and publisher, utilized Chromolithography, (the color-printed lithograph), opposed to the hand-colored print, as an affordable means of capturing both the brilliant plumage and delicate shading of the birds, which are depicted in their natural surroundings by Theodore Jasper, doctor and amateur Ornithologist. Jasper followed the tradition of  John James Audubon (1770-1851), who was preceded by Alexander Wilson (1766-1813), in an effort to document and render all (or most) of the different and varying species of birds found in 19th-century North America. Drawing from accounts of not only Audubon and Wilson, supreme naturalists in their own right, but 'the most eminent writers on Ornithology of the day', the insightful text, which accompanies the print,  provides a thorough and lively account of each species. Although inspired by the artistry and genius of John James Audubon, Jasper's compositions, often populated with a multitude of birds rendered in a flat paper cutout style, are reminiscent of the engravings by Alexander Wilson in his introductory work on America's birds; American Ornithology, or The Natural History of the Birds of the United States, Philadelphia 1808-14. (Bennet 63, Wood 406,585, Sitwell, 145).  
        ]]>
   </summary>
   <content type="html">
    
       <![CDATA[ 
                
     <br/>Studer, Jacob H.(enry).

        
        <br/>Jacob H. Studer & Co.,

        <br/>Price: $125.00
       
        ]]>
   </content>
 </entry>

 <entry>
   <title type="html">
        <![CDATA[
        Studer's Popular Ornithology. The Birds of North America.  - Studer, Jacob H.(enry).
        ]]>
   </title>
   <link href="http://www.lowryjames.com/cgi-bin/lowry/4290"/>
   <id>urn:uuid:1225c695-cfb8-4ebb-aaaa-80da344efa6a80</id>
   <updated>2013-05-21T22:48:28Z</updated>
   <summary type="html">
      
        <![CDATA[ 
                Fine Condition. Original Chromolithograph from Jacob Henry Studer's The Birds of North America. Folio. 11.25 x 14.5 inches, (285 x 368 mm), archivally matted in Olde Tan French mat sized to 16 x 20 inches, (406 x 508 mm), and suitable for framing. This popular edition of ornithology is often classified as the 'Poor Man's Audubon' : popular thus affordable. Jacob Henry Studer (1840-1904), printer and publisher, utilized Chromolithography, (the color-printed lithograph), opposed to the hand-colored print, as an affordable means of capturing both the brilliant plumage and delicate shading of the birds, which are depicted in their natural surroundings by Theodore Jasper, doctor and amateur Ornithologist. Jasper followed the tradition of  John James Audubon (1770-1851), who was preceded by Alexander Wilson (1766-1813), in an effort to document and render all (or most) of the different and varying species of birds found in 19th-century North America. Drawing from accounts of not only Audubon and Wilson, supreme naturalists in their own right, but 'the most eminent writers on Ornithology of the day', the insightful text, which accompanies the print,  provides a thorough and lively account of each species. Although inspired by the artistry and genius of John James Audubon, Jasper's compositions, often populated with a multitude of birds rendered in a flat paper cutout style, are reminiscent of the engravings by Alexander Wilson in his introductory work on America's birds; American Ornithology, or The Natural History of the Birds of the United States, Philadelphia 1808-14. (Bennet 63, Wood 406,585, Sitwell, 145).  
        ]]>
   </summary>
   <content type="html">
    
       <![CDATA[ 
                
     <br/>Studer, Jacob H.(enry).

        
        <br/>Jacob H. Studer & Co.,

        <br/>Price: $125.00
       
        ]]>
   </content>
 </entry>

 <entry>
   <title type="html">
        <![CDATA[
        Trochilus Stokesii (Stoke's Hummingbird)  - Jardine, Sir William, FRS, FLS .
        ]]>
   </title>
   <link href="http://www.lowryjames.com/cgi-bin/lowry/4252"/>
   <id>urn:uuid:1225c695-cfb8-4ebb-aaaa-80da344efa6a81</id>
   <updated>2013-05-21T22:48:28Z</updated>
   <summary type="html">
      
        <![CDATA[ 
                A Fine original hand-colored steel engraving with bright original coloring.  12mo (6.75 x 4.25 inches, 10.8 x 17.15 cm). This fine engraving is classified as one the very finest Natural History miniatures produced. A refined and intelligent work, The Naturalist's Library was intended for everyone interested in Natural History, not just the wealthy who could afford the lavish color plate books produced during the early to mid 19th Century. In addition, the education of young minds had recently become the fashion, yet there were no small color plate books sized to miniature hands capturing the realistic glory of the natural order.  Sir William Jardine (1800-1847), noted Scottish Ichthyologist and Ornithologist, combined the talents of his colleagues, acknowledged naturalists in every field- Edward Lear, Prideaux John Selby, William Swainson, among them, and produced The Naturalists' Library. The intention was to create a fine, yet affordable work, describing and illustrating all elements of the natural world, birds, animals, fish, insects, save the plant world. Several plates were engraved after the naturalist masters, John James Audubon, John Gould and Maria Sibylla Merian.  The success of the publication was evidenced by the creation of 40 separate volumes within the next few decades. The engraver of the work was William H. Lizars, who at the time was engraving the first ten plates of John James Audubon's magnum opus, The Double Elephant Folio Edition of The Birds of America. Lizars engraved the plates in steel, opposed to copper, to render a very fine line on a small tablet, allowing for a very full and intricate background setting for each described species. Traditionally, only the major subject (bird, animal, insect or fish) was hand-colored with watercolor, the background was left uncolored. This work has withstood the test of time and continues to be an affordable option to the engraved work of many natural history masters.  
        ]]>
   </summary>
   <content type="html">
    
       <![CDATA[ 
                
     <br/>Jardine, Sir William, FRS, FLS .

        
        <br/>WH Lizars,

        <br/>Price: $65.00
       
        ]]>
   </content>
 </entry>

 <entry>
   <title type="html">
        <![CDATA[
        Trochilus Petasphorus (Violet-tufted Hummingbird)  - Jardine, Sir William, FRS, FLS .
        ]]>
   </title>
   <link href="http://www.lowryjames.com/cgi-bin/lowry/4251"/>
   <id>urn:uuid:1225c695-cfb8-4ebb-aaaa-80da344efa6a82</id>
   <updated>2013-05-21T22:48:28Z</updated>
   <summary type="html">
      
        <![CDATA[ 
                A Fine original hand-colored steel engraving with bright original coloring.  12mo (6.75 x 4.25 inches, 10.8 x 17.15 cm). This fine engraving is classified as one the very finest Natural History miniatures produced. A refined and intelligent work, The Naturalist's Library was intended for everyone interested in Natural History, not just the wealthy who could afford the lavish color plate books produced during the early to mid 19th Century. In addition, the education of young minds had recently become the fashion, yet there were no small color plate books sized to miniature hands capturing the realistic glory of the natural order.  Sir William Jardine (1800-1847), noted Scottish Ichthyologist and Ornithologist, combined the talents of his colleagues, acknowledged naturalists in every field- Edward Lear, Prideaux John Selby, William Swainson, among them, and produced The Naturalists' Library. The intention was to create a fine, yet affordable work, describing and illustrating all elements of the natural world, birds, animals, fish, insects, save the plant world. Several plates were engraved after the naturalist masters, John James Audubon, John Gould and Maria Sibylla Merian.  The success of the publication was evidenced by the creation of 40 separate volumes within the next few decades. The engraver of the work was William H. Lizars, who at the time was engraving the first ten plates of John James Audubon's magnum opus, The Double Elephant Folio Edition of The Birds of America. Lizars engraved the plates in steel, opposed to copper, to render a very fine line on a small tablet, allowing for a very full and intricate background setting for each described species. Traditionally, only the major subject (bird, animal, insect or fish) was hand-colored with watercolor, the background was left uncolored. This work has withstood the test of time and continues to be an affordable option to the engraved work of many natural history masters.  
        ]]>
   </summary>
   <content type="html">
    
       <![CDATA[ 
                
     <br/>Jardine, Sir William, FRS, FLS .

        
        <br/>WH Lizars,

        <br/>Price: $65.00
       
        ]]>
   </content>
 </entry>

 <entry>
   <title type="html">
        <![CDATA[
        Trochilus Gigas (Gigantic Hummingbird)  - Jardine, Sir William, FRS, FLS .
        ]]>
   </title>
   <link href="http://www.lowryjames.com/cgi-bin/lowry/4248"/>
   <id>urn:uuid:1225c695-cfb8-4ebb-aaaa-80da344efa6a83</id>
   <updated>2013-05-21T22:48:28Z</updated>
   <summary type="html">
      
        <![CDATA[ 
                A Fine original hand-colored steel engraving with bright original coloring.  12mo (6.75 x 4.25 inches, 10.8 x 17.15 cm). This fine engraving is classified as one the very finest Natural History miniatures produced. A refined and intelligent work, The Naturalist's Library was intended for everyone interested in Natural History, not just the wealthy who could afford the lavish color plate books produced during the early to mid 19th Century. In addition, the education of young minds had recently become the fashion, yet there were no small color plate books sized to miniature hands capturing the realistic glory of the natural order.  Sir William Jardine (1800-1847), noted Scottish Ichthyologist and Ornithologist, combined the talents of his colleagues, acknowledged naturalists in every field- Edward Lear, Prideaux John Selby, William Swainson, among them, and produced The Naturalists' Library. The intention was to create a fine, yet affordable work, describing and illustrating all elements of the natural world, birds, animals, fish, insects, save the plant world. Several plates were engraved after the naturalist masters, John James Audubon, John Gould and Maria Sibylla Merian.  The success of the publication was evidenced by the creation of 40 separate volumes within the next few decades. The engraver of the work was William H. Lizars, who at the time was engraving the first ten plates of John James Audubon's magnum opus, The Double Elephant Folio Edition of The Birds of America. Lizars engraved the plates in steel, opposed to copper, to render a very fine line on a small tablet, allowing for a very full and intricate background setting for each described species. Traditionally, only the major subject (bird, animal, insect or fish) was hand-colored with watercolor, the background was left uncolored. This work has withstood the test of time and continues to be an affordable option to the engraved work of many natural history masters.  
        ]]>
   </summary>
   <content type="html">
    
       <![CDATA[ 
                
     <br/>Jardine, Sir William, FRS, FLS .

        
        <br/>WH Lizars,

        <br/>Price: $65.00
       
        ]]>
   </content>
 </entry>

 <entry>
   <title type="html">
        <![CDATA[
        Trochilus Hirstus (Hairy-legged Hummingbird)  - Jardine, Sir William, FRS, FLS .
        ]]>
   </title>
   <link href="http://www.lowryjames.com/cgi-bin/lowry/4246"/>
   <id>urn:uuid:1225c695-cfb8-4ebb-aaaa-80da344efa6a84</id>
   <updated>2013-05-21T22:48:28Z</updated>
   <summary type="html">
      
        <![CDATA[ 
                A Fine original hand-colored steel engraving with bright original coloring.  12mo (6.75 x 4.25 inches, 10.8 x 17.15 cm). This fine engraving is classified as one the very finest Natural History miniatures produced. A refined and intelligent work, The Naturalist's Library was intended for everyone interested in Natural History, not just the wealthy who could afford the lavish color plate books produced during the early to mid 19th Century. In addition, the education of young minds had recently become the fashion, yet there were no small color plate books sized to miniature hands capturing the realistic glory of the natural order.  Sir William Jardine (1800-1847), noted Scottish Ichthyologist and Ornithologist, combined the talents of his colleagues, acknowledged naturalists in every field- Edward Lear, Prideaux John Selby, William Swainson, among them, and produced The Naturalists' Library. The intention was to create a fine, yet affordable work, describing and illustrating all elements of the natural world, birds, animals, fish, insects, save the plant world. Several plates were engraved after the naturalist masters, John James Audubon, John Gould and Maria Sibylla Merian.  The success of the publication was evidenced by the creation of 40 separate volumes within the next few decades. The engraver of the work was William H. Lizars, who at the time was engraving the first ten plates of John James Audubon's magnum opus, The Double Elephant Folio Edition of The Birds of America. Lizars engraved the plates in steel, opposed to copper, to render a very fine line on a small tablet, allowing for a very full and intricate background setting for each described species. Traditionally, only the major subject (bird, animal, insect or fish) was hand-colored with watercolor, the background was left uncolored. This work has withstood the test of time and continues to be an affordable option to the engraved work of many natural history masters.  
        ]]>
   </summary>
   <content type="html">
    
       <![CDATA[ 
                
     <br/>Jardine, Sir William, FRS, FLS .

        
        <br/>WH Lizars,

        <br/>Price: $65.00
       
        ]]>
   </content>
 </entry>

 <entry>
   <title type="html">
        <![CDATA[
        Trochilus Pella (Topaz-throated Hummingbird)  - Jardine, Sir William, FRS, FLS .
        ]]>
   </title>
   <link href="http://www.lowryjames.com/cgi-bin/lowry/4245"/>
   <id>urn:uuid:1225c695-cfb8-4ebb-aaaa-80da344efa6a85</id>
   <updated>2013-05-21T22:48:28Z</updated>
   <summary type="html">
      
        <![CDATA[ 
                A Fine original hand-colored steel engraving with bright original coloring.  12mo (6.75 x 4.25 inches, 10.8 x 17.15 cm). This fine engraving is classified as one the very finest Natural History miniatures produced. A refined and intelligent work, The Naturalist's Library was intended for everyone interested in Natural History, not just the wealthy who could afford the lavish color plate books produced during the early to mid 19th Century. In addition, the education of young minds had recently become the fashion, yet there were no small color plate books sized to miniature hands capturing the realistic glory of the natural order.  Sir William Jardine (1800-1847), noted Scottish Ichthyologist and Ornithologist, combined the talents of his colleagues, acknowledged naturalists in every field- Edward Lear, Prideaux John Selby, William Swainson, among them, and produced The Naturalists' Library. The intention was to create a fine, yet affordable work, describing and illustrating all elements of the natural world, birds, animals, fish, insects, save the plant world. Several plates were engraved after the naturalist masters, John James Audubon, John Gould and Maria Sibylla Merian.  The success of the publication was evidenced by the creation of 40 separate volumes within the next few decades. The engraver of the work was William H. Lizars, who at the time was engraving the first ten plates of John James Audubon's magnum opus, The Double Elephant Folio Edition of The Birds of America. Lizars engraved the plates in steel, opposed to copper, to render a very fine line on a small tablet, allowing for a very full and intricate background setting for each described species. Traditionally, only the major subject (bird, animal, insect or fish) was hand-colored with watercolor, the background was left uncolored. This work has withstood the test of time and continues to be an affordable option to the engraved work of many natural history masters.  
        ]]>
   </summary>
   <content type="html">
    
       <![CDATA[ 
                
     <br/>Jardine, Sir William, FRS, FLS .

        
        <br/>WH Lizars,

        <br/>Price: $65.00
       
        ]]>
   </content>
 </entry>

 <entry>
   <title type="html">
        <![CDATA[
        Trochilus Ornatus, Female (The Tufted-necked Hummingbird)  - Jardine, Sir William, FRS, FLS .
        ]]>
   </title>
   <link href="http://www.lowryjames.com/cgi-bin/lowry/4243"/>
   <id>urn:uuid:1225c695-cfb8-4ebb-aaaa-80da344efa6a86</id>
   <updated>2013-05-21T22:48:28Z</updated>
   <summary type="html">
      
        <![CDATA[ 
                A Fine original hand-colored steel engraving with bright original coloring.  12mo (6.75 x 4.25 inches, 10.8 x 17.15 cm). This fine engraving is classified as one the very finest Natural History miniatures produced. A refined and intelligent work, The Naturalist's Library was intended for everyone interested in Natural History, not just the wealthy who could afford the lavish color plate books produced during the early to mid 19th Century. In addition, the education of young minds had recently become the fashion, yet there were no small color plate books sized to miniature hands capturing the realistic glory of the natural order.  Sir William Jardine (1800-1847), noted Scottish Ichthyologist and Ornithologist, combined the talents of his colleagues, acknowledged naturalists in every field- Edward Lear, Prideaux John Selby, William Swainson, among them, and produced The Naturalists' Library. The intention was to create a fine, yet affordable work, describing and illustrating all elements of the natural world, birds, animals, fish, insects, save the plant world. Several plates were engraved after the naturalist masters, John James Audubon, John Gould and Maria Sibylla Merian.  The success of the publication was evidenced by the creation of 40 separate volumes within the next few decades. The engraver of the work was William H. Lizars, who at the time was engraving the first ten plates of John James Audubon's magnum opus, The Double Elephant Folio Edition of The Birds of America. Lizars engraved the plates in steel, opposed to copper, to render a very fine line on a small tablet, allowing for a very full and intricate background setting for each described species. Traditionally, only the major subject (bird, animal, insect or fish) was hand-colored with watercolor, the background was left uncolored. This work has withstood the test of time and continues to be an affordable option to the engraved work of many natural history masters.  
        ]]>
   </summary>
   <content type="html">
    
       <![CDATA[ 
                
     <br/>Jardine, Sir William, FRS, FLS .

        
        <br/>WH Lizars,

        <br/>Price: $65.00
       
        ]]>
   </content>
 </entry>

 <entry>
   <title type="html">
        <![CDATA[
        Trochilus Swainsonii (Swainson's Hummingbird)  - Jardine, Sir William, FRS, FLS .
        ]]>
   </title>
   <link href="http://www.lowryjames.com/cgi-bin/lowry/4242"/>
   <id>urn:uuid:1225c695-cfb8-4ebb-aaaa-80da344efa6a87</id>
   <updated>2013-05-21T22:48:28Z</updated>
   <summary type="html">
      
        <![CDATA[ 
                A Fine original hand-colored steel engraving with bright original coloring.  12mo (6.75 x 4.25 inches, 10.8 x 17.15 cm). This fine engraving is classified as one the very finest Natural History miniatures produced. A refined and intelligent work, The Naturalist's Library was intended for everyone interested in Natural History, not just the wealthy who could afford the lavish color plate books produced during the early to mid 19th Century. In addition, the education of young minds had recently become the fashion, yet there were no small color plate books sized to miniature hands capturing the realistic glory of the natural order.  Sir William Jardine (1800-1847), noted Scottish Ichthyologist and Ornithologist, combined the talents of his colleagues, acknowledged naturalists in every field- Edward Lear, Prideaux John Selby, William Swainson, among them, and produced The Naturalists' Library. The intention was to create a fine, yet affordable work, describing and illustrating all elements of the natural world, birds, animals, fish, insects, save the plant world. Several plates were engraved after the naturalist masters, John James Audubon, John Gould and Maria Sibylla Merian.  The success of the publication was evidenced by the creation of 40 separate volumes within the next few decades. The engraver of the work was William H. Lizars, who at the time was engraving the first ten plates of John James Audubon's magnum opus, The Double Elephant Folio Edition of The Birds of America. Lizars engraved the plates in steel, opposed to copper, to render a very fine line on a small tablet, allowing for a very full and intricate background setting for each described species. Traditionally, only the major subject (bird, animal, insect or fish) was hand-colored with watercolor, the background was left uncolored. This work has withstood the test of time and continues to be an affordable option to the engraved work of many natural history masters.  
        ]]>
   </summary>
   <content type="html">
    
       <![CDATA[ 
                
     <br/>Jardine, Sir William, FRS, FLS .

        
        <br/>WH Lizars,

        <br/>Price: $65.00
       
        ]]>
   </content>
 </entry>

 <entry>
   <title type="html">
        <![CDATA[
        Trochilus Orthura (Even-tailed Amethystine Hummingbird)  - Jardine, Sir William, FRS, FLS .
        ]]>
   </title>
   <link href="http://www.lowryjames.com/cgi-bin/lowry/4241"/>
   <id>urn:uuid:1225c695-cfb8-4ebb-aaaa-80da344efa6a88</id>
   <updated>2013-05-21T22:48:28Z</updated>
   <summary type="html">
      
        <![CDATA[ 
                A Fine original hand-colored steel engraving with bright original coloring.  12mo (6.75 x 4.25 inches, 10.8 x 17.15 cm). This fine engraving is classified as one the very finest Natural History miniatures produced. A refined and intelligent work, The Naturalist's Library was intended for everyone interested in Natural History, not just the wealthy who could afford the lavish color plate books produced during the early to mid 19th Century. In addition, the education of young minds had recently become the fashion, yet there were no small color plate books sized to miniature hands capturing the realistic glory of the natural order.  Sir William Jardine (1800-1847), noted Scottish Ichthyologist and Ornithologist, combined the talents of his colleagues, acknowledged naturalists in every field- Edward Lear, Prideaux John Selby, William Swainson, among them, and produced The Naturalists' Library. The intention was to create a fine, yet affordable work, describing and illustrating all elements of the natural world, birds, animals, fish, insects, save the plant world. Several plates were engraved after the naturalist masters, John James Audubon, John Gould and Maria Sibylla Merian.  The success of the publication was evidenced by the creation of 40 separate volumes within the next few decades. The engraver of the work was William H. Lizars, who at the time was engraving the first ten plates of John James Audubon's magnum opus, The Double Elephant Folio Edition of The Birds of America. Lizars engraved the plates in steel, opposed to copper, to render a very fine line on a small tablet, allowing for a very full and intricate background setting for each described species. Traditionally, only the major subject (bird, animal, insect or fish) was hand-colored with watercolor, the background was left uncolored. This work has withstood the test of time and continues to be an affordable option to the engraved work of many natural history masters.  
        ]]>
   </summary>
   <content type="html">
    
       <![CDATA[ 
                
     <br/>Jardine, Sir William, FRS, FLS .

        
        <br/>WH Lizars,

        <br/>Price: $65.00
       
        ]]>
   </content>
 </entry>

 <entry>
   <title type="html">
        <![CDATA[
        Trochilus Delalandii (Delalande's Hummingbird)  - Jardine, Sir William, FRS, FLS .
        ]]>
   </title>
   <link href="http://www.lowryjames.com/cgi-bin/lowry/4240"/>
   <id>urn:uuid:1225c695-cfb8-4ebb-aaaa-80da344efa6a89</id>
   <updated>2013-05-21T22:48:28Z</updated>
   <summary type="html">
      
        <![CDATA[ 
                A Fine original hand-colored steel engraving with bright original coloring.  12mo (6.75 x 4.25 inches, 10.8 x 17.15 cm). This fine engraving is classified as one the very finest Natural History miniatures produced. A refined and intelligent work, The Naturalist's Library was intended for everyone interested in Natural History, not just the wealthy who could afford the lavish color plate books produced during the early to mid 19th Century. In addition, the education of young minds had recently become the fashion, yet there were no small color plate books sized to miniature hands capturing the realistic glory of the natural order.  Sir William Jardine (1800-1847), noted Scottish Ichthyologist and Ornithologist, combined the talents of his colleagues, acknowledged naturalists in every field- Edward Lear, Prideaux John Selby, William Swainson, among them, and produced The Naturalists' Library. The intention was to create a fine, yet affordable work, describing and illustrating all elements of the natural world, birds, animals, fish, insects, save the plant world. Several plates were engraved after the naturalist masters, John James Audubon, John Gould and Maria Sibylla Merian.  The success of the publication was evidenced by the creation of 40 separate volumes within the next few decades. The engraver of the work was William H. Lizars, who at the time was engraving the first ten plates of John James Audubon's magnum opus, The Double Elephant Folio Edition of The Birds of America. Lizars engraved the plates in steel, opposed to copper, to render a very fine line on a small tablet, allowing for a very full and intricate background setting for each described species. Traditionally, only the major subject (bird, animal, insect or fish) was hand-colored with watercolor, the background was left uncolored. This work has withstood the test of time and continues to be an affordable option to the engraved work of many natural history masters.  
        ]]>
   </summary>
   <content type="html">
    
       <![CDATA[ 
                
     <br/>Jardine, Sir William, FRS, FLS .

        
        <br/>WH Lizars,

        <br/>Price: $65.00
       
        ]]>
   </content>
 </entry>

 <entry>
   <title type="html">
        <![CDATA[
        Trochilus Gouldii (Gould's Hummingbird)  - Jardine, Sir William, FRS, FLS .
        ]]>
   </title>
   <link href="http://www.lowryjames.com/cgi-bin/lowry/4239"/>
   <id>urn:uuid:1225c695-cfb8-4ebb-aaaa-80da344efa6a90</id>
   <updated>2013-05-21T22:48:28Z</updated>
   <summary type="html">
      
        <![CDATA[ 
                A Fine original hand-colored steel engraving with bright original coloring.  12mo (6.75 x 4.25 inches, 10.8 x 17.15 cm). This fine engraving is classified as one the very finest Natural History miniatures produced. A refined and intelligent work, The Naturalist's Library was intended for everyone interested in Natural History, not just the wealthy who could afford the lavish color plate books produced during the early to mid 19th Century. In addition, the education of young minds had recently become the fashion, yet there were no small color plate books sized to miniature hands capturing the realistic glory of the natural order.  Sir William Jardine (1800-1847), noted Scottish Ichthyologist and Ornithologist, combined the talents of his colleagues, acknowledged naturalists in every field- Edward Lear, Prideaux John Selby, William Swainson, among them, and produced The Naturalists' Library. The intention was to create a fine, yet affordable work, describing and illustrating all elements of the natural world, birds, animals, fish, insects, save the plant world. Several plates were engraved after the naturalist masters, John James Audubon, John Gould and Maria Sibylla Merian.  The success of the publication was evidenced by the creation of 40 separate volumes within the next few decades. The engraver of the work was William H. Lizars, who at the time was engraving the first ten plates of John James Audubon's magnum opus, The Double Elephant Folio Edition of The Birds of America. Lizars engraved the plates in steel, opposed to copper, to render a very fine line on a small tablet, allowing for a very full and intricate background setting for each described species. Traditionally, only the major subject (bird, animal, insect or fish) was hand-colored with watercolor, the background was left uncolored. This work has withstood the test of time and continues to be an affordable option to the engraved work of many natural history masters.  
        ]]>
   </summary>
   <content type="html">
    
       <![CDATA[ 
                
     <br/>Jardine, Sir William, FRS, FLS .

        
        <br/>WH Lizars,

        <br/>Price: $65.00
       
        ]]>
   </content>
 </entry>

 <entry>
   <title type="html">
        <![CDATA[
        Trochilus Amethystina (Amethystine Hummingbird)  - Jardine, Sir William, FRS, FLS .
        ]]>
   </title>
   <link href="http://www.lowryjames.com/cgi-bin/lowry/4237"/>
   <id>urn:uuid:1225c695-cfb8-4ebb-aaaa-80da344efa6a91</id>
   <updated>2013-05-21T22:48:28Z</updated>
   <summary type="html">
      
        <![CDATA[ 
                A Fine original hand-colored steel engraving with bright original coloring.  12mo (6.75 x 4.25 inches, 10.8 x 17.15 cm). This fine engraving is classified as one the very finest Natural History miniatures produced. A refined and intelligent work, The Naturalist's Library was intended for everyone interested in Natural History, not just the wealthy who could afford the lavish color plate books produced during the early to mid 19th Century. In addition, the education of young minds had recently become the fashion, yet there were no small color plate books sized to miniature hands capturing the realistic glory of the natural order.  Sir William Jardine (1800-1847), noted Scottish Ichthyologist and Ornithologist, combined the talents of his colleagues, acknowledged naturalists in every field- Edward Lear, Prideaux John Selby, William Swainson, among them, and produced The Naturalists' Library. The intention was to create a fine, yet affordable work, describing and illustrating all elements of the natural world, birds, animals, fish, insects, save the plant world. Several plates were engraved after the naturalist masters, John James Audubon, John Gould and Maria Sibylla Merian.  The success of the publication was evidenced by the creation of 40 separate volumes within the next few decades. The engraver of the work was William H. Lizars, who at the time was engraving the first ten plates of John James Audubon's magnum opus, The Double Elephant Folio Edition of The Birds of America. Lizars engraved the plates in steel, opposed to copper, to render a very fine line on a small tablet, allowing for a very full and intricate background setting for each described species. Traditionally, only the major subject (bird, animal, insect or fish) was hand-colored with watercolor, the background was left uncolored. This work has withstood the test of time and continues to be an affordable option to the engraved work of many natural history masters.  
        ]]>
   </summary>
   <content type="html">
    
       <![CDATA[ 
                
     <br/>Jardine, Sir William, FRS, FLS .

        
        <br/>WH Lizars,

        <br/>Price: $65.00
       
        ]]>
   </content>
 </entry>

 <entry>
   <title type="html">
        <![CDATA[
        Trochilus Underwoodii (Rough-legged Racket-tailed Hummingbird)  - Jardine, Sir William, FRS, FLS .
        ]]>
   </title>
   <link href="http://www.lowryjames.com/cgi-bin/lowry/4235"/>
   <id>urn:uuid:1225c695-cfb8-4ebb-aaaa-80da344efa6a92</id>
   <updated>2013-05-21T22:48:28Z</updated>
   <summary type="html">
      
        <![CDATA[ 
                A Fine original hand-colored steel engraving with bright original coloring.  12mo (6.75 x 4.25 inches, 10.8 x 17.15 cm). This fine engraving is classified as one the very finest Natural History miniatures produced. A refined and intelligent work, The Naturalist's Library was intended for everyone interested in Natural History, not just the wealthy who could afford the lavish color plate books produced during the early to mid 19th Century. In addition, the education of young minds had recently become the fashion, yet there were no small color plate books sized to miniature hands capturing the realistic glory of the natural order.  Sir William Jardine (1800-1847), noted Scottish Ichthyologist and Ornithologist, combined the talents of his colleagues, acknowledged naturalists in every field- Edward Lear, Prideaux John Selby, William Swainson, among them, and produced The Naturalists' Library. The intention was to create a fine, yet affordable work, describing and illustrating all elements of the natural world, birds, animals, fish, insects, save the plant world. Several plates were engraved after the naturalist masters, John James Audubon, John Gould and Maria Sibylla Merian.  The success of the publication was evidenced by the creation of 40 separate volumes within the next few decades. The engraver of the work was William H. Lizars, who at the time was engraving the first ten plates of John James Audubon's magnum opus, The Double Elephant Folio Edition of The Birds of America. Lizars engraved the plates in steel, opposed to copper, to render a very fine line on a small tablet, allowing for a very full and intricate background setting for each described species. Traditionally, only the major subject (bird, animal, insect or fish) was hand-colored with watercolor, the background was left uncolored. This work has withstood the test of time and continues to be an affordable option to the engraved work of many natural history masters.  
        ]]>
   </summary>
   <content type="html">
    
       <![CDATA[ 
                
     <br/>Jardine, Sir William, FRS, FLS .

        
        <br/>WH Lizars,

        <br/>Price: $65.00
       
        ]]>
   </content>
 </entry>

 <entry>
   <title type="html">
        <![CDATA[
        Trochilus Petasphorous (Violet-tufted Hummingbird)  - Jardine, Sir William, FRS, FLS .
        ]]>
   </title>
   <link href="http://www.lowryjames.com/cgi-bin/lowry/4234"/>
   <id>urn:uuid:1225c695-cfb8-4ebb-aaaa-80da344efa6a93</id>
   <updated>2013-05-21T22:48:28Z</updated>
   <summary type="html">
      
        <![CDATA[ 
                A Fine original hand-colored steel engraving with bright original coloring.  12mo (6.75 x 4.25 inches, 10.8 x 17.15 cm). This fine engraving is classified as one the very finest Natural History miniatures produced. A refined and intelligent work, The Naturalist's Library was intended for everyone interested in Natural History, not just the wealthy who could afford the lavish color plate books produced during the early to mid 19th Century. In addition, the education of young minds had recently become the fashion, yet there were no small color plate books sized to miniature hands capturing the realistic glory of the natural order.  Sir William Jardine (1800-1847), noted Scottish Ichthyologist and Ornithologist, combined the talents of his colleagues, acknowledged naturalists in every field- Edward Lear, Prideaux John Selby, William Swainson, among them, and produced The Naturalists' Library. The intention was to create a fine, yet affordable work, describing and illustrating all elements of the natural world, birds, animals, fish, insects, save the plant world. Several plates were engraved after the naturalist masters, John James Audubon, John Gould and Maria Sibylla Merian.  The success of the publication was evidenced by the creation of 40 separate volumes within the next few decades. The engraver of the work was William H. Lizars, who at the time was engraving the first ten plates of John James Audubon's magnum opus, The Double Elephant Folio Edition of The Birds of America. Lizars engraved the plates in steel, opposed to copper, to render a very fine line on a small tablet, allowing for a very full and intricate background setting for each described species. Traditionally, only the major subject (bird, animal, insect or fish) was hand-colored with watercolor, the background was left uncolored. This work has withstood the test of time and continues to be an affordable option to the engraved work of many natural history masters.  
        ]]>
   </summary>
   <content type="html">
    
       <![CDATA[ 
                
     <br/>Jardine, Sir William, FRS, FLS .

        
        <br/>WH Lizars,

        <br/>Price: $65.00
       
        ]]>
   </content>
 </entry>

 <entry>
   <title type="html">
        <![CDATA[
        Trochilus Multicolor (Harlequin Hummingbird)  - Jardine, Sir William, FRS, FLS .
        ]]>
   </title>
   <link href="http://www.lowryjames.com/cgi-bin/lowry/4233"/>
   <id>urn:uuid:1225c695-cfb8-4ebb-aaaa-80da344efa6a94</id>
   <updated>2013-05-21T22:48:28Z</updated>
   <summary type="html">
      
        <![CDATA[ 
                A Fine original hand-colored steel engraving with bright original coloring.  12mo (6.75 x 4.25 inches, 10.8 x 17.15 cm). This fine engraving is classified as one the very finest Natural History miniatures produced. A refined and intelligent work, The Naturalist's Library was intended for everyone interested in Natural History, not just the wealthy who could afford the lavish color plate books produced during the early to mid 19th Century. In addition, the education of young minds had recently become the fashion, yet there were no small color plate books sized to miniature hands capturing the realistic glory of the natural order.  Sir William Jardine (1800-1847), noted Scottish Ichthyologist and Ornithologist, combined the talents of his colleagues, acknowledged naturalists in every field- Edward Lear, Prideaux John Selby, William Swainson, among them, and produced The Naturalists' Library. The intention was to create a fine, yet affordable work, describing and illustrating all elements of the natural world, birds, animals, fish, insects, save the plant world. Several plates were engraved after the naturalist masters, John James Audubon, John Gould and Maria Sibylla Merian.  The success of the publication was evidenced by the creation of 40 separate volumes within the next few decades. The engraver of the work was William H. Lizars, who at the time was engraving the first ten plates of John James Audubon's magnum opus, The Double Elephant Folio Edition of The Birds of America. Lizars engraved the plates in steel, opposed to copper, to render a very fine line on a small tablet, allowing for a very full and intricate background setting for each described species. Traditionally, only the major subject (bird, animal, insect or fish) was hand-colored with watercolor, the background was left uncolored. This work has withstood the test of time and continues to be an affordable option to the engraved work of many natural history masters.  
        ]]>
   </summary>
   <content type="html">
    
       <![CDATA[ 
                
     <br/>Jardine, Sir William, FRS, FLS .

        
        <br/>WH Lizars,

        <br/>Price: $65.00
       
        ]]>
   </content>
 </entry>

 <entry>
   <title type="html">
        <![CDATA[
        Moose.  - Kemp, Oliver.
        ]]>
   </title>
   <link href="http://www.lowryjames.com/cgi-bin/lowry/4025"/>
   <id>urn:uuid:1225c695-cfb8-4ebb-aaaa-80da344efa6a95</id>
   <updated>2013-05-21T22:48:28Z</updated>
   <summary type="html">
      
        <![CDATA[ 
                A Fine original chromolithograph printed on heavy coated stock. Quarto (9 x 12.5 Inches). Published as part of the unbound portfolio of prints. This is one of the finest of the late 19th to early 20th century American chromolithographs: a color-printed lithograph for which a separate stone was used for the application of each color, thus requiring meticulous registration to recreate the subtle tones of blended color .  
        ]]>
   </summary>
   <content type="html">
    
       <![CDATA[ 
                
     <br/>Kemp, Oliver.

        
        <br/>Forest, Fish and Game Commision,

        <br/>Price: $175.00
       
        ]]>
   </content>
 </entry>

 <entry>
   <title type="html">
        <![CDATA[
        Wood Duck Male. (Aix Sponsa, Swainson).  - Ridgway, John L.
        ]]>
   </title>
   <link href="http://www.lowryjames.com/cgi-bin/lowry/3922"/>
   <id>urn:uuid:1225c695-cfb8-4ebb-aaaa-80da344efa6a96</id>
   <updated>2013-05-21T22:48:28Z</updated>
   <summary type="html">
      
        <![CDATA[ 
                A Fine original chromolithograph printed on heavy coated stock. Quarto (9 x 12.5 Inches). Published as part of the unbound portfolio of prints. This is one of the finest of the late 19th to early 20th century American chromolithographs: a color-printed lithograph in which a separate stone was used for the application of each color, thus requiring meticulous registration to recreate the subtle tones of blended color . This fine chromolithograph was produced from the original watercolors by John Livzey Ridgway (1859-1947), a prominent American scientific illustrator and draftsman for the USGS Reports from 1884- to 1920.  
        ]]>
   </summary>
   <content type="html">
    
       <![CDATA[ 
                
     <br/>Ridgway, John L.

        
        <br/>Forest, Fish and Game Commision,

        <br/>Price: $175.00
       
        ]]>
   </content>
 </entry>

 <entry>
   <title type="html">
        <![CDATA[
        Wood Duck Female. (Aix Sponsa, Swainson).  - Ridgway, John L.
        ]]>
   </title>
   <link href="http://www.lowryjames.com/cgi-bin/lowry/3921"/>
   <id>urn:uuid:1225c695-cfb8-4ebb-aaaa-80da344efa6a97</id>
   <updated>2013-05-21T22:48:28Z</updated>
   <summary type="html">
      
        <![CDATA[ 
                A Fine original chromolithograph printed on heavy coated stock. Quarto (9 x 12.5 Inches). Published as part of the unbound portfolio of prints. This is one of the finest of the late 19th to early 20th century American chromolithographs: a color-printed lithograph in which a separate stone was used for the application of each color, thus requiring meticulous registration to recreate the subtle tones of blended color . This fine chromolithograph was produced from the original watercolors by John Livzey Ridgway (1859-1947), a prominent American scientific illustrator and draftsman for the USGS Reports from 1884- to 1920.  
        ]]>
   </summary>
   <content type="html">
    
       <![CDATA[ 
                
     <br/>Ridgway, John L.

        
        <br/>Forest, Fish and Game Commision,

        <br/>Price: $175.00
       
        ]]>
   </content>
 </entry>

 <entry>
   <title type="html">
        <![CDATA[
        Quail. (Colinus Virginianus, Linnaeus).  - Ridgway, John L.
        ]]>
   </title>
   <link href="http://www.lowryjames.com/cgi-bin/lowry/3918"/>
   <id>urn:uuid:1225c695-cfb8-4ebb-aaaa-80da344efa6a98</id>
   <updated>2013-05-21T22:48:28Z</updated>
   <summary type="html">
      
        <![CDATA[ 
                A Fine original chromolithograph printed on heavy coated stock. Quarto (9 x 12.5 Inches). Published as part of the unbound portfolio of prints. This is one of the finest of the late 19th to early 20th century American chromolithographs: a color-printed lithograph in which a separate stone was used for the application of each color, thus requiring meticulous registration to recreate the subtle tones of blended color . This fine chromolithograph was produced from the original watercolors by John Livzey Ridgway (1859-1947), a prominent American scientific illustrator and draftsman for the USGS Reports from 1884- to 1920.  
        ]]>
   </summary>
   <content type="html">
    
       <![CDATA[ 
                
     <br/>Ridgway, John L.

        
        <br/>Forest, Fish and Game Commision,

        <br/>Price: $175.00
       
        ]]>
   </content>
 </entry>

 <entry>
   <title type="html">
        <![CDATA[
        Ruffed Grouse or Partridge (Bonasa Umbellus, Linnaeus).  - Ridgway, John L.
        ]]>
   </title>
   <link href="http://www.lowryjames.com/cgi-bin/lowry/3917"/>
   <id>urn:uuid:1225c695-cfb8-4ebb-aaaa-80da344efa6a99</id>
   <updated>2013-05-21T22:48:28Z</updated>
   <summary type="html">
      
        <![CDATA[ 
                A Fine original chromolithograph printed on heavy coated stock. Quarto (9 x 12.5 Inches). Published as part of the unbound portfolio of prints. This is one of the finest of the late 19th to early 20th century American chromolithographs: a color-printed lithograph in which a separate stone was used for the application of each color, thus requiring meticulous registration to recreate the subtle tones of blended color . This fine chromolithograph was produced from the original watercolors by John Livzey Ridgway (1859-1947), a prominent American scientific illustrator and draftsman for the USGS Reports from 1884- to 1920.  
        ]]>
   </summary>
   <content type="html">
    
       <![CDATA[ 
                
     <br/>Ridgway, John L.

        
        <br/>Forest, Fish and Game Commision,

        <br/>Price: $175.00
       
        ]]>
   </content>
 </entry>

 <entry>
   <title type="html">
        <![CDATA[
        Woodcock. (Philohela Minor).  - Ridgway, John L.
        ]]>
   </title>
   <link href="http://www.lowryjames.com/cgi-bin/lowry/3916"/>
   <id>urn:uuid:1225c695-cfb8-4ebb-aaaa-80da344efa6a100</id>
   <updated>2013-05-21T22:48:28Z</updated>
   <summary type="html">
      
        <![CDATA[ 
                A Fine original chromolithograph printed on heavy coated stock. Quarto (9 x 12.5 Inches). Published as part of the unbound portfolio of prints. This is one of the finest of the late 19th to early 20th century American chromolithographs: a color-printed lithograph in which a separate stone was used for the application of each color, thus requiring meticulous registration to recreate the subtle tones of blended color . This fine chromolithograph was produced from the original watercolors by John Livzey Ridgway (1859-1947), a prominent American scientific illustrator and draftsman for the USGS Reports from 1884- to 1920.  
        ]]>
   </summary>
   <content type="html">
    
       <![CDATA[ 
                
     <br/>Ridgway, John L.

        
        <br/>Forest, Fish and Game Commision,

        <br/>Price: $175.00
       
        ]]>
   </content>
 </entry>
 
</feed>

